Friday One Sheet: PIERCING

This eye-catching design for the film adaptation of Murakami Ryu's 1994 novel, making its debut at Sundance, has a kind of Jack Davis sort of look. Davis, most famous for Mad Magazine, had a long good run on movie posters...

10+ Years Later: THE PRESTIGE, Christopher Nolan's Most Knotty Work

"In my travels, I have seen the future... And it is a strange future indeed. The world, ladies and gentleman, is on the brink of new, terrifying possibilities." This is how Robert Angier, introduces his magic act, 'The Real Transported...

Review: THE ROAD MOVIE, Hella-Entertaining, If Cautionary, Carnage

If you have spent any time lost in the YouTube wormhole, you have probably seen some of the crazy car accident footage that has been uploaded and archived by witnesses, usually from cheap cameras mounted at the front windshield of...

Friday One Sheet: THE COMMUTER (and Perspective Text)

Ever since the Saul Bass designed opening titles of North by Northwest, key art designers have used perspective text to imply 'on the run.' This minimalist (one of very many great Bass inflectected designs from LA Studios) key art, quite...

Friday One Sheet: ALL THE MONEY IN THE WORLD

The one thing I love about Korean theatrical posters is that they often just take a good photograph and make it the key art. No fuss, no muss, a wee bit of photoshop buffing, a great sense of framing, and...

ScreenAnarchy's Favourite Films of 2017

Another year over, and what an annus horribilis it proved to be in so many ways. But away from the political atrocities that took place in pretty much every country you care to mention, and the sexual harassment scandals that...

Friday One Sheet: LA FEMME NIKITA in Thailand

Between Christmas and New Year's Eve, it is a slow news cycle, and few film companies are debuting their key art. So, at the risk of hijacking Mack's wonderful one-sheet posts on our Instagram feed, here is the colourful Thailand...

Friday One Sheet: The Best Posters of 2017

We are only into the second entry of this column, but it is the season, so please enjoy the best 10 posters of 2017 (and a single reason why they were selected) in the gallery below....

Friday One Sheet: STAR WARS: THE LAST JEDI

Kicking off a new column here, in which we will look at the most interesting, or conversation-worthy poster of the week, every Friday morning. Sometimes we will talk about design, other times about influences on other iconic films, or historical...

Watch Errol Morris' WORMWOOD Trailer

Like so many auteurs working on projects that are considered 'niche' -- basically anything not in Tights or in a franchise, these days -- Errol Morris has gone over to the streaming services (in this case, Netflix) with his current...

DREAMLAND Reunites Bruce McDonald, Tony Burgess and Stephen McHattie for a New Genre Mashup

Fans of Pontypool may rejoice for the beginning of production on Bruce McDonald's latest film, Dreamland. It reunites the director with writer Tony Burgess and star Stephen McHattie. While not the long rumoured sequel to the Canadian cult semiotic zombie film...

10+ Years Later: 28 WEEKS LATER Has A Fierce Bite

I do not quite recall the mood around 28 Weeks Later upon its 2007 release. I remember the wonderful “Maintain The Quarantine” poster, and that the production was financed at the full flush of Fox Atomic, 20th Century Fox’s ill-fated...

Exclusive: Sono! Sabu! Uchida! Animerama! Third Window Films 2018 Slate Looks Amazing!

Third Window Films, the English-speaking world's most well-respected distributors of comtemporary and modern Asian films on home video, has had a rough year, but they are revved-up and ready to go with a 2018 slate of releases that looks out...

Screen Anarchists On BLADE RUNNER 2049

We almost didn't publish a "Screen Anarchists On BLADE RUNNER 2049" article. I did a quick tally among our editors, critics and contributors, and everybody seemed to like the film. Now that ain't interesting, is it? We want divisiveness...

Sitges 2017 Review: CANIBA Challenges You To Take A Long Look At A Murderer

And now for something truly different. Unconventional in almost every way, Caniba is the latest anthropological and psychological inquest from Véréna Paravel and Lucien Castaing-Taylor. Their previous film, Leviathan, made for the Harvard Sensory Ethnography Lab wordlessly looked at the...

Sitges 2017 Review: MARLINA THE MURDERER IN FOUR ACTS, a Traditional Western Story Told in a Fresh Way

In making a film, any film, it is nearly essential to have an image or scene that the audience takes away with them. Think about a film you love, and get it in your minds eye, and that is what...

Sitges 2017 Review: TEHRAN TABOO, a Savage Look at the Paradox that is Modern Iran

Blunt, angry and eye-opening, Tehran Taboo offers a scathing portrait of Iran’s largest city. Think of it as Short Cuts meets Persepolis, although that facile shorthand does not begin to get at just how much is going on, plot and...

Interview: 78/52 Director Alexandre O. Philippe Talks Voyeurism and Mirrors

With the release of the superb documentary 78/52, focusing on the construction, and deconstruction, of the shower scene from Alfred Hitchcock's 1960 masterpiece, Psycho, I had a chance to sit down and chat briefly with Alexandre O. Phillipe regarding that...

Sitges 2017 Interview: HAGAZUSSA DP Mariel Baqueiro on Snow, Swamps and Magical Moments

A singluar work of visual story telling, almost dialouge free, Hagazussa: A Heathen's Curse is one of those movies that you are not entirely sure of what you just witnessed in terms of narrative structure and detail, but you know...

Sitges 2017 Review: DHOGS Plays Cinematic Games With Its Audience

First time director Andrés Goteira wants his audience to play a game. He is open and up front about this early on by inserting his own audience into the opening shots of the film, and will come back to them periodically...