Locarno 2016 Review: In ENDLESS POETRY, Alejandro Jodorowsky Ups the Ante

Chilean born Alejandro Jodorowsky can be called many things: Mystic, sage, tarot master, director, screenwriter, actor, mime, graphic novel scribe, healer, philosopher, novelist, playwright, spiritual guru. All that and more could fit on his resume... if he was a man...

Bruce Campbell Ain't Afraid of No Evil in ASH VS EVIL DEAD Season 2 Red Band Trailer

More hailing to the king will begin this October as Bruce Campbell repeats his role of Ashley J. Williams. A blast from the past, the retro/nostalgia fad on small screens is dusting off properties such as eagerly anticipated groundbreaking 90s...

Neil Gaiman's AMERICAN GODS: First Trailer

British scribe Neil Gaiman is a pop culture juggernaut, responsible for a myriad of novels, short stories, films, television series, graphic novels and radio shows. Coming into awareness as a fantasy writer, his magnum opus is a series of graphic...

Review: PREACHER, No More Waiting for God

Superhero comics are no longer the only material from the realm of sequential art suitable for big or small screen adaption. Terry Zwigoff shared that opinion back in the early aughts. In the latest fad, the small screen is becoming...

Karlovy Vary 2016: Central and East European Cinema in the Spotlight

Karlovy Vary International Film Festival wrapped its 51st edition and the display of new Central and East European cinema with the award-giving ceremony. Hungarian filmmaker Szabolcs Hajdu was picked for the Grand Prix in the main competition for his independently...

ScreenAnarchy's Top Movies Of The First Half Of 2016

One year ago, we arrived at the mid-year point in high spirits. We all marveled at the new Mad Max, got turned Inside Out by Pixar, and were seduced by Ex Machina. So we published our favorites as a nice...

Zlín Film Fest 2016 Report: Child Protagonists In The Fore

International Film Festival for Children and Youth in Zlín, also known as Zlín Film Fest, is one of the world's oldest and biggest film festivals for youth and children. Founded in 1961 in the Czech Republic, the festival celebrated its...

Palahniuk's LULLABY Headed To The Big Screen

Chuck Palahniuk´s Lullaby is poised to become his latest work to hit the big screen with a  crowd-funding campaign eyeing to raise at least $250 000 to see the world´s unlikeliest serial killer on the screen. Lullaby - written to...

Crowdfund This: Jan Švankmajer's Farewell Feature

Czech surrealist and legendary filmmaker Jan Švankmajer´s is bracing for Insects, a project that will be his last feature film. The project got stalled a bit being announced as in development as early as 2011 (with the premiere date set...

Transylvania Film Fest 2016 Preview: Beasts, Sono And No Limit

The 15th edition of Transylvania International Film Festival will kick-off May 27 in the second most populous city in Romania. The festival´s artistic director Mihai Chirilov programmed a thematic section called "#Animal". He explained: "The idea of a cine-zoo at...

RADIO DREAMS Interview: Babak Jalali On Absurdity and Working with Lars Ulrich

Iran-born writer/director Babak Jalali will enter the history books of the International Film Festival Rotterdam as the first winner in the revamped main competition where instead of honoring three emerging filmmakers, the award goes to only one. Jalali debuted with...

Review: WE ARE THE FLESH, Lucifer Rising

The budding filmmaker Emiliano Rocha Minter, a 26-year old from Mexico, emerged with his feature debut at International Film Festival Rotterdam earlier this year, finished only a couple of days before landing in Netherlands. It wasn't his first visit to...

WE ARE THE FLESH Interview: Emiliano Rocha Minter Discusses His Corporeal And Twisted Debut

Budding Mexican filmmaker Emiliano Rocha Minter shot a bit twisted, albeit daringly corporeal, feature debut We Are the Flesh (Tenemos la Carne) at the age of 26. Minter showed a promise in his shorts efforts, a promised that did not...

Interview: SON OF SAUL Production Designer László Rajk Talks About Recreating Auschwitz And Working With Béla Tarr

One of the discoveries of the last year was László Nemes' feature debut Son of Saul (read Jason Gorber's review), an immersive Holocaust drama chronicling the daily proceedings of Sonderkommando. Nemes brought home more than 45 awards to Budapest, including...

GoEast 2016 Review: In Polish Anthology NEW WORLD, An Immigrant's Life Is A Dilemma-Ridden Conundrum

The year 2015 was a pretty turbulent and tough one for the Old Continent. It seems that Europe landed under the sign of nomad. The socio-ethnographic locomotion of the magnitude displayed in previous years and hastily ham-fisted decisions sprung from...

Interview: Brazilian Filmmaker Gabriel Mascaro Discusses His Work

The Brazilian artist Gabriel Mascaro, having one leg in the visual arts and the other in cinema, already has several notable works under his belt, and Film Society of Lincoln Center is celebrating him as arising international auteur by organizing...

Review: Naivety Goes Awry in Coming-of-Middle-Age Greek Dramedy SUNTAN

Greek cinema had a successful run last year reminding us of the cinematic deluge from Hellenic peninsula we had started to refer to as the Greek New Wave. Besides the already known personalities with international credentials - Athina Rachel Tsangari...

Rotterdam 2016 Interview: Director Steve Oram Talks AAAAAAAAH! "Not Everyone Would Have Wanted To Have Somebody's Testicles On Forehead"

While on the prowl in Rotterdam, ScreenAnarchy bumped into Steve Oram, the English actor who may be spotted in television series Tittybangbang, The World´s End or Ben Wheatley´s chiller Kill List. Steve Oram co-wrote Wheatley´s dark touristic comedy Sightseers where...

Rotterdam 2016 Interview: Udo Kier Talks Rainer Werner Fassbinder, Lars von Trier And Past And Present Roles

While roaming the screen rooms and adjacent spaces in Rotterdam, ScreenAnarchy had the honor to sit down with acting cult icon Udo Kier, who was there to promote his latest endeavor, Austrian miniseries Altes Geld, in which he portrays a...

Berlinale 2016 Review: WE ARE NEVER ALONE Delivers A Powerful, Harrowing And Way Too Vivid Parable

Petr Václav, the Czech filmmaker living and working in France, returns to the theme of racial discrimination already addressed in his feature debut Marian (1996). Prejudice based on race persists as a hot topic in the Czech Republic, attracting ever...