Toki O Kakeru Shojo (The Girl Who Leapt Through Time) Review
Occasional ScreenAnarchy contributor James Maruyama just posted a review of the much acclaimed Girl Who Leapt Through Time over in the forum which I hereby take the liberty of reproducing up on the main page. For those keeping track of such things this is the small budget, low profile film that took on Studio Ghibli's Earthsea film head on and won.
"Toki O Kakeru Shojo" (or Tokikake) is probably the most adapted modern short story in Japanese Literature. As of date, there have been six different versions of the Tsutsui Yasutaka story in both TV and movies -- the NHK drama "Time Traveler ('72) with Shimada Junko; the '83 movie with Harada Tomoyo; the Fuji TV Drama special ('84) with Minamino Yoko; the Fuji TV Drama special ('94) with Uchida Yuki; the '97 movie with Nakamoto Nana; the TBS TV special ('02) with Abe Natsumi and now Hosoda Mamoru's anime movie.
Yet director Hosoda (Digimon TV series, One Piece) and screenwriter Okudera Satoko (Concent, Kakko No Kaidan 2) took the unique approach of crafting not just another tired adaptation of the novel but rather developed a sequel to the events of the novel which covered a lot of the same themes but with inventive and interesting twists. While at first I had my doubts, I quite enjoyed this movie and consider it my favorite of the "Tokikake" movies.
Konno Makoto (voiced with great enthusiasm and likability by Naka Riisa) is your typical Japanese high school student who deals with typical teen problems at school and home. Her best friends include brainy hunk Tsuda Kousuke (Itakura Mitsutaka) and happy-go-lucky transfer stuent Mamiya Chiaki (Ishida Takuya). As with the novel and previous movies, Makoto's world is suddenly turned upside down as she develops the ability to traverse backwards in time (in this case, through a "time leaping" device hidden within a walnut shell).
What is unique about this movie (and what sets it apart from the previous adaptations) is the exploration of the ramifications of Makoto's "time leaping" powers. Whereas before in the novel and movies, heroine Yoshiyama Kazuko/Yoshikawa Tomoko was able to time travel with no real consequence or impact on those around her, the heroine here sees the impact that her powers have on others.
At first Makoto uses her powers without abandon and almost in a reckless manner. In time however she soon discovers that not only does her powers change the course of events for herself but also the lives of others.
One of the saddest lessons we learn along with Makoto is that "precious moments" can't be recaptured or replayed in time.
There are fun tips of the hat to the novel and previous movies as well. Makoto's eccentric aunt (a museum painting restoration artist) is hinted to be Yoshiyama Kazuko, the heroine from the novel (a lavender flower branch is seen near a photo of her as a teen) and the accident that gives Makoto the powers of time travel occur once again in a school laboratory during classroom cleanup duty, similar to the movies.
The animation, compliments of the famed Madhouse Studio (Perfect Blue, Paprika, Millennium Actress) are exceptional. The characters move with fluid and vibrant life and the CGI parts are very captivating.
While I miss the 1983 theme song by Harada Tomoyo, the soundtrack music by Yoshida Kiyoshi and theme song "Garnet" by Oku Hanako are serviceable.
"The Girl Who Lept Through Time" (a much better title than the often used "The Girl Who Conquered/Traversed Time") is a wonderfully touching, funny and captivating movie. Those who have seen the previous adaptations will particularly find this movie a treat.
