Sono Sion (Love Exposure, Cold Fish, Guilty Of Romance, Himizu) is one of Japan's most interesting directors, and The Land Of Hope is one of his most accomplished films. I had the pleasure of seeing it at the Sydney Film Festival earlier this year, and not only was it the best film that I saw at the SFF, it is also one of the best films I have seen so far this year.
The film will soon be released on DVD and Blu-ray in the UK by Third Window Films, and an exclusive trailer has been made available to ScreenAnarchy. Embedded below is the trailer for the critically acclaimed film.
The DVD and Blu-ray will be available in the UK from August 26, and contains a 70-minute long making-of video as a bonus feature.
Prolific Japanese director Sion Sono (Love Exposure, Himizu) departs from his usual style for this movingly restrained drama of a rural family's struggle to survive in the aftermath of the Tōhoku earthquake and the resulting nuclear crisis.
In the fictional Nagashima prefecture, Yoichi Ono (Jun Murakami) lives a peaceful life with his wife Izumi (Megumi Kagurazaka), and his parents Yasuhiko (Isao Natsuyagi) and Chieko (Naoko Otani), on the family's small farm. One day, an earthquake disrupts the calm, causing the reactor at a nearby nuclear power plant to explode. The Nagashima community is directly within the twenty-kilometre evacuation radius--except for the Ono farm. Haunted by memories of the Fukushima nuclear disaster, in which evacuees were forced out of their homes permanently, the Onos are faced with a terrible decision: stay and risk the possibility of radiation poisoning, or leave the home their family has spent generations building.
If you like the film, you should also find this statement from Sono Sion interesting;
On March 11, 2011― The Great East Japan Earthquake led to explosions at the Fukushima No.1 Nuclear Power Plant, releasing a massive quantity of radioactive material. This disaster destroyed the lives of many people ‒ lives that they used to know until that day.
Faced with this unprecedented crisis, I am greatly alarmed that only the scale of the nuclear accident, and not much else has been talked about in Japan. I fear that we will simply become desensitized to the idea of radiation and in time "co-exist" with it, willy-nilly, conveniently "forgetting" about it in our daily life. The government may well declare that the nuclear crisis, the focus of our attention since last March, has been resolved. I make this movie because I want people to "relive" "that time" again, to go back into March last year. By reliving that day again, we will be able to appreciate the horrifying reality that we have been forced into ‒ the reality of having to live with radiation. That is what we must talk about now. These thoughts are behind my determination to make this movie.
Far from declining, nuclear power is actually on the rise globally as "clean energy." Fear of nuclear power is pervasive, yet we continue to depend on nuclear energy. Do we really have no other choice? Japan is the only country in the world that has experienced the horror of nuclear first-hand in Hiroshima and Nagasaki, and now we've had a nuclear accident even worse than Chernobyl. It is only our responsibility to warn the world by reporting our experiences. This movie is my answer to that; it is a sci-fi movie about a nuclear plant accident that occurs in the future ‒ a few years after the Fukushima disaster. It depicts what is happening in "Fukushima" and in Japan right now, through the story of one family. The nuclear accident severely tests the strong bond of this family. The son has no choice but to leave the land of his family, while the father refuses to leave, choosing to live by it. This family becomes torn apart by the nuclear disaster. Torn apart, and yet, they need each other. They learn just what they mean to each other. This is family drama that is actually happening now in every household in "Fukushima", which I encountered in my research for this movie. But I chose to make this realistic documentary drama a sci-fi movie, setting it in the near future, because only drama, not a documentary, can convey what I wanted to tell the audience in this movie.
By setting the movie in the near future, paradoxically, the audience will learn what actually happened then, with all of its raw urgency. By witnessing the mistake we may make yet again some years down the line, we may be able to change the course of our future even a little, choosing not to repeat our foolish mistake. That is my sincere wish in making this movie.
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