Tag: biff2020
Busan 2020 Review: COALESCE Shows Cambodia as a Land Compromised by Opportunity
Three young men look to forge their own paths in the fast-developing Kingdom of Cambodia in French filmmaker Jessé Miceli’s keenly observed debut feature. Employing non-professional actors and an entirely Cambodian cast, what follows is a coherent and engaging story...
Busan 2020 Review: In THREE, Soviet Rule Made Monsters Of Everyone
A police intern becomes the lead investigator in one of the most gruesome and notorious murder cases in modern history, in Ruslan Pak's bleak and introspective new thriller. Inspired by the true story of Kazakh serial killer and cannibal Nikolai...
Busan 2020 Review: LIMECRIME, Tone Deaf Hip-hop Biopic
As a self-confessed Korean hip-hop ‘stan’, Limecrime is a dismal disappointment. This is Directed by the actual former Limecrime duo LEE Seunghwan and YOO Jaewook, who moved on from performing together in the early aughts and are no longer part...
Busan 2020 Review: THE PREDATORS, Stylish Italian Dark Comedy Debut
Twenty-eight year old newcomer Pietro Castellitto debuts with this assured, sharply scripted black comedy about class, wildly different families and the individuals that comprise them. It was frankly shocking to learn the Director of this film is so young, as...
Busan 2020 Review: GOOD PERSON Compels With Its Dizzying Morality Play
With confident direction in the first few frames alone, this debut feature from JUNG Wook is a masterful mystery. Good Person draws comparisons to European cinema; epic yet intimate portrayal of ethics, morality and human nature in the contemporary. These...
Busan 2020 Review: HAPPY OLD YEAR; Minimalist Design, Maximalist Selfishness
The philosophy or art of letting go; the artifice of such a belief or methodology questioned in a purposely staged environment is how Happy Old Year introduces its jaded protagonist Jean (Chutimon Chuengchar, Bad Genius). She is interviewed by a...