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Now on Blu-ray: Sergio Martino's TORSO Looks Great From Shameless Films

Shameless Films in the UK continues their commitment to sharing the best in classic sleaze with their new UK Blu-ray premiere of Sergio Martino's Torso. The company has recently released two of Martino's other classic giallo films on Blu-ray -...

Exclusive Creepy Clip: NAILS, Thick With Dread

In our creepy exclusive clip from Dennis Bartok's Nails, the room fills up with dread and then something happens ... well, I'll just stick with "creepy" as a descriptor, but I really like what it did to me. Described as...

Pingyao 2017 Review: LIFE GUIDANCE, a Conspiracy Against Non-Conformist, White-Collar Rage

Austrian drama Life Guidance sees a cult-like organisation installing aseptic conformism in Kafka´s The Trial reimagination in capitalistic dystopia

Trieste 2017 Review: In ZOMBILLENIUM, the Working Dead Have a Bone to Pick with Classism

Who would’ve guessed that even in death it’s no easy feat to find reprieve from social strictures? Or maybe it just depends on where you end up kicking the bucket. As Hector, a coldhearted safety inspector, will soon find out...

Review: XANGADIX LIVES! Provides A Candid Look At Dutch Horror Classic THE JOHNSONS

Twenty-five years ago, Rudolf van den Berg's thriller The Johnsons was released in the Netherlands, which was remarkable in several ways. For starters, it was a horror film and we don't make too many of those over here. But even...

Trieste 2017 Review: European Fantastic Shorts (2) Mix Delight with Disappointment

On Saturday November 4, Trieste’s Rossetti theatre once more welcomed short filmmakers from around the world for the second chapter of the European Fantastic Shorts competition.Ten more slices of fiction vied for the top spot but compared to Friday’s lineup,...

Review: In THELMA, Nothing Happens Without a Butterfly Effect

Directed by Joachim Trier, Thelma follows the titular character played by Ellie Harboe -- a young, beautiful student -- as she ventures to Oslo, Norway for school. Growing up is hard enough, but when you have acute seizures and come from a staunch...

Trieste 2017 Dispatch: Science Fiction Both Familiar and Fresh Strikes a Chord With Festivalgoers

As is to be expected from a festival that calls itself Science + Fiction, sci-fi offerings or scientific documentaries make up the bulk of the feature film program. While in Trieste, ScreenAnarchy filled out the weekend by traveling back and...

Trieste 2017 Review: European Fantastic Shorts (1) Offer an Eclectic Array of Budding Talent

Shorts were in high demand at the Trieste Science + Fiction festival. Audiences showed up in droves, welcomed the opportunity to attend programming blocks that well exceeded the two hour mark and respectfully applauded each work regardless of whether or...

Blu-ray Review: PERSONAL SHOPPER Haunts Criterion

American actress Kristen Stewart and filmmaker Olivier Assayas are back, and this time, it’s PERSONAL. But more than that, it’s mysterious, unknowable. Here, we find that the mysteries one assumes to be central to any given story labeled as such...

Warsaw 2017 Review: FIND THIS DUMB LITTLE BITCH AND THROW HER INTO A RIVER, a Viral Video Gone Bad

Dutch writer-director Ben Brand brings digital-day morality served in Hanekenian style for young adults in his first feature Find This Dumb Little Bitch and Throw Her Into a River

Warsaw 2017 Review: AURORA BOREALIS Glows in Bleak Times

Hungarian veteran director Márta Mészáros tackles Soviet occupation in her latest effort Aurora Borealis intertwined with a personal struggle of Sophie´s Choice-like plight

Warsaw 2017 Review: SO HELP ME GOD, a Wild True/False Search for Justice

Perplexing stranger-than-fiction pic So Help Me God captures the formalist zeitgeist in a highly watchable outcome

Warsaw 2017 Review: A BALKAN NOIR Delivers What It Promises

Bosnian-born and Swedish-based filmmaker Dražen Kuljanin delivers exactly what the title promises.

Sitges 2017 Review: TEHRAN TABOO, a Savage Look at the Paradox that is Modern Iran

Blunt, angry and eye-opening, Tehran Taboo offers a scathing portrait of Iran’s largest city. Think of it as Short Cuts meets Persepolis, although that facile shorthand does not begin to get at just how much is going on, plot and...

Sitges 2017 Review: MUSE, a Mildly Entertaining Thriller

Jaume Balagueró is without a doubt one of Sitges' classic directors. Every new project of his is welcomed with a special interest by the festival's audiences, which probably still remember with excitement the screenings of the first chapter of his...

Vancouver 2017 Review: THE SQUARE, An Uncomfortable Delight

Ruben Östlund is proving himself to be a keen observer of the human (specifically, male) condition, and one who can draw humor from its depths without losing any empathy along the way.

Sitges 2017 Review: DHOGS Plays Cinematic Games With Its Audience

First time director Andrés Goteira wants his audience to play a game. He is open and up front about this early on by inserting his own audience into the opening shots of the film, and will come back to them periodically...

Blu-ray Review: Musical Man-Eating Mermaids in Agnieszka Smoczyńska's THE LURE

Part of the appeal of the Criterion Collection for lovers of film is its simple act of curation. Though weighing in at over 900 titles in its current run (The Lure is #896, hitting stores October 10), the collection still...

New York 2017 Review: LET THE SUN SHINE IN, Claire Denis Goes Hong Sang-soo

I think Claire Denis has been hanging out with Hong Sang-soo a little too much because I never expected her to do a wordy romantic comedy! And the result is delightful! It boasts the best rolling end credit of any movie ever.