Okinawa 2015: Festival Highlights

Writer; London/Tokyo (@seven_cinemas)
Okinawa International Movie Festival (OIMF) always held ambitions beyond limiting itself to the traditional role of a film festival. Now in its seventh year the event is really starting to embrace its position as a hub of entertainment encompassing comedy, music, fashion and dance alongside a varied movie lineup. To achieve this end the competition element of the festival has been abandoned to spread media attention more evenly across other areas. In previous years the film section was split into two categories 'Laugh' and 'Peace' reflecting the festival's themes, with prizes awarded to one film in each along with the 'Golden Shisa' Grand Prize. Hiroshi Shinagawa, back this year with Deadman Inferno, was the last director to pick up the Golden Shisa with ensemble crime comedy One Third. This year 16 films played in a Special Screening category featuring works from around the globe, including a couple of World premiers for some homegrown work. Screenings of classic comedies, open-air beach screenings and locally-made projects filled out the festival's movie lineup.

Continuing from previous years, the Creator's Factory 'Best New Creators Award', which aims to discover new talent and provide them with full support for the production of their next work was won by Motoyoshi Satoko for her film An Injured Doll. Past winners include Sugino Kiki whose film Kyoto Elegy is currently touring the festival circuit, and Au revoir l' été's Fukada Koji who won last year with Inabe.

The Ninja War of Torakage Dir. Nishimura Yoshihiro

The latest foray into the blood-splattered world of Tokyo Gore Police's Nishimura Yoshihiro. Saitoh Takumi stars as the titular hero, a once legendary ninja until he decided to settle down and raise a family. When the villainous Shiina Eihi (Audition) captures Torakage's young son he must return to his old ways in a race against time to retrieve an ancient scroll and save the child's life. Unmistakably Nishimura the film contains all over-the-top visual effects, outlandish action and buckets of blood we've come to expect from the director. This family-focused tale of feudal Japan has more heart and a better grip on story than some of the director's previous work, offering a tremendous amount of ninja fun.

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