While I was on hiatus, Arrow Video released a ton of fantastic huge titles on Blu-ray and I'm only beginning to catch up with them. Their output in recent months has somehow managed to raise the bar for cult home video releases and has taken a somewhat sticky reputation and turned it into a massive pile of kudos for titles that are world-beaters. From Italy we get not only Lucio Fulci's magnum opus, Zombie
(AKA Zombie Flesh Eaters
), but also a trio of Mario Bava classics, including his first directorial efforts, a Tromatic classic in Class of Nuke 'Em High
, and a pair of classic chicks-with-swords films in Lady Snowblood 1 & 2
. All winners, all worth your money, but here's a little bit more detail for you.
Zombie Flesh Eaters
About 18 months ago Blue Underground released Zombie
on Blu-ray to mixed reviews. I really liked it, though some complained about the smeary video quality. I can now say, with side by side comparisons, that Arrow Video's new restoration of this classic is the definitive release of Zombie
anywhere in the English speaking world. I reviewed the film back then and here's what I had to say:
Zombie was conceived as a way to cash in on the international success of George Romero's Dawn of the Dead. Dawn of the Dead was titled Zombi is Italy, and this film was Zombi 2,
despite sharing nothing with Romero's film apart from undead people
walking slowly. However, what was intended as a rip-off took on a life
of its own when Fulci put his nasty stamp on it.
zombies were slow-moving, like Romero's, they had a different sort of
attitude. Fulci's zombies were mean and they seemed to enjoy, in their
undead way, inflicting pain and killing, where as Romero's seemed
content with sustenance. This led to a whole new type of film in which
the zombies were not merely a threat, but a villain. Fulci enlisted the
assistance of several FX artists in creating his diabolical vision, and
their work makes this film a success as much as anything else.
I love Zombie
, and Arrow Video's new release is easily the definitive version of the film. Not only is the video improved and more film-like, but the audio track is marginally clearer especially in the case of the English audio.
If you're not a videophile, there's still a lot to recommend as Arrow and High Rising Productions have created a massive pile of extras to sate even the most rabid fan. There is From Romero to Rome
, a documentary tracing the rise and fall of the Italian zombie film (featuring our own Shelagh Rowan-Legg as one of the talking heads), Aliens, Cannibals, and Zombies
, a forty minute featurette with Zombie
star Ian McCulloch regarding his career in Italian genre cinema, The Meat Munching Movies of Gino de Rossi
, which looks at some of the finer works of FX artist de Rossi beyond Zombie, a Q&A with the legendary Fabio Frizzi, a favorite of Fulci, a script comparison from the page to the screen with writer Dardano Sacchetti, trailers, TV spots, and more. We get two audio commentaries, a scholarly one with Fulci biographer Stephen Thrower (NIghtmare USA) and Argento biographer Alan Jones, and a less scholarly one with actress Elisa Briganti and High Rising's Calum Waddell. Last, but definitely not least, is a massive booklet packed with interviews, essays, and other scholarly dissection of Zombie
from experts of all stripes. This is truly a keeper.
One note of warning: As of this review, most copies of Zombie Flesh Eaters
have a brief encoding error that leads them to skip about 6 seconds of the opening credits. No dialogue or action are missed, but to some this is worth worrying about. Arrow Video are aware of the issue and are offering a replacement scheme to solve the problem. You can find the information here
.Lady Snowblood 1 & 2
Starring the lovely Meiko Kaji, the Lady Snowblood
series was an adaptation of a popular manga about a swordswoman bent on revenge. Kaji and director Toshiya Fujita were coming off of a grand success with the Female Prisoner Scorpion
series and were attempting to strike gold twice with this extended tale of a dangerous woman hacking dastardly men to bits. The results are, sadly, not as balls-out entertaining as the Female Prisoner
films, but solid nonetheless. There is plenty to enjoy about Lady Snowblood
, both of them, however it gets bogged down in drama and repetitive flashbacks. Due to the film's low budget, Fujita was only able to shoot with a small amount of film, hence the reusing of key footage to stretch the film out to 90 minutes, which it just barely makes. Lady Snowblood
could've used fewer pensive moments and more splash, but what we have is akin to a ronin story like Lone Wolf & Cub
, but with less arterial spray.
The second film fares significantly better in my opinion. While for some it appears to be bogged down in political undertones, the film's thematic approach to western encroachment into Japan at a crucial point in the nation's history adds a level of interest that the first film really needed. It also appears to me that there's just more action in Lady Snowblood: Love Song of Vengeance
(a misleading title as there is no love song, nor really any vengeance). For that reason I like the second film perhaps a bit more than the first.
Arrow Video's Blu-ray transfer for Lady Snowblood
is adequate but not mind blowing. I had some issues with the contrast, as the blacks never really seemed deep enough. The fine detail also suffered a bit, but improving the contrast would've helped ot alleviate that problem as well. That being said, there are no major missteps, just a mediocre Blu-ray transfer. The audio is just fine and I have no real comments other than the fact that it was never distracting enough for me to notice any faults. There is one major extra on the disc and that is a brief interview with Japanese film expert Jasper Sharp who brings much appreciated context to the stories. There is also a marvelous booklet full of essays from others including another expert, Tom Mes. While the transfer won't blow your mind, Lady Snowblood
is a good purchase for fans of women with swords.Class of Nuke 'Em High
While I may have issues with Troma as a business, there's no denying the impact they made on early 80's exploitation cinema in the US. If there is a second feature for which they are best known beyond The Toxic Avenger
, this is probably it. Class of Nuke 'Em High
is one of the classic punksploitation films of the '80s, right up there with Class of 1984
. In this case the punks are a ridiculous caricature (when weren't they?) but they are entertaining as hell and provide the film with a lot of its darkest humor. Rather than recap, here's what Arrow Video has to say:
At Tromaville High School the kids are revolting. Literally. The
irradiated marijuana they've been buying from The Cretins, a tough gang
of ex-star pupils turned atomic punks, is turning them into freaks.
Girls are giving birth to demon babies, the nerds are developing super
strength and there's a monster in the school basement that eats honour
roll students for breakfast.
Welcome to State education Troma-style, a place where the science lab is
kitted out with lasers and nudity is often compulsory. The Class of
Nuke 'Em High will have their work cut out surviving until the final
bell, let alone graduation.
This was my first viewing of this little gem and I really had fun with it. It is by now reasonable metric a good film, but it's dumb, violent, and gross, and that's usually enough to get me hooked! Arrow Video's Blu-ray compares favorably to the Troma disc, and the extras are pretty much identical and very typical Troma extras. The big advantage here with Arrow is the extensive booklet and David Hayles essay and amazing Graham Humphreys' artwork, which is worth the double-dip all by itself.Black Sunday / Lisa and the Devil
For a while there it looked like A Bay of Blood
might be the only Bava we'd see from Arrow Video, but thankfully that is decidedly not the case with their recent announcement of at least four Bava Blus. This first pair are probably the most sought after and the reality, in this case, more than lives up to the anticipation. I have already reviewed Black Sunday
here, and this is a snip of that review:
Black Sunday is the quintessential Italian witchcraft film, even
fifty years later, it hasn't been matched. In fact, I get the feeling
that most filmmakers are hesitant to try. The closest we've seen to an
attempt to usurp this throne is probably the three mothers trilogy of
Dario Argento, but I think that even he'd bow to Bava if given the
opportunity. Where Argento goes for the jugular, Bava prefers to slowly
strip away the viewer's sanity, making him question things he thinks he
already knows and making every new revelation a shock to the system.
I'm not going to pretend that I have anything new to say about Black Sunday,
it is certainly one of the most discussed and written about Italian
horror film in existence. I will, however, throw in my two cents to say
that the film remains a brilliant example of what gothic horror can be,
but may never be again. This is a film worth remastering, saving,
contemplating, arguing and coming together over, and cherishing. Black Sunday is superb.
I stand by all of that. That review was of Kino's release last fall, but Arrow's blows that release clean out of the water in several key areas. First of all it includes the re-edited AIP English language version for the first time along side the version we're all used to seeing. It also includes, as a bonus, Bava's directorial debut and the film that started the Italian horror boom, I Vampiri
, a work he co-directed with Ricardo Freda. Brought over from a release ages ago is an audio commentary from Bava expert Tim Lucas (also on the Kino edition), but in addition to that we get a Barbara Steele interview, deleted scene, and introduction by Alan Jones. On the Booklet side there are a pair of new essays from Matt Bailey and Alan Jones as well as stunning new artwork from Graham Humphreys. Sadly the disc is Region B locked, but if you're able, this is the one to beat, by far.Lisa and the Devil
is another release that American fans saw from Kino last Fall, and are certainly curious about why they should open their wallets again. In this case the answer is still a resounding yes, this is worth the money. The transfer and sound are nearly identical, with both discs looking and sounding better than ever, but the key selling points are in Arrow's attention to context, as usual. Here's what Arrow have to say about Lisa and the Devil
From the father of Italian Horror Mario Bava (Black Sunday, The Whip and
the Body) comes a tale of nightmarish surrealism and supernatural
Lisa (Elke Sommer) - an American tourist travelling in Spain - loses her
tour party and seeks refuge in the tumbledown mansion of a blind
countess after being guided there by the distinctly satanic butler of
the house, Leandro (Telly Savalas - Horror Express, Kojak). The Son of
the Countess notices Lisa's striking resemblance to his dead lover and
pursues her as a night of murder, strange eroticism and dark
This is more of the Bava to which we have become accustomed. Garish colors, surreal photographer, and a wickedly seductive Telly Savalas make Lisa and the Devil
, and even it's butchered American sister House of Exorcism
, worth checking out. While the Kino edition also had both cuts of the film, the Tim Lucas commentary, and some trailers, Arrow Video adds an introduction from Alan Jones as well as a featurette discussing the creation and editing of both versions with interviews from Lamberto Bava, and Alberto Pezzotta. Worth the price of admission on its own is the booklet featuring new writing from Stephen Thrower, who is always a joy to read, and yet another stunning original cover art from Graham Humphreys, who is on a major roll lately. If you're Region B capable, this is the one you want. It has everything that the Kino edition does and more. Definitely recommended.