Cannes 2013 First Impression: ONLY GOD FORGIVES Is A Hyper-Violent Feast For The Senses

Editor, Festivals; Los Angeles, California (@RylandAldrich)
Cannes 2013 First Impression: ONLY GOD FORGIVES Is A Hyper-Violent Feast For The Senses

Few films are as anticipated around ScreenAnarchy as Nicolas Winding Refn's follow-up to Drive and re-teaming with Ryan Gosling, Only God Forgives. The film has had its premier at Cannes and boy is it going to be divisive. More art film than drama, this is an immaculately constructed production where every shot is a masterpiece. Just try to look away.

From Cliff Martinez's score that alternates between full orchestral and electronic piano to some of the most exquisite production design and cinematography ever put to film, this is a cinematic feast for the senses. Even the special effects makeup work is brilliant with every sliced off body part squirting out just the right amount of practical blood. Oh and there is plenty of blood.

While many will surely argue that this is all at the expense of story, there is enough of one here to keep things moving, even if barely, and Kristin Scott Thomas is everything she's advertised to be. Get ready, the most badass art film ever is coming your way.

RADiUS-TWC has dated the film in the US for July 19.

Only God Forgives

  • Nicolas Winding Refn
  • Nicolas Winding Refn
  • Ryan Gosling
  • Kristin Scott Thomas
  • Vithaya Pansringarm
  • Gordon Brown
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CannesCannes 2013Cannes Film FestivalFirst ImpressionsNicolas RefnRyan GoslingNicolas Winding RefnKristin Scott ThomasVithaya PansringarmGordon BrownCrimeDrama

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