Festivals: Cannes

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Exclusive Interview: Talking THE HANDMAIDEN With Park Chan-Wook

For several decades now Park Chan-Wook has been at the forefront of Korean Cinema that’s finding International audiences. His films are often breathtaking and full of bravado, solidifying sensuality and revenge in equal measure to craft works that both thrill...

Fantastic Fest 2016 Review: The Unbearable Lightness of TONI ERDMANN

German filmmaker Maren Ade's third feature, Toni Erdmann, about an estranged father connecting with his adult daughter in increasingly unorthodox and aggravating ways, garnered glowing critical praise when it premiered in competition at Cannes this past spring. While there is...

DOG EAT DOG: RLJ Entertainment Grabs North American Rights For Paul Schrader's Kindnapping Flick

Ahead of it's North American premiere here in Toronto next month RLJ Entertainment has acquired the North American rights for Paul Schrader's Dog Eat Dog starring Nicolas Cage and Willem Dafoe. As you will read in the press announcement excerpt...

Interview: THE WAILING's Na Hong-jin, Questions For A Mastermind Of Evil

Out now in North America, Na Hong-jin's blistering new thriller The Wailing is making waves like few other Korean films have in the past decade. The film debuted at the Cannes Film Festival last month, where we were able to...

Cannes 2016: Next's VR Programming Round Up + The Quest For Monetization

Like most major film festivals these days, Cannes has jumped into the exploration of VR programming as well. The market sidebar dubbed Next has been around for a while, but this year was expanded to a much more prominent location...

Cannes 2016 Review: THE BFG Showcases Steven Spielberg's Infectious Sense Of Play

Once upon a time Steven Spielberg was the fabulist of our time. Looking at Close Encounters or E.T. or even Jurassic Park and A.I., you could see a sense of wonder and playfulness in his filmmaking, a childlike enthusiasm that...

Cannes 2016 Review: PATERSON, Jim Jarmusch's Latest Journey

A driver named Paterson in a town called Paterson played by a man named Driver - the rhyming seems almost too perfect. Yet Jim Jarmuch's latest, a delicate, poetic, often delightful musing on creativity and the art of listening is...

Cannes 2016 Review: Jeff Nichols' LOVING Is A Minor Key Masterpiece

There may be no more subtle, beautiful and accomplished film this year than Jeff Nichols' Loving. There might also be no film more in need of help being championed, a work surely going to be stampeded in a year where...

Cannes 2016 Review: ELLE, A Sordid, Provocative Masterwork

Paul Verhoeven is one of the more unique directors in cinema history. As perhaps the most famous Dutch auteur, he's gone from ribald little European films to the biggest of Hollywood bangs, incorporating his unique wit, visual sense and narrative...

Cannes 2016 Review: GRADUATION Fails To Engage

Cristian Mungiu's film Four Months, Three Weeks, 2 Days heralded the Romanian New Wave when it won the Palme d'Or at Cannes in 2007. His other features have since played at the festival, and his latest, Graduation, is in competition,...

Cannes 2016 Review: THE NEON DEMON, A Dark, Seductive Symphony

If beauty is fleeting, is there anything more precious than protecting it while it lasts? If all you have going for yourself is the outer shell, to what lengths would you go to in order to keep your specialness? Does...

Cannes 2016 Review: THE RED TURTLE Sublimely Tugs Our Strings

Human emotions can be fragile, unpredictable things. However, they can sometimes also be pretty damned predictable. Show someone a kitten and they'll feel an emotional pang. Show a human going through the stages of life from youth to life's logical...

Cannes 2016 Review: HELL OR HIGH WATER Does Outlaw Justice Darn Right

Bank robbers. Texas Rangers. A sun-drenched landscape. Oil derricks. Tumbleweeds. A loose cannon ex-con. A brother just trying to do the right thing. An aging lawman on the doorstep of retirement. Throw it all in a blender and you're bound...

Cannes 2016: Anurag Kashyap's Upcoming Horror GIDDY Part Of New Blumhouse Partnership

It was reported several months ago that US horror specialist Blumhouse Productions was branching out into local language productions. The first of these partnerships to be announced is with Phantom Films in India, the director's production house founded by Anurag...

Cannes 2016: Nordic Genre Cinema Celebrated With Viking Helmets

Sure, the Cannes Film Festival sounds like an ultra-serious consideration of the latest and greatest in world cinema. But who knew it included the wearing of viking helmets? We've been provided with three photos from the (scandalous?) Nordic Genre Party...

Cannes 2016 Review: JULIETA, Beauty Without Substance

Alfred Hitchcock once said, 'Drama is life with the dull bits cut out'. To twist that a bit, Pedro Almodóvar's new feature film Julieta is a slice of life with the drama cut out. The story of one woman's journey...

Cannes 2016 Review: THE NICE GUYS, A Trifle With Great Chemistry

"I'm getting too old for this shit". Immortal lines of cinematic splendour, words so titanic that if the scribe of Lethal Weapon had only been responsible for these, then he'd be legendary. Yet Shane Black has done more than write...

Raven Banner Entertainment Lands Worldwide Sales Rights For Finland's First Superhero Flick, RENDEL

News out of the market at Cannes is that local lads Raven Banner Entertainment have landed the worldwide sales rights for Finland's first superhero movie. Rendel. The trailer has been out for a while and you may have a look...

Cannes 2016 Review: AMERICAN HONEY Captures A Generation's Spirit With Aplomb

Only a few times in a generation does a film speak to youth in a lasting and powerful way. Films like Rebel Without A Cause, Easy Rider, and Kids all tapped into their respective contemporary consciousnesses with the effect of...

Cannes 2016 Review: THE HANDMAIDEN, A Breathtaking And Twisted Lesbian Thriller

Following his Hollywood foray Stoker, Park Chan-wook returns to (mostly) home soil for his sumptuous and sensual adaptation of Sarah Waters' Fingersmith. Transposing the novel's setting from Victorian England to 1930s Korea and Japan, when the former was a colony...