Japan Flix: 'Shisei: The Tatooer'

Editor, News; Toronto, Canada (@Mack_SAnarchy)
Japan Flix: 'Shisei: The Tatooer'
As of this past weekend there is a new outfit in town distributing Japanese cinema in North America. You may have noticed the Japan Flix banners on the site since then. 

Japan Flix is a new online distributor of cutting-edge, never-before-seen Japanese films in the United States. Offering a variety of genres including horror, drama, comedy, romance, and exploitation, Japan Flix represents a world of exciting and unique cinematic offerings previously unseen by audiences outside of Japan.

Remaining purely in digital distribution you won't find a Japan Flix DVD or BluRay in a store near you or something that you have to order online. As one of the Japan Flix put it to me, "The future is digital distribution. I think everyone sees that".

Through partnerships with various Japanese distribution companies, we strive to make a wide variety of films accessible to US audiences as conveniently as possible. Each of our titles is available to rent or own through iTunes, and viewable on any iTunes-friendly device.

There are plans to expand to other platforms of digital distribution; hopefully soon enough that you will be able to play any Japan Flix film on any digital media device or straight to your television. 

Over the next few days we'll be looking at individual titles, starting with Hisayasu Sato's provocative piece 'Shisei: The Tatooer'.  

Seizou, a tattoo artist, dreams of creating lasting works of art that exist long after he passes. One day, he sees the perfect canvas: the unblemished back of a female grad student. A genius in color theory, the young woman studies and experiments with block printing. Seizou kidnaps her, holding her captive in order to carve his artwork into her skin. But the allure of her prints and his enchanting ink-work slowly transform her. She begins to long for his touch. Wanting to surpass the work of his father, Seizou imprints the image of an ancient Japanese princess on her bare skin. But as the tattoo transforms their relationship, their dynamic is reversed, and they become intertwined in an shared destiny.

The film is based on the short story by the same name. It was written in 1910 by author Jun'ichirō Tanizaki and it was the first story that earned him recognition in the writing community. Often Tanizaki explored the world of sexuality and destructive erotic obsessions in his writings. Screenwriter, Shirô Yumeno, who had worked with Sato the year prior on his contribution to the Rampo Noir omnibus, maintains these dark themes in his screenplay. 

It is no wonder that a film made by one of the "Four Heavenly Kings of Pink", director Hisayasu Sato, feels very much like a Pinku film without the implicit sexuality. The film's amazingly short run time [72 minutes!?!] by Japanese film standards either reflects Sato's own attention span, dictated after shooting so many Pinku films - not too many of them extended beyond that 1 hour mark - or the screenwriter's acknowledgement that the film is based on a short story and it was best not to try to go beyond that narrative. The conversation between a captor and his victim can only wax philosophical for so long before the deed must be done. Shisei is almost voyeuristic and at times feels very much like a Tsukamoto film between these layers of obsession, eroticism and horror. 

What I appreciate the most with Shisei is Sato's use of layered imaging and reflection. It was far more artistic and experimental than I was expecting, Sato's use of mirrors and glass is really spot on. In one scene he focuses the camera on Seizou in the conversation and we can see the reflection of Bimyo in the mirrors around him. In another scene Seizou films Bimyo and her image that he captures in his video camera is projected on a large screen behind her. Artistically, Shisei is pretty impressive and there is a lot more to chew on.  
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