Cannes 2015 Review: GREEN ROOM Doesn't Pull A Single Punch
Some gigs really aren't worth taking. That's a maxim that the members of broke touring punk band Ain't Rights probably haven't heard of and certainly aren't going to adhere to when they get offered $350 to play a backwater skinhead bar. That's more than enough money to get them all the way home without needing to syphon any more gas. They've played to plenty of rough crowds before, so what could go wrong?
Green Room starts out as a pretty typical band on the road movie, but quickly transforms into something very, very different. When the band witnesses something they're not supposed to see, things go from dangerous to downright deadly. And along the way, much, much blood is spilled and many internal organs are exposed to the light of day.
Billed as Jeremy Saulnier's follow-up to the impressive indie Blue Ruin, Green Room takes the intensity on display in that film and ratchets it up by a few million dollars. The extra money is all on the screen. With a larger cast, bigger sets and set pieces, and a hell of a lot more special effects makeup, Green Room is every bit the follow-up that fans of Blue Ruin have been hoping for.
Macon Blair is back and just as excellent in his role as the proprietor of the skin head music venue. But this time he is joined with a few more recognizable faces. Most notable is Patrick Stewart as the boss; his badassness exuded in his calm Picard-esque confidence. The good guys include Anton Yelchin, Imogen Poots, and Alia Shawkat, while both Mark Webber and Kai Lennox turn in great performances as skinheads. Truly all the performances are strong and Saulnier easily proves himself with a larger and more professional cast.
While it's not exactly a horror movie (it's probably best described as a siege film), horror fans will find much to enjoy. The special effects makeup is fantastic and Saulnier comes up with many opportunities to employ it with plentiful use of machetes, box cutters, and shotguns. And when the pitbulls show up, gore hounds know they're really in store for a treat. This isn't a typical CG blood thriller and the use of effects are a perfect example of where giving Saulnier a bigger budget translates directly to more awesomeness.
Awesome really is the best way to describe Saulnier's filmmaking style. Smart, assured, and clever are all accurate as well. Green Room is all of those things in spades and proves that Saulnier is one of the most exciting genre directors around. Now let's see what he can do next.