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BiFan 2018 Review: BEAUTIFUL VAMPIRE Bites Into Endearing and Quirky Horror Romcom

Combining the stylings of a young Park Chan-wook with the emotional sensibilities of the Korean drama world, debut feature Beautiful Vampire stood out from the crop of local indie genre features making their debuts at the Bucheon International Fantastic Film...

BiFan 2018: NAFF Awards Claimed by WORM and SOUL SEARCHING

Taking place just a few blocks away from the theaters screening the world's genre cinema delights in Bucheon, the Network of Asian Fantastic Film (NAFF) returned for its 11th edition to promote the global genre hits of tomorrow. In all,...

BiFan 2018: REVENGE & LAND OF HAPPINESS Claim Top Prizes

After ten days of hot days, long summer nights and endless genre treats in Bucheon, this year's BiFan finally drew to a close in late July. Earning this year's top award was Coralie Fargeat's acclaimed horror-thriller Revenge. Meanwhile Jung Min-kyu's...

BiFan 2018: ScreenAnarchy Offers Its Picks for This Year's Jam-Packed Bucheon!

We're now just 48 hours away from the opening of this year's 22nd Bucheon International Fantastic Film Festival (BiFan), and while the ScreenAnarchy team is busy packing their printed tees, brollies and aspirin, we've also found a little time to...

BiFan Promises Thrills and Chills in Stuffed 22nd Lineup

Pollution particles and yellow dust have been replaced by summer humidity hanging in the air, which can only mean one thing - BiFan is just around the corner! On a hot Thursday afternoon in early June in Central Seoul, the...

BiFan 2017 Review: SUDDENLY IN DARK NIGHT Goes Bump in All the Right Places

From Kim Ki-young's The Housemaid in 1961 all the way to Park Chan-wook's The Handmaiden last year, Korean cinema has delighted in torrid tales of disruptive house servants. Whether as a way to contrast social classes or explore illicit sexuality,...

BiFan 2017 Review: COFFEE NOIR: BLACK BROWN Brews Fresh Prohibition Drama with a Bitter Kick

An intriguing concept can be enough to pull you into a film, but what keeps you there is a sense of purpose and steadfast execution. Korean indie Coffee Noir: Black Brown, the third film from emerging talent Jang Hyun-sang, which...

BiFan 2017 Review: MON MON MON MONSTERS, Giddens Ko's Brutal, Stylish High School Horror-Comedy

Taiwanese filmmaker Giddens Ko returns to high school for his follow up to the massively entertaining and successful You Are the Apple of My Eye, but things take a much darker turn in Mon Mon Mon Monsters, a mile-a-minute horror-comedy...

BiFan 2017 Review: RYEOHAENG Casts Abstract Light on NK Refugees

Director Im Heung-soon returns for his third feature, casting his artistic light on another under-served segment of the population with the documentary Ryeohaeng. Focusing on the lives of several female North Korean defectors in Korea, Im contrasts talking heads positioned...

BiFan 2017 Review: BEHIND THE DARK NIGHT Swedes Its Way to Victory

Low-budget, semi-autobiographical indies about young men trying to make their feature film debuts have been done to death in Korea (Cheer Up Mr. Lee, We Will Be OK and Director's Cut come to mind), so expectations were muted for Behind...

BiFan 2017 Review: GODSPEED Revs Up Violence and Humor in Artful Road Movie

Hong Kong comedy star Michael Hui returns after a long absence in the latest from Taiwanese filmmaker Chung Mong-hong. A road movie about a drug deal gone wrong, Godspeed may not appear special on the surface, but this mashup of...

BiFan 2017: THE TWIN Takes Top NAFF Project Award

The Network of Asian Fantastic (NAFF) Films brought its tenth anniversary project market to a close earlier this week, and gave its top prize to the Finish horror project The Twin by director Taneli Mustonen. Mustonen's Lake Bodom also screened...

BiFan 2017: THE ENDLESS and BEHIND THE DARK NIGHT Triumph on Closing Night

After eight days of screenings and round-the-clock BBQ, the 21st edition of the Bucheon International Fantastic Film Festival (BiFan) held its closing ceremony at Bucheon's City Hall on Friday, July 21st. Topping the awards during the night was The Endless,...

BiFan 2017 Review: ROOM NO. 7 Gets A 6 At Best

Following his acclaimed indie 10 Minutes, director Lee Yong-seung once again examines the plight of the working man in Korea with his commercial debut Room No. 7, which serves as the opening film of this year's Bucheon International Fantastic Film...

BiFan 2017 Preview: Recommendations and Anticipated Delights

As we pack our bags before the start of this year's Bucheon International Fantastic Film Festival, ScreenAnarchy has come up with a few recommendations to watch out for at this year's edition, as well as some new films we're personally...

Bucheon 2017: BiFan 21 to Kick Off with Trip into ROOM NO. 7

The nights are getting warmer in Korea, which means that the next Bucheon International Fantastic Film Festival is just around the corner. BiFan held a press conference today in Central Seoul for its 21st edition, which will take place over...

BiFan 2016: Local Hits THE WAILING and KARAOKE CRAZIES Lead Award Winners

The winners have just been announced at the 20th Bucheon International Fantastic Film Festival in South Korea, with Na Hong-jin's fantastic thriller The Wailing scooping The Best of Bucheon award in the Bucheon Choice competition, as well as the NH...

BiFan 2016 Review: EVA DOESN'T SLEEP Spins a Elliptical and Thought-Provoking Tale

Few politician's wives have been as mythologized as Eva Peron. The wife of the President of Argentina in the late 1940s, she reached iconic status during her life, as a poor girl from the countryside who married well, rose to...

BiFan 2016 Review: CAPTAIN FANTASTIC Takes Quirky Journey to Known Destination

There's a certain type of film that'e become prominent and popular among a lot of American indie filmmakers in recent years; I like to call it the Sundance Film (though not all have played at that festival). It's a social...

BiFan 2016 Review: INSANE, Kinda Lame

Released earlier this year, the surprise hit Insane is the sixth film from versatile director Lee Cheol-ha. Employing a less than original premise, this new thriller turns out to be a middle-of-the-road attempt that pales in comparison to a slew...