ScreenAnarchy's KILL LIST Review Roundup

Managing Editor; Dallas, Texas (@peteramartin)
Sign-In to Vote
ScreenAnarchy's KILL LIST Review Roundup

Ben Wheatley's Down Terrace was a dark, weird, funky, concoction with some of the blackest comedy (and least penetrable accents) I'd seen and heard in recent years. So when Mr. Wheatley's followup film, Kill List was scheduled for its World Premiere at SXSW last year, I made sure that I'd be in attendance for its first screening -- especially important since plot details were very vague for what sounded like a dramatic, possibly disturbing experience -- and I wanted to approach it completely fresh.

And that, then, has been the challenge for those of us who've written about the movie, because Kill List fairly well demands (and deserves) an open mind and a blank slate. So my recommendation is simply to go see Kill List. It opens in limited theatrical release in the U.S. tomorrow, and will be worth every last coin you scrape together to buy a ticket.

However ...

... I realize that some people -- OK, most people -- would like some idea about the movie, so what follows is a roundup of the four (4) reviews that have been published at ScreenAnarchy. No spoilers below.

My shellshocked reaction from that first screening at Midnight in Austin, Texas:

"Kill List is a film that almost certainly demands and will reward a second viewing, if nothing else to fully appreciate what Wheatley is doing here, combining a seething dramatic atmosphere where naturalistic conversational exchanges arise, with blunt passion and actions that reflect the inner turmoil of the characters. And a killer ending."

(My review.)

James Marsh reviewed it in connection with London's Frightfest in late August.

"Because of this loose and naturalistic approach to the material, the effectiveness of Kill List rests heavily on the shoulders of the actors, who are awarded a co-writing credit to acknowledge their improvisational contributions. ... Seen as a whole, Kill List more than earns its pay-off, which should leave audiences stunned, breathless and in dire need of a stiff drink."

(James Marsh's review.)

James Dennis also reviewed it at London's Frightfest, and was left divided.

"Equal parts impressive and frustrating. ... Ambiguity can be a great tool for intriguing and some things are certainly better left unsaid, but it's out of place here."

(James Dennis' review.)

Fellow UK contributing writer Eight Rooks later weighed in with a more negative reaction.

"There's much to admire here - the performances, the rising sense of menace made apparent in even the most trivial exchanges of dialogue, some fairly impressive cinematography from DP Laurie Rose - but not much to actually like."

(Eight Rooks' review.)

Mine is the only unqualified rave; I still highly recommend Kill List, which was one of the best movies I saw last year. However, even if you don't end up liking it, perhaps, at minimum, you'll agree that it's an admirable effort.

Kill List opens in limited theatrical release in the U.S. tomorrow.

Sign-In to Vote
Screen Anarchy logo
Do you feel this content is inappropriate or infringes upon your rights? Click here to report it, or see our DMCA policy.
Ben WheatleyAmy JumpNeil MaskellMyAnna BuringHarry SimpsonMichael SmileyCrimeHorrorThriller

More about Kill List

Around the Internet

https://www.google.com/accounts/o8/id?id=AItOawndKohf6PDgQurJZR6qkPd4q69tb--Jm44February 3, 2012 9:40 PM

It was a pretty great film. I thought it was the closest yet that any other director has gotten to the French Horror greats of the last decade, despite the odd narrative jumps and plot inconsistencies.

Jay and Gal's business relationship felt completely plausible, the unhappy marriage made logical sense(despite the directors statement on the commentary) , and the witchcraft themes weren't too cliche and over done.

Bluray is available in the UK btw. It may never get an Australian Cinema Release.

cuckooFebruary 4, 2012 10:07 AM

I think I liked the non-supernatural elements of the film most of all, the improv dialogue bits and acting were spot on and made you care for the characters. The occult aspects? A bit hammy and ultimately unsatisfying.