GRIZZLY MAN Heads to Criterion Collection in December 2026, Plus NASHVILLE in 4K

Yes, it's true: Whenever I think about the holiday season and sitting around a fire with my family, I also think, 'Let's watch a movie about a man getting eaten by a Grizzly bear!'

Despite its title, Werner Herzog's great documentary Grizzly Man is neither grisly nor particular warm and fuzzy, yet it's such a shining spotlight on humanity's foolish yearnings that it's definitely become a holiday-season perennial. The Criterion Collection will be releasing the film on Blu-ray, from a "high-definition digital master of the original theatrical version, with 5.1 surround DTS-HD Master Audio soundtrack," which will make it even easier to enjoy Herzog's wonderful narration.

Other, more traditionally-appropriate seasonal titles will also be releasing in December 2026: Anthony Mingella's romance The English Patient, Pietro Germi's Italian satire Divorce Italian Style, and Ernst Lubitsch's classic comedy The Shop Around the Corner.

Atypically, Eclipse Series 50: Sara Gómez's Revolutionary Cuba is also due for release. Unlike the other titles, I'm not familiar with the filmmaker, so I'll quote the official description:

"A true cinematic revolutionary who used the camera as her tool in the fight against oppression in all forms, the Afro-Cuban filmmaker Sara Gómez brought the stories of ordinary Cubans to the screen with a bracing immediacy and insight.

"Drawing on her background in ethnography, Gómez became her country's first woman director, exploring issues of class, race, labor, women's health, and Afro-Cuban culture in a string of intimate, illuminating shorts that reveal the complex realities of life in a postrevolutionary society rocked by seismic change.

"Though she directed only one feature--the formally innovative landmark of radical feminist cinema One Way or Another--before her death from an asthma attack at age thirty-one, Gómez left behind a vital legacy as a pioneer whose inquisitive work continues to offer lessons in what an engaged anticolonial cinema can be."

The final title I will mention is Robert Altman's Nashville (1975), which will be made available in a 4K digital restoration. You can decide for yourself if it deserves its reputation as one of the all-time greats or as an overrated piece of ... well, whatever.

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