STRANGE HARVEST Trailer: New Faux-Doc Horror From GRAVE ENCOUNTERS' Stuart Ortiz

A faux true-crime documentary about two detectives pursuit of an infamous serial killer named Mr. Shiny, who terrorized Southern California for almost two decades.

In my first film Grave Encounters, we used the found footage medium to try and present a fantastical supernatural story, as if the events actually happened. By utilizing the aesthetic and style of reality TV, we also gave the audience an easy entry point of familiarity and context, to subvert their expectations. It was fun to blur the lines between reality and fiction, and we worked hard to maintain the illusion as best we could. 

 

At the time, the approach seemed fresh and it was exciting to engage with a new style of horror film with new types of rules and technique. But a decade later, a gluttony of largely derivative found footage content has turned people off to the approach and spoiled the novelty. And yet, the fondness for this quasi-documentary approach, and my belief it was so perfectly suited for horror never left my mind – even after I went on to be involved with more conventional narrative projects.

 

When the Covid pandemic hit and "Tiger King" became a run-away success, it felt like documentaries were popular again – people were more enamored by the idiosyncratic truecrime story of Joe Exotic and his tigers then they were with faltering big budget blockbusters. It was in this climate that the first inspirations of Strange Harvest took root.

 

The true-crime doc format, like found footage with Grave Encounters, could allow me to examine a fantastical uncanny scenario from a different vantage point than would ever be possible in a traditional horror movie. I could stew in world building and exposition – totally geek out - my imagination running wild with possibilities.

 

It also solved one of the problems I always had when approaching a story about a serial killer and the occult – the material simply being too outlandish and gratuitous, no matter how well it was portrayed. By viewing events from the cold detachment of a documentary, a safe space where commentary added context to the proceedings, there would be a much higher tolerance for the madness and macabre I intended to conjure.

 

It is my goal with Strange Harvest to take the audience on a rollercoaster ride unlike any they’ve gone on before. I don’t pull any punches with the film and attempt to present a spooky true-crime story as convincingly – and disturbingly – as possible. I hope people think it’s real. I want to raise the bar for suspension of disbelief.

 

Stuart Ortiz