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Berlinale 2018 Review: THE INTERPRETER, Two Oldtimers in a Road Dramedy

Peter Simonischek of Toni Erdmann fame meets Oscar-winning director Jiří Menzel in a dramedy by Slovak director Martin Šulík

Review: ZOMBIOLOGY: ENJOY YOURSELF TONIGHT, Comic Sympathy for the Living Dead

Run for your lives: zombies are coming! But first, meet the leading players! Zombiology: Enjoy Yourself Tonight (originally titled Gam man da song si) plays more like a warm-hearted relationship melodrama than a zombie thriller. That's a good thing, though....

Review: NOVEMBER, Just the Right Amount of Weird

Thomas Hobbes' famous saying that the life of man is "solitary, poor, nasty, brutish and short" could have been the mantra for the life of the characters in Rainer Sarnet's November. Luckily, the film itself is fantastical, strange, beautifully shot,...

Review: ARE WE NOT CATS, a Hair-Pulling Winner

Adapted from a short film of the same name, Are We Not Cats is a surprising and bold piece of filmmaking by director Xander Robin. It tells the story of a young man, Eliezer (Michael Patrick Nicholson), who is swiftly...

Rotterdam 2018 Review: THE HEART, a Trendy Millennial Drama Celebrating Female Sexuality and Independence

The heart wants what it wants, but does not get – this is the premise of Swedish actress-director Fanni Metelius’s debut The Heart (Hjartat), about a young photographer Mika and her musician boyfriend Tesfay who are madly in love, yet...

Review: THE LODGERS, Neo-Gothic Disturbances

The gothic has always been the cornerstone and mainstay of horror film: that place that is supposed to be the most secure and welcoming - one's home - is suddenly dangerous and uninviting. Irish director Brian O'Malley (Let Us Prey)...

Berlinale 2018 Review: UNSANE, A Stellar Piece of Psycho Fiction

Depending on what your thoughts on Logan Lucky were, it was possible to worry that Steven Soderbergh had hit a bit of a bump in the road last year, but fortunately the director of prized titles like Ocean's Eleven, Magic...

BFF GIRLS Teaser: Fighting the Tampon Monster!

When I heard that two rising stars of genre filmmaking, Jill Gevargizian (Call Girl, The Stylist) and Brian Lonano (Crow Hand!!!, Gwilliam) were teaming up to make a new short, I knew it was going to be special. And judging...

Tiger Shroff Dance-Fights For Love In BAAGHI 2 Trailer

I hate Tiger Shroff. Most readers won't really understand what that means, but when you've seen as many shitty Bollywood films as I have, you begin to resent the ones that don't even try to do anything new and the...

Natasha Kermani on Crafting IMITATION GIRL

One of the more unique films I've seen lately is Natasha Kermani's Imitation Girl, a sci-fi indie drama that's made a splash on the festival circuit. The film stars Lauren Ashley Carter (Premium Rush, Darling, Jug Face) in dual roles --- one as...

Berlinale 2018: Exclusive! Check Out The First Teaser For GARBAGE, The Shocking New Film By Q

Screen Anarchy is proud to bring you the exclusive first teaser for Garbage, the newest film from Indian provocateur, Q. Garbage has its world premiere tomorrow at the Berlin Film Festival as a part of their Panorama section, it is...

Interview: Daniel Radcliffe Talks BEAST OF BURDEN and the Need for Creative Risk-taking

The post-Harry Potter career of Daniel Radcliffe remains in full swing and has been an interesting ride filled with surprising project choices. His latest indie, Beast of Burden, a drama disguised as a thriller, sees him collaborating with arthouse-oriented Swedish...

Rotterdam 2018 Review: THE REPORTS ON SARAH AND SALEEM Marries Arthouse Drama to Genre Audience Allure Without Losing Complexity

Muayad Alayan´s sophomore feature The Reports on Sarah and Saleem infuses genre sensibilities into arthouse drama against the backdrop of a political conflict

LUBA: Watch These Clips From Family Drama by HANNIBAL's Vladimir Jon Cubrt

Canadian actor Vladimir Jon Cubrt will be making his writing and producing debut with his new film Luba. His new film will have its world premiere at the Cinequest Film and VR Festival this coming weekend.    A familiar face...

Berlinale 2018 Review: THE INVISIBLE HANDS, An Unlikely Meeting of Cultures Yields Strange and Beautiful Results

The Invisible Hands, an excellent documentary by Marina Gioti and Georges Salameh, explores the unlikely collaboration between American musical provocateur Alan Bishop and a group of young Egyptian musicians whose lives were upended by the Arab Spring. The film's international...

What The Film Festival 2018: Fourth Year of Eccentric Cinema Coming This March

It bears repeating. Here in Toronto we are blessed with an embarrassing abundance of cinematic experiences. Beyond the multiplexes hemorrhaging with the latest, popular fare, small strongholds like The Royal Cinema act as safe harbors and shelters for cinematic oddities...

CRUEL SUMMER: Watch The Trailer For UK Thriller Horror, Coming Soon on VOD

Based on a horrifying true crime, the UK horror flick Cruel Summer premieres on VOD 2/27 from Wild Eye Releasing. Screen Anarchy has your first look at a new trailer and poster for the flick.   From filmmakers Phillip Escott...

Berlinale 2018: Watch The Teaser For Brazilian LGBTQ Drama HARD PAINT (TINTA BRUTA)

Filipe Matzembacher and Marcio Reolon’s LGBTQ drama Hard Paint (Tinta Bruta) from Brazil will have its world premiere in the Panorama programme in Berlin Sunday night, February 18th. Screen Anarchy is pleased to debut the new teaser for the film...

Berlinale 2018 Review: ISLE OF DOGS, An Obvious Joy By the Masterful Wes Anderson

The 68th Berlinale Film Festival's Main Competition opened in safe hands today, with Wes Anderson's brilliant latest animation Isle of Dogs. Already hotly anticipated by the director's fiercly loyal fans ever since the film's trailer was dropped by Fox Searchlight...

Trailer: PARI, An Upcoming Bollywood Horror led by Anushka Sharma

Bollywood star Anushka Sharma has long been a favorite of mine, and she only grew in my esteem when she turned to producing back in 2015 with her company Clean Slate Films' gritty thriller, NH10. That film was an Indian...