NOSFERATU Remake: Robert Eggers Looking to Reteam with WITCH Breakout Anya Taylor-Joy

If you manage to deliver a directorial debut as scintillating as The Witch people are bound to keep a close eye on your next move. When at the tail end of 2016 Robert Eggers confirmed rumors that he would follow...

BEHIND Trailer Sneaks Up On Unsuspecting Viewers

Ever had the sensation you were being watched by someone or something behind you, only to turn around and see nothing out of the ordinary? It’s a recognizable feeling and one that also creeps up on Arianne (Macarena Gómez), a...

Neill Blomkamp Tackles Creature Features With ZYGOTE Short

Ever wondered how Dakota Fanning would fare against a hideous abomination ‘Frankensteined’ together from a multitude of limbs harvested from several bodies? Well, you’re in luck because so has mad scientist Neill Blomkamp! What the latest Oats offering lacks in...

Razor Reel Flanders Film Festival Unveils Poster of Tenth Edition

A new edition, a new location and, of course, a new poster to really get the ball rolling! Come October Razor Reel will once again take Bruges by storm with an international lineup keen on celebrating the very best of...

SOUND FROM THE DEEP Trailer: Lovecraftian Terror Rises

Fans of H. P. Lovecraft have ample reason to rejoice these days. Even if Guillermo del Toro’s At the Mountains of Madness never got made, there’s no shortage of writers and directors dipping their toes in Lovecraftian waters. Just ask...

Exclusive: Take to the Skies with André Hedetoft's SPACE PIRATES

Last we heard from André Hedetoft (co-writer-director of Origin) he was working on something called Finns Här Några Snälla Barn or as you might remember it: “Pippi Longstocking with zombies!” While that film is still very much on track, aiming...

Interview: Tim Egan Discusses the Inspirations and Craft of CURVE

If there is one short film that can speak for itself, evincing its obvious talents through nothing but images, it’s Curve. Even so, we couldn’t pass up on the opportunity of interviewing its diabolical creator, writer-director Tim Egan. While he...

Watch Tim Egan's CURVE and Treat Yourself to a Masterclass in Suspense

Hot on the heels of Rob Savage’s Dawn of the Deaf online audiences are once again treated to a stellar short, completely free of charge! This time terror hails from Australia and takes the guise of Tim Egan’s Curve. The...

BLACK RING Interview: Hasan Can Dagli On the Making of His Award-Winning Short

Currently enjoying its Japanese premiere at Short Shorts Film Festival & Asia, where it represents Turkey in the international competition along with 35 other films, is Hasan Can Dagli’s Black Ring, an ominous genre short about a photo shoot that...

Watch DAWN OF THE DEAF and See the Zombie Subgenre Claim a New Lease on Life

The recipient of more awards than anyone can count: that’s one way of introducing Rob Savage’s much-buzzed-about genre short Dawn of the Deaf. And this is one instance where you’d best believe the hype. From the clever title that alludes...

10+ Years Later: PRINCESS MONONOKE, So Much More Than "The STAR WARS of Animated Features"

Blurbs are a strange thing. Always intended to get a certain hype going, they can easily help set up false expectations, intentionally or not. And so, while Roger Ebert was spot on when he placed My Neighbor Totoro in the...

Cannes 2017 Review: THE MEYEROWITZ STORIES (NEW AND SELECTED), Rich on Dysfunctional Delight

While Cannes has not exactly been light on controversy this year, one film in its lineup was easily singled out as a suspicious inclusion when the official selection was first announced. After all, not only does The Meyerowitz Stories (New...

Review: HOUNDS OF LOVE Never Shies Away From Shock

Serial killer thrillers that deal with the dark subject matter of abuse and sexual victimization are the cinematic equivalent of playing with fire. Especially if your film is based loosely on real life crimes, as is the case with Hounds...

Overlook 2017 Review: BOYS IN THE TREES, a Wild Swing and a Miss

Coming-of-age films with a ‘genre’ twist were all the rage in 2016. From Slash’s delightfully off-kilter fusing of softcore eroticism and sci-fi fantasy to Teenage Cocktail’s high school romance that flirted with thriller conventions and the graphic strand of realism...

Overlook 2017 Review: THE DWARVES MUST BE CRAZY, a Stinker in More Ways than One

The first edition of the Overlook Film Festival will never be faulted for not swinging for the fences with a lineup that includes something for all possible tastes; even if that taste happens to run all the way to the...

Overlook 2017 Review: TWO PIGEONS Fails to Soar As High As It Could

“You been watching gay porn on my laptop?” “No I haven’t. Mel, I haven’t been watching gay porn on your laptop.” “Who else has been watching porn on my laptop? Who else lives here?” It’s not your everyday lover’s spat,...

Overlook 2017 Interview: Julien Jauniaux Talks Lovecraftian Nightmare AN ELDRITCH PLACE

The Overlook Fest is in full swing, and besides feature films, immersive experiences and panels the Timberline Lodge also welcomes a select 16 shorts from all corners of the world. Among them we find festival favorites like A Nearly Perfect...

Overlook 2017 Review: LIKE ME, or How the Meaninglessness of Social Media and Viral Videos Breeds its Own Madness

The horrors of our contemporary society are plentiful and genre films have always excelled at probing our cultural fears and discomforts. In Robert Mockler’s debut film, the paradox of the digital media age, which allows us to connect with everyone...

SXSW 2017 Review: HOUNDS OF LOVE, a Beast with a Ferocious Bite

Serial killer thrillers that deal with the dark subject matter of abuse and sexual victimization are the cinematic equivalent of playing with fire. Especially if your film is based loosely on real life crimes, as is the case with Hounds...

Interview: Introducing Garance Marillier, Breakout Star of RAW, to International Audiences

Let’s not mince words: ScreenAnarchy digs Raw. We have been covering Julia Ducournau’s powerful debut about a young veterinary student’s unusual coming of age ever since its Cannes 2016 world premiere (Shelagh Rowan-Legg’s review). Matt Brown offered an in-depth look...