SXSW 2018 Interview: Ethan Hawke On BLAZE

Blaze Foley was never a star. Like many an unsung hero in the great tradition of truth-telling, the idea of careerism or professionalizing his craft ran so counter to Blaze’s aesthetic drive, he’d sooner drink himself to death before playing...

SXSW 2018 Interview: Nick Offerman and Brett Haley on HEARTS BEAT LOUD

In Brett Haley's Hearts Beat Loud, Nick Offerman plays Frank Fisher, a record store proprietor coming to terms with an end of days. Professionally he's reckoning with the growth, or perhaps decline, of an industry that isn't leaving much room...

SXSW 2018 Interview: Dick Cavett on ALI & CAVETT: THE TALE OF THE TAPES

What can be said about a career as full as talk show host, Dick Cavett's? A start would be to describe what it was not. Unlike the Carsons turned Lenos turned Fallons who held respective reigns over the late night...

SXSW 2018 Review: THUNDER ROAD Cares

Those fortunate enough to have seen Jim Cummings' Sundance winning short film, Thunder Road (2016), won't soon forget it. Some found it hilarious, some found it awkward, some found it hilariously awkward, perhaps in the vein of human train-wrecks like...

SXSW 2018 Preview: Screen Anarchy Writers Pick 'Em Out

SXSW kicks off tomorrow and our team has poured over the catalog to pick 26 films out the festival's nearly 150 that are on offer. Last year's fest brought world premiere reviews of such notable films as The Disaster Artist,...

Sundance 2018 Interview: Rory Culkin, Sky Ferreira, Jack Kilmer, Director, Jonas Ã…kerlund, Producer, Danny Gabai, Talk LORDS OF CHAOS

There may be as many Mayhem fans anticipating the release of Jonas Åkerlund's Lords of Chaos, as there are devotees dreading the film. It may come as a total surprise to some to learn that there even exists such a...

Sundance 2018 Interview: David Wain Beautifully Dreams A FUTILE AND STUPID GESTURE

[David Wain at Sundance 2018. Photo credit: copyright 2018 Zach Gayne.] The biopic or docudrama is one of the most fascinating, if not tickling, film genres. Unlike most other genres, whether a biopic succeeds with flying colors in capturing, or...

Blu-ray Review: Criterion Celebrates MONTEREY POP's 50th

The newly released complete Monterey Pop box set is vying for the most impressive package in my personal Criterion collection. A little bit about my Criterion collection… I own under 100, more than enough to make me unwilling to do...

Zach Gayne's Favourite Screen Relics of 2017

If I knew what was good for me, I’d make a 2018 resolution to chill out on these over-elaborate year-end lists that have annually stuffed my Decembers with a round-the-clock obsession to leave no stone unturned. This is my fourth...

TWIN PEAKS and The Point Of No Return

Our resident Peaks expert, Zach Gayne, gives an in-depth and exhaustive look at the themes and spirituality of the entire Twin Peaks universe.

Review: PHANTOM THREAD Exquisitely Unravels Genius

In terms of the last three films crafted by the greatest showman in cinema, P.T. Anderson, in which I include his latest - dare I say - masterpiece, I’m fairly distrusting of reviews conducted after a single screening. And yet,...

ScreenAnarchy's Favourite Films of 2017

Another year over, and what an annus horribilis it proved to be in so many ways. But away from the political atrocities that took place in pretty much every country you care to mention, and the sexual harassment scandals that...

ALONG FOR THE RIDE Interview: Nick Ebeling Talks Dennis Hopper

Watching the documentary, The American Dreamer, in the year of its completion, 1971, would’ve made for a very different experience than watching it today. In its day, the film depicted only what it captured; an American artist given free reign...

Review: THE DISASTER ARTIST Digs Deep, Dreams Big

I think we were all pretty skeptical upon hearing the announcement that James Franco would be bringing the story of the making of Tommy Wiseau's The Room to the big screen over three years ago; at least those of us...

Podcast: Talkin' Flicks With Pals Ep 2 - Talkin' Halloween

Hello fellow anarchists! It is that time again for us horror zealots to band together and celebrate the only holiday worth a good Goddamn: All Hallows’ Eve!! Perhaps that's a bit drastic, but if you're anything like me, Halloween provides...

New York 2017 Review: LADY BIRD Emerges

What separates Lady Bird from other exemplary entries into the beloved coming of age genre, besides its superficial differences, is the personality and layered nuance that Gerwig offers her craft, allowing for an experience that feels fresh in the face of every cliché it transcends.

New York 2017 Review: WONDERSTRUCK, Why We Go to the Movies

“We are all in the gutter, but some of us are looking at the stars.” -Oscar Wilde If we were to conduct a poll of all of our writers’ and readers’ favorite live-action kids movies – and I really think...

Blu-ray Review: Criterion Unearths FESTIVAL, or, 1967: The Year Folk Broke

As a cinematic experience today, as well as a time capsule, Festival is exhilarating.

Podcast: Talkin' Flicks With Pals Ep 1 - Talkin' Toronto 2017

Hello, and welcome to Talking Flicks With Pals, a new ScreenAnarchy podcast that aims to capture a bit of good old fashioned screen-related conversation. Should these first few episodes yield quality talks that film pals from around the world consider...

Toronto 2017 Interview: Brian O'Malley and Charlotte Vega Talk THE LODGERS

While most horror films of today struggle to out-shock one another, thankfully there are still auteurs like director, Brian O'Malley (Let Us Prey), who delight in a slower, more gracefully paced approach to eeriness. Like a rich work of gothic...