Review: THE CHOICE, Why Some People Remain Single

Managing Editor; Dallas, Texas, USA (@peteramartin)
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Review: THE CHOICE, Why Some People Remain Single

I am a single person who has never read a novel by Nicholas Sparks. Nor, until now, had I ever seen any of the movies based on his books. What kind of monster am I?

Sparks is the Stephen King of romance novelists. By which I mean, his books are frequently adapted for the big screen, to the point that since 2012 it's become an annual event. Many fine-looking actors have given their souls sincerely to these blessed romantic events. The Choice is the latest example.

In The Choice, every character is so agreeable and pleasant and kind and good-looking that it feels mean-spirited to point out that they're living in a fantasy world. Having said that, would any of the characters want to leave? Unlike the characters in, say, Pleasantville or The Truman Show, everyone is content with their lot in life; no rebels exist to point out incongruities or express dissatisfaction with the status quo.

The unnecessary opening narration rushes to point out the obvious, something similar to 'life is like a box of chocolates, you kin only pick one,' but less memorably banal. It's spoken by Benjamin Walker (Abraham Lincoln: Vampire Hunter), who was born in Georgia (U.S.A.) and delivers his lines in the broadest Southern accent possible.

His character, Travis Parker, resides with his faithful dog in a folksy house in a beautiful corner of North Carolina, right on the water. Travis likes to flirt with the ladies, doling out corny one-liners like he was back in a high school cafeteria. As the film proper begins, he resumes an off-and-on relationship with the flighty Monica (Alexandra Daddario, stranded, without much to do) while eyeing his next next-door neighbor, Gabby Holland (Teresa Palmer in a valiant performance).

choice_poster-300.jpgGabby also resides with a faithful dog, but she does not like her new neighbor's propensity for playing loud music. It disturbs her medical studies, which we know are serious and important to her because she wears glasses when she's studying. But all it takes is one long, soulful glance exchanged between her and Travis to know that they will end up together.

To make sure we understand this point, Travis' sister Stephanie (Maggie Grace) pokes him in the ribs and teases, 'You're in trouble!' (Or something similar; I wasn't taking notes.)

This brings up another bit of nonsense that is never explained: Travis speaks in a very broad Southern accent, not shared by his sister, nor his veterinarian boss (and possible father; I wasn't taking notes), nor anyone else in town that I heard. Why is that?

Naturally, if The Choice was more engaging, or featured sparkling wit, or revolved around people acting like believable adults, or stopped pretending it was realistic, such questions would not arise. Indeed, if The Choice immersed itself fully in fantasy, it would be easier to make allowance for the juvenile nature of the dialogue and the stock characterizations.

But what do I know? Sure, I've read hundreds of books, watched thousands of movies, and enjoyed the company of smart, intelligent, passionate, creative people, but I've certainly never experienced the unbridled, unquestioning, yet completely blinkered version of loooove as it's defined in this movie.

I better stop there, before launching into a lengthy diatribe about the dishonesty of movie romances that begin when each person is involved with another. (Where I come from, that's called "cheating," but hey, if it floats your boat to minimize the pain inflicted by betrayal and pretend it's fate or beyond your control, go with it.)

Most likely, The Choice is perfectly adequate for anyone looking for a fix of romance that is entirely divorced from reality. Most likely, that includes anyone who is a fan of Nicholas Sparks' books or past movies based on them.

For anyone else who might be tempted to test the Sparks waters, be advised that The Choice threatens to drown all observers in the most treacly sort of sentimentality. Bring a life jacket.

The Choice opens in Brazil, Colombia, Hong Kong, Lebanon, Mexico, and The Netherlands today, and in Canada, Estonia, Latvia, and the U.S. on Friday, February 5, before rolling out to additional territories in the weeks to come.

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Alexandra DaddarioBenjamin WalkerNicholas SparksTeresa PalmerTom Wilkinson
  • ASFan

    Regarding Alexandra Daddario, would you say that her being stranded doesn't have much to do with her aside from the fact that she chose to take that role?

  • Yes, that's it exactly. Her character is ill-defined, and she does as well with the role as possible. It was disappointing because I've enjoyed her other recent roles but here the character is purely a plot device.

  • ASFan

    As someone who has more or less an unhealthy obsession with Alexandra Daddario. I was hoping to hear something along those lines. Career-wise, she had been coasting on Percy Jackson 1 through the second one, took a big step forward with True Detective and then another step forward with San Andreas. This feels like a giant step backward behind True Detective, something that if she really wanted to do, she should have done it before True Detective. I knew from the second she was announced for this that she was deserving of better.

    Quite frankly, between the idea of Walker playing a supposed ladies man and Daddario barely featured in the marketing, her role looked like a pointless plot device and a complete waste of her screen presence and likability.

    On top of that, why would any guy choose Palmer over Daddario? Probably because he has no balls, just like all of Sparks' films. They already get a middle finger for their total repetitive shallowness, but this one gets an extra bigger one from me for the complete under-utilization of Daddario.

    Fortunately, it seems like enough people will forget she was even in this and we can look forward to seeing her in The Layover and Baywatch, both of which aim to take greater advantage of her talents and screen presence.

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