**** c|Festivals|All **** Festivals

Festivals

Sort By
From The
Editors
Everything From
Everyone
Most
Loved
Most
Hated
What The
Hell?!

VR Dispatch: Exploring the Intersection of Art and Tech at The Engadget Experience Alternate Realities

Earlier this year the tech blog Engadget announced that they were giving away half a million dollars in $100,000 chunks to five media arts pieces exploring the technologies of Virtual Reality, Augmented Reality, and Mixed Reality. Half a year later...

AFI Fest 2017 Review: NEWTON Welcomes Sharp Political Satire To The Jungle

Director Amit V Marsurkar burst onto the filmmaking scene in India back in 2013 with his debut feature, Sulemani Keeda (Writers). That film, the story of a pair of nobodies trying to break into Bollywood as screenwriters was regarded as...

DOC NYC 2017: Six Must-See Selections

DOC NYC, the largest documentary featival in the US, returns for its 8th edition, running from November 9-16, and screening at IFC Center, SVA Theatre, and Cinepolis Chelsea. This year's slate includes well over 100 features, and includes new works...

AFI Fest 2017 Preview: 8 Top Picks at Hollywood's Top Fest

It's time once again for the big Hollywood festival that is AFI Fest to roll back into the crazy Hollywood & Highland complex for a week of awards movies and awesome indie and international cinema. Like always, the festival is...

WITHDRAWN: Watch The New Trailer For Slamdance Hit

Adrian Murray's Slamdance hit Withdrawn releases November 14th through Syndicado and we're proud to present a new trailer for the film that our own Ben Umstead compared to the early work of Richard Linklater. Aaron Keogh stars here as a...

Overlook Moves to New Orleans for 2018 Edition, April 19-22

It's no surprise we're massive fans of the horror movie/experience "summer camp" that is the Overlook Film Festival (and its earlier incarnation as the Stanley Film Fest). Last May the inaugural edition took place at the uber-creepy Timberline Lodge outside...

Camera Japan 2017 Review: In BEFORE WE VANISH, Kurosawa Kiyoshi Gets Emotional

An alien invasion film, made by Kurosawa Kiyoshi? That almost sounds too good to be true. And it is, kind-of. Yes, there is an alien invasion, but not surprisingly, Kurosawa is not much interested in displays of grand destruction, monsters...

Busan 2017 Review: PARK HWA-YOUNG Lashes Out with Foul and Excessive Misery

Among the dozens of local indie films that wind up at the Busan International Film Festival every year, a number tend to be dark social dramas that explore the worst aspects of society. Often set in winter (likely due to...

Busan 2017 Review: HOME Settles in for Pleasant if Predictable Family Drama

Busan-set family melodrama Home doesn't stray from stock themes of Korean dramas yet its endearing young cast and genuine feelings make it a pleasant debut from newcomer Kim Jong-woo. Jun-ho is a middle school student who lives with half-brother Seong-ho...

Camera Japan 2017 Review: KODOKU MEATBALL MACHINE Minces A Lot Of Meat

Twelve years ago, a small film called Meatball Machine by directors Yamaguchi Yudai and Yamamoto Yun'ichi made a bloody splash in the festival circuit. In it, you could see two star-crossed loners falling in love with each other, only for...

Busan 2017 Review: BLOCKAGE Chronicles the Hard Times of a Desperate Man

Faced with losing his job and his family on the same day, a shady municipal officer in contemporay Tehran is forced to make some difficult choices in Blockage, Mohsen Gharaie’s gripping social drama.   Qasem (Hamed Behdad) is tasked with...

FELICITE Director Alain Gomis on His New Drama: "Let It Happen"

After winning the Grand Jury Prize at Berlin early this year, Alain Gomis's Félicité played as part of the slim but always robust Main Slate at the New York Film Festival. Featuring the great Véro Tshanda Beya Mputu in the...

Review: THE EMPTY HANDS Sees Chapman To and Stephy Tang Reborn

Chapman To writes, directs and stars in this Hong Kong-based karate drama that transforms Stephy Tang from a frivolous starlet into a legitimate martial arts performer. Tang plays the half-Chinese, half-Japanese daughter of a karate master, who discovers upon her...

Busan 2017 Review: ECOLOGY IN CONCRETE Explores the Heart of Modern Seoul

Following her Talking Architect films, director Jeong Jae-eun once again explores the complicated systems behind Seoul's urban planning, a field which encompasses both fascinating sociological insights and frustrating political obstacles. In Jeong's hands, this exploration of the growth of Seoul's...

Busan 2017: AFTER MY DEATH and BLOCKAGE Pick Up New Currents Awards

Ahead of its closing ceremony this evening, the 22nd Busan International Film Festival (BIFF) announced its awards today which included top honors in their signature New Currents competition for the Korean film After My Death from Kim Eui-seok and the...

Busan 2017 Review: HIT THE NIGHT Flips Genders in Talky Game of Cat and Mouse

Following quickly on the heels of her surprising debut Bitch on the Beach, which bowed at the Seoul Independent Film Festival last year, Jeong Ga-young gets her first Busan berth with Hit the Night, which once again features the director...

Busan 2017 Review: METHOD Gets Booed Off the Stage

Bang Eun-jin scales things down significantly for her fourth work, the theater world forbidden love story Method. Lacking any chemistry between its leads, this facile mirrored narrative proves to be Bang's least impressive work as it trudges through thinly drawn...

Busan 2017 Review: THE THIRD MURDER Ponders the Unknowable in Quiet and Electric Mystery

Known for his controlled and humanistic family dramas, acclaimed filmmaker Hirokazu Koreeda tries his hand at the bread and butter of the Japanese mainstream, the murder mystery. The result, which he directed from his own script, is the ruminative and...

Preview: Margaret Mead 2017 "Activates" Cross-Cultural Connection

The Margaret Mead Film Festival, the premier showcase for documentary films in New York, returns for its 41st edition, screening at the American Museum of Natural History from Oct. 19-22. This year's typically impressive slate consists of 29 feature films and 12...

Busan 2017 Review: AFTER MY DEATH Breathlessly Ponders High School Suicide

The New Currents competition gets a jolt of energy with Kim Ui-seok's livewire debut After My Death. Much like fellow competition title Last Child, the grief and guilt surrounding a high schooler's death also forms the crux of this film,...