13 Sins
A cryptic phone call, a down-on-his-luck salesman, and 13 increasingly diabolical tasks that promise rich rewards. Daniel Stamm's debut, A Necessary Death, got under my skin (and not in a good way) years ago, so I'm trusting that his newest concoction will provoke a strong reaction, which is about all I can ask from a film nowadays. -Peter Martin
Beginning With The End
Hospice care is something I have unfortunately had to deal with personally in the last few years of my life. It's difficult work for anybody, much less somebody who is not yet a fully formed and functioning adult, so I'm eagerly awaiting what is sure to be a fascinating portrait of some very interesting people. -John Jarzemsky
The Infinite Man
I've heard great buzz about Aussie Hugh Sullivan's directorial debut about a scientist who loses his girlfriend to time travel and must team up with multiple selves to find her. -Ryland Aldrich
I Believe in Unicorns
If not for the title itself, then some good old teen drama should make you get a ticket to Leah Meyerhoff’s feature directorial debut. -Valentini I. Valentini
Yakona
Anlo Sepulveda and Paul Collins reteam (Otis Under Sky) for this impressionistic journey above and below water on Texas's San Marcos headwaters. -Ryland Aldrich
Faults
There's nothing like a good cult story, and when you throw in some kidnapping and a "nothing is what it seems" theme, you've got the recipe for something riveting. Very interested to see how this one unfolds. -John Jarzemsky
Among the Living
I firmly believe there is no country producing better horror films in recent years than France. With titles like Sheitan, Calvaire, and Martyrs in mind, French new wave horror offers an experience akin to a hammer in the face. There is perhaps no better example of the calibre of extreme suspense and madcap shock characteristic of the genre than Julien Maury and Alexandre Bustillo's Inside (2007). I know precious little about Maury and Bustillo's new film Among the Living, other than that it stars French icon Beatrice Dalle. Though plot summaries are readily available, a hammer in the face is far more effective without warning. -Zach Gayne
The Heart Machine
Village Voice critic Zachary Wigon put together a fantastic cast for his first feature romantic thriller that stars The Newsroom's John Gallagher Jr. and recent star of House of Cards Kate Lyn Sheil. -Ryland Aldrich
Wetlands
Ever since Combat Girls ripped out my heart and showed it to me before landing firmly on my top ten of 2012 film list, I've been waiting for David Wnendt to make a follow-up. Wetlands, a perverted sex comedy about acceptance and the lengths to which we'll go to get it, is about as far from Combat Girls in form as you can possibly get, but I'll be damned if Wnendt hasn't earned my eternal interest. -J Hurtado
Fort Tilden
This film is on my must-see list partly because it has the potential to totally suck or totally rock. I am not sure there will be room for middle ground for a story so centered on two (I repeat) potentially annoying or potentially brilliant characters. Allie and Harper “cope with creepy neighbors, unpredictable traffic patterns, indignant cabbies, and each other” on their way to the beach. Sounds like #whitegirlproblems to me. But if done right, perhaps it will leave us with something to think about other than the void that is two hipsters from Brooklyn. -Valentini I. Valentini
The Immortalists
In their feature debut documentary, Jason Sussberg and David Alvarado tell the story of two eccentric scientists obsessed with secrets of aging. -Ryland Aldrich
Bonus Double Pick!
Mateo and Que Caramba la Vida
How often is it that a film festival offers not one, but two documentary features about underdog mariachis? Not often. However, if that's your bag (and it is mine), SXSW 2014 has you covered. In Mateo, a white mariachi performer looks for acceptance, and in Que Caramba la Vida, the filmmakers look at the challenges facing female mariachis. -J Hurtado