International: Europe Reviews

Sort By
From The
Editors
Everything From
Everyone
Most
Loved
Most
Hated
What The
Hell?!

Review: François Ozon's FRANTZ, Sumptuous, Subversive, Touching and Relevant

The year is 1918. The Great War has just ended and Germany and France were licking their wounds, hopped up on their respective nationalistic fervor. Anna (Paula Beer), a young German woman who lost her 23-year old fiancé, Frantz in...

Review: BRIMSTONE, One of the Most Brutal Westerns in Recent Memory

In Brimstone, a Western that’s the English-language debut of Dutch director Martin Koolhoven, young actress Dakota Fanning amazes with her best performance yet, giving life to a character that since the first chapter (the film is divided in four) is...

Review: PERSONAL SHOPPER, Kristen Stewart, Restless Spirits and Luxury Goods

French critic-turned-filmmaker Olivier Assayas has always had a knack for combining verité, day-to-day life with stylish genre elements. His previous film, The Clouds of Sils Maria, coaxed a assured performance out of Kristen Stewart as a confident personal assistant to a...

Review: RAW, Coming of Age With Visceral Power

It's hard to maintain one's identity when university begins; or perhaps more to the point, find your identity under enormous pressure to do well in school, adapt to life without constant parental supervision, not to mentions the pressures of the...

Fantasporto 2017 Review: THE FOREST OF LOST SOULS

José Pedro Lopes' slasher flick presents a contemporary psycho killer against an art house backdrop

Dublin 2017 Review: NAILS Slam The Coffin Shut In This Horror Hospital

The current decade has been a very good one for Irish horror. While they haven't quite reached the same kind of transgressive peak that extreme French horror did in the last decade with Frontiere(s), Inside, and Martyrs, Ireland's current horror...

Blu-ray Review: THE TREE OF WOODEN CLOGS, Far From a Wooden Slog

"I'm going to find a tree to chop down." That line, perhaps familiar from another film released by Criterion, Moonrise Kingdom, also applies to this new release by the company, respected Italian director Ermanno Olmi's 1978 Palme D'or winner, The...

Rotterdam 2017 Review: SISTER OF MINE Damns Your Eyes With Experience

In Pedro Aguilera's Sister of Mine we see Oliver, a jaded American filmmaker. One night he browses porn clips on the Internet, and discovers one which seems to feature his beautiful young Spanish half-sister Aurora, who he hasn't seen in...

Berlinale 2017 Review: DREAM BOAT Gives Cruising A Whole New Meaning

When you think of luxury cruises, you probably picture old couples and families setting off into the sunset - a sort of world tour that never has to forego the comforts of home. Well, Tristan Ferland Milewski's Dream Boat isn't that at...

Berlinale 2017 Review: THE PARTY, Drawing Room Satire at its Finest

Sally Potter is not normally known for comedy; her most famous film, Orlando (which put Tilda Swinton on the map) certainly has its comedic moments, but her work (such as The Tango Lesson and Yes) tend to more serious examinations of what my...

Berlinale 2017 Review: THE ERLPRINCE, The Polish Donnie Darko of Coming of Age Dramas

Emerging Polish director Kuba Czekaj demonstrates genre acrobatics in melancholic coming-of-age The Erlprince

Rotterdam 2017 Review: IT HURTS SO MUCH Is A Gentle Documentary About Care

Let me start this review by stating for the non-Dutch people that Heleen van Royen is a bit of an icon in the Netherlands. She is a successful writer of novels, and as a columnist she is (in)famous for not...

Rotterdam 2017 Review: Slovak Rape Drama FILTHY Examines Plight of Victim

Bleak Slovak drama investigates rape trauma and thorny path to overcome it through the eyes of a victim

Rotterdam 2017 Review: Social Satire A DECENT WOMAN Conjures Up Anarchism From A Nudistic Swinger Club

A Decent Woman marries European formalism to Latin American temperament in a social satire embracing anarchism and clothes-optional policy

Berlinale 2017 Review: WILD MOUSE, Unfortunately Tame Comedy

Josef Hader, the writer, director and lead actor of new Austrian comedy Wild Mouse, definitely has comedic pedigree. He's won best actor awards at Locarno Film Festival and written and starred in adaptations of his acclaimed play Indien back in...

Berlinale 2017 Review: ON BODY AND SOUL, One Of Those Films That Makes You See Afresh

Whether White God or Son of Saul, there are some seriously good films coming out of Hungary at the moment, and Ildikó Enyedi's On Body and Soul is no exception. Sitting in the 67th Berlinale's Main Competition, this often almost...

Review: THE TAKE, Terrorism As Background for a Buddy Action Movie

British filmmaker James Watkins previously helmed Eden Lake and The Woman in Black, horror thrillers that may not have been completely successful but were certainly above average accomplishments. So the idea of him directing a straight action flick sounded intriguing....

Review: RON GOOSSENS: LOW-BUDGET STUNTMAN Hits Its Mark

The sense of humor of Steffen Haars and Flip van der Kuil is not for everyone. The films they make are rude, shocking, incredibly insensitive and always cross at least one border too many (or outright break a taboo). Their...

Review: THE LURE, Mermaids, Love, Death, Song and Dance

In the crowded world of cinema, many filmmakers set out to try something different. However, it's one thing to be novel, which normally means stretching a thin gimmick over other recycled bits of past films, but another thing entirely to...

Now on Blu-ray: SUDDENLY IN THE DARK and NIGHT HAS A THOUSAND DESIRES From Mondo Macabro

Mondo Macabro has done it again with another killer pair of Blu-ray releases for films you didn't even know you couldn't live without. This time around the company tackles a duo of sexy horror films from opposite ends of the...