Melbourne 2018: MIFF Becomes Cannes With Record Acquisitions

Editor, Australia; Melbourne, Australia (@Kwenton)
Sign-In to Vote
Melbourne 2018: MIFF Becomes Cannes With Record Acquisitions

It is that time again, as my personal tenth Melbourne International Film Festival looms on the horizon and I am reminded how old I am getting. What better way to celebrate or commiserate than with a record-breaking splurge of titles from the Croisette, 43 titles to be specific.

Both opening night selection Everybody Knows and closer The Man Who Killed Don Quixote will be joined by films plucked across Competition, Un Certain Regard and art-house bait sections Critics Week and Director's Fortnight.

Thirteen of the 21 In Competition films will be screened at MIFF and yet I still cannot help feel dismayed that Lars von Trier, an auteur synonymous with MIFF and my many years of attendance at the festival, will not be represented, as his latest murder-porn The House That Jack Built has been shunned. Equally disappointing is David Robert Mitchell's (It Follows) neo-noir absence with Under the Silver Lake.

For the full line-up and links to our selected reviews, look no further...

Cold War_preview miff 18 sa.jpeg

Spearheaded by this year’s Palme d'Or winner – Japanese director Hirokazu Kore-eda’s Shoplifters explores the heartbreak and hidden secrets of a family of small-time thieves; Penélope Cruz and Javier Bardem star in Everybody Knows, the tense psychological thriller that opened this year’s Cannes competition from two-time Oscar-winning director Asghar Farhadi (A Seperation). This riveting Spanish-language thriller explores Farhadi’s trademark concerns of class tension, family secrets and domestic angst. What unravels is a tightly wound game of whodunit.

Following his Oscar-winning masterpiece Ida, Pawel Pawlikowski’s Cold War is a stunning love story that wends its way through a partitioned Europe that is inspired by Pawlikowski’s own parents’ story; Italian director Alice Rohrwacher’s (The Wonders) enchanting feature Happy as Lazzaro is a magic-realist fable of modern Italy that bends time in unforgettable ways; Nadine Labaki’s Capharnaüm went on to win this year’s Jury Prize. A neorealist fable, this is a startling premise of a 12-year-old child attempting to divorce from his parents.

Multiple award winner at Cannes (the Camera d’Or, Queer Palm, Un Certain Regard Best Actor and the FIPRESCI Prize) Lukas Dhont’s debut feature Girl is an empathetic chronicle of a young transgender woman’s quest to become a ballerina.

Legendary provocateur Gaspar Noé's Climax is an ecstatic and nightmarish orgy of sex, drugs and 90s club music that re-establishes his credentials as modern cinema’s most incisive and inventive observer of humanity’s darkness; Gabriel Abrantes and Daniel Schmidt’s Diamantino is a wild satire following a disgraced soccer superstar on a fantastical adventure that skewers celebrity culture by way of queer sci-fi thriller and political comedy.

Just annonunced and decades in the making, director Terry Gilliam’s near-mythical riff on Cervantes’ fantastic tale, The Man Who Killed Don Quixote - finally makes its debut. Starring Adam Driver it tells the story of a cynical ad man trapped in the delusions of an old shoemaker who believes himself to be Don Quixote, with a meta-bend on the process of film itself.

Three selected animated features offer audiences a unique perspective on family, the allure of war reporting and the pursuit of truth. Journalist Ryszard Kapuscinski’s experiences during the 1975 Angolan civil war anchor Another Day of Life – a stirring hybrid of live-action documentary and animated biography, based on the Polish reporter’s acclaimed memoir of the same name; Chris the Swiss plunges audiences into a murder mystery amid the Yugoslav Wars of the early 1990s. Here, director Anja Kofmel tells the untold story surrounding the death of her cousin Chris, a Swiss war reporter, after his body was discovered under mysterious circumstances in 1992. On a lighter note Mirai blends time-travelling antics with delicate family dynamics. Director Mamoru Hosoda’s fantastical film offers a child’s view of coping with a new sibling.

This year’s Cannes documentary selections are set to leave audiences inspired and divided. In Pope Francis – a Man of his Word, Oscar-nominated filmmaker Wim Wenders turns his lens to one of the world’s most remarkable subjects: the enigmatic, visionary and controversial Pope Francis with unprecedented access; from church to the altar of entertainment, Mark Cousins’ The Eyes of Orson Welles gets to the heart of greatness in a whimsical and heartfelt examination of one of the 20th century’s greatest showmen.

Here's a list of all the announced films in alphabetical order not mentioned above, with links to our reviews where applicable and notes on what I am really looking forward to.

The Wild Pear Tree_preview miff 18 sa.jpeg

Another Day of Life – Dir. Rau de la Fuente

Arctic– Dir. Joe Penna, love a survival tale, and Mads Mikkelsen will no doubt bring the intensity and desperation required as he plays a researcher who must survive in the Arctic after a plane crash

Asako I+II – Dir. Ryusuke Hamaguchi, possibly my least favourite Director on this list, pointless is a word that comes to mind

Ash is Purest White Dir. Jia Zhang-ke, I question if this will make me finally like the auteur

At War – Dir. Stéphane Brizé, the working class are betrayed by the system as lay-offs at a car plant spark what happens next

Birds of Passage – Dir. Ciro Guerra and Cristina Gallego

Burning – Dir. Lee Chang-dong

Cold War - Dir. Pawel Pawlikowski, Ida was a masterpiece and the sublime black and white cinematography and period detail that defined it is given wider scope in Pawel's latest intimate epic

Dear Son - Dir. Mohamed Ben Attia

Diamantino – Dir. Gabriel Abrantes and Daniel Schmidt

Dogman -Dir. Matteo Garrone

Donbass - Dir. Sergei Loznitsa

Knife + Heart - Dir. Yann Gonzalez

Leave No Trace - Dir. Debra Granik, the return of the director of the superb Winter's Bone

Los Silencios - Dir. Beatriz Seigner

Mandy - Dir. Panos Cosmatos

Manto - Dir. Nandita Das

Murder Me, Monster - Dir. Alejandro Fadel

One Day - Dir. Zsofia Szilagyi

Rafiki - Dir. Wanuri Kahiu, a rare lesbian queer narrative already banned in its country Kenya 

Sofia - Dir. Meryem Benm'Barek

Sorry Angel - Dir. Christophe Honore

The Eyes of Orson Welles - Dir. Mark Cousins

The Fugue - Dir. Agnieszka Smoczynska, Director of the completely insane mermaid musical horror The Lure tones it down for an amnesia fuelled thriller

The Harvesters - Dir. Etienne Kallos, an intense-sounding Afrikaan tale

The Image Book - Dir. Jean-Luc Godard, prepare to be confounded and probably frustrated

The Spy Gone North - Dir. Yoon Jong-Bin, a spy-thriller based on true accounts is both timely and undoubtedly entertaining

The Wild Pear Tree - Dir. Nuri Bilge Ceylan, over three hours of simmering drama from the master behind Once Upon a Time in Anatolia

The World is Yours - Dir. Romain Gavras, a souped-up French gangster comedy from famed hyper-stylish music director Romain Gavras

Three Faces - Dir. Jafar Panahi, Iranian auteur continues fighting the good fight with meta-commentary of his plight

Wildlife – Dir. Paul Dano, this film will be opening MIFF and stars Jake Gyllenhaal

Woman at War - Dir. Benedikt Erlingsson

Yomeddine - Dir. Abu Bakr Shawky

The full 2018 MIFF program will be revealed on Tuesday 10 July and all tickets go on sale Friday 13 July. The 2018 Melbourne International Film Festival runs 2-19 August, visit miff.com.au.

Ash is Purest White_preview miff 18 sa.jpeg

Sign-In to Vote
Screen Anarchy logo
Do you feel this content is inappropriate or infringes upon your rights? Click here to report it, or see our DMCA policy.
canneslineupmelbournemelbourne international film festivalmiffmiff 18program

More from Around the Web