Strictly rooted in our world, Orphea in Love does not go for the visual barrage of Baz Luhrman's films, which always seem to take place in a different universe. But for the more fantastical scenes it does approach that sensibility, same as the more realistic films of Terry Gilliam do. A long-time director of feature films, television series and theatrical performances including opera, Axel Ranisch seemingly effortlessly switches from gritty realism to flights of colorful fancy whenever he wants. Nele is played by Mirjam Mesak, who similarly switches on an inner radiance whenever she sings or stars in her fantasies, but who is remarkably down-to-Earth and relatable when fighting her inner demons. And Guido Badalamenti whooshes through the screen like a human elastic band as the enigmatic dancer Kolya. Much of the narrative leans on the believability of these two actors' attraction for each other, and the good news is: they deliver.
It makes Orphea in Love a very easy film to like, and when Ranisch pumps up the drama, suspense and splendor, it sometimes becomes a film to fall in love with.
The paying public in Rotterdam was similarly enamored and awarded Orphea in Love an incredibly high audience rating of 4.7 out of 5, landing it on the fifth position of the festival's favorites list.