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Dublin 2017 Review: NAILS Slam The Coffin Shut In This Horror Hospital

The current decade has been a very good one for Irish horror. While they haven't quite reached the same kind of transgressive peak that extreme French horror did in the last decade with Frontiere(s), Inside, and Martyrs, Ireland's current horror...

Blu-ray Review: Criterion's MILDRED PIERCE Stuns

What exactly is Mildred Pierce? Is it a drama? A film noir? A proto-feminist declaration? You could argue that the Hollywood watermark is all of the above. Directed by Micaael Curtiz and starring the indomitable Joan Crawford, Mildred Pierce is freshly out on...

Review: A SINGLE RIDER Subtly Ponders the Small Regrets of Life

A few months after the explosive period spy thriller The Age of Shadows from genre maestro Kim Jee-woon, Warner Bros is back with its second Korean production, A Single Rider. Though both films share star Lee Byung-hun, who appears as...

Review: BITTER HARVEST Is Bad Canadian Borscht

In between the two World Wars, the then nascent Soviet Union, in a barbarous act of mismanaged nation building, starved north of seven million Ukrainians to death, all the while violently appropriating the land and the crops from the 'bread...

Review: THE GIRL WITH ALL THE GIFTS, A Heady Mix of Arthouse, Genre and Zombies

Opening with the eponymous girl locked in a cell and counting upwards to a thousand, The Girl With All The Gifts may as well be ticking off the sheer number of zombie films that a fan of the genre is...

Rotterdam 2017 Review: WÙLU Shows A Thoughtful Rise To Criminal Power

In Malinese director Daouda Coulibaly's crime drama Wùlu, we follow the rise of Ladji, a bus driver in Mali's capital city Bamako, who decides to use his street-savvy for becoming a career criminal. Cheated out of a years-in-the-making promotion because...

Review: DRIFTER Runs Out of Gas in a Trope Tainted Wasteland

Christian von Hoffman's wasteland thriller DRIFTER starts strong only to be betrayed by a weak second half

Review: FABRICATED CITY, Mediocrity Hidden Behind Big-Budget Thrills

Twelve years after the success of Korean War comedy-drama Welcome to Dongmakgol, director Park Kwang-hyun is finally back in theaters with the action-thriller Fabricated City. A tale of gamers and conspiracies in modern Seoul, Park's latest presents itself as a...

Now on Blu-ray: TRAILER TRAUMA 3: '80s HORRORTHON Is the Ultimate Party Mixtape for Horror Fans

I am a huge fan of movie trailer compilation tapes. When I was a teenager I would whip together my own party mix tapes on VHS to slap together some of the most fun, goriest, funniest bits of horror movies...

Blu-ray Review: THE TREE OF WOODEN CLOGS, Far From a Wooden Slog

"I'm going to find a tree to chop down." That line, perhaps familiar from another film released by Criterion, Moonrise Kingdom, also applies to this new release by the company, respected Italian director Ermanno Olmi's 1978 Palme D'or winner, The...

Rotterdam 2017 Review: SISTER OF MINE Damns Your Eyes With Experience

In Pedro Aguilera's Sister of Mine we see Oliver, a jaded American filmmaker. One night he browses porn clips on the Internet, and discovers one which seems to feature his beautiful young Spanish half-sister Aurora, who he hasn't seen in...

Berlinale 2017 Review: DREAM BOAT Gives Cruising A Whole New Meaning

When you think of luxury cruises, you probably picture old couples and families setting off into the sunset - a sort of world tour that never has to forego the comforts of home. Well, Tristan Ferland Milewski's Dream Boat isn't that at...

Review: LOGAN, Superheroes Aren't Just for Kids Anymore

Tough, tense, thoughtful, and terrific, Logan is truly the first superhero movie for adults, not for kids or arrested adolescents. Granted, it's best for adults who have a tolerance for bloody, vicious violence. One of the characters claims the violence...

Berlinale 2017 Review: Liu Jian Triumphs With HAVE A NICE DAY

Animated movies for adults are painfully undervalued, both at a festival level and as an art form, but Liu Jian's Have A Nice Day is a title that could smash through those barriers. Certainly one of the more interesting features...

Review: AMERICAN FABLE Casts a Magical, Mysterious Spell

In 1982, Reagan's America looked pretty darn convincing ... on television ... if you were 11 years old. But for hundreds of farmers across the heartland of the U.S.A., times were desperate. They were losing their farms, their homes, their...

Berlinale 2017 Review: ON THE BEACH AT NIGHT ALONE, Hong Sang-soo's Most Personal and Cruel Film to Date

A new year has arrived and with it the challenge of reviewing a new work from Korea's arthouse darling Hong Sang-soo. On the Beach at Night Alone, which borrows its name from the title of a Walt Whitman poem and...

Review: In Zhang Yimou's THE GREAT WALL, Matt Damon Saves the World

I've seen sillier attempts at blockbuster fantasy films than Zhang Yimou's latest, The Great Wall, but I must admit it's been a while. The director, one of China's most respected visual artists after his stunning work on crossover hit wu...

Berlinale 2017 Review: BERLIN SYNDROME, Cate Shortland's Skin-Crawling Thriller

From Jutin Kurzel's Snowtown in 2011 to Ben Young's recent Hounds of Love at last year's Venice Biennale, Australia has developed a real knack for messed up cinema, and Cate Shortland's recent Screen Australia and Film Victoria supported skin-crawler is...

Berlinale 2017 Review: THE PARTY, Drawing Room Satire at its Finest

Sally Potter is not normally known for comedy; her most famous film, Orlando (which put Tilda Swinton on the map) certainly has its comedic moments, but her work (such as The Tango Lesson and Yes) tend to more serious examinations of what my...

Rotterdam 2017 Review: BAMSEOM PIRATES SEOUL INFERNO Challenges Our Sense Of Liberty

Documentaries tend to do well at the International Film Festival Rotterdam, and each year several manage to get into the audience top-10. The 2017 edition has proven to be no exception, as there are three documentaries in the top-5 alone....