HOUSE OF PSYCHOTIC WOMEN COLLECTION
Celebrating the 10th anniversary of Kier-La Janisse’s (director of Woodlands Dark & Days Bewitched: A History of Folk Horror) groundbreaking and influential dive into female neuroses onscreen and in horror, Shudder will collect films explored in both the original and expanded editions of House of Psychotic Women. New to Shudder beginning October 1 are I Like Bats, Footprints, Identikit, The Rats are Coming! The Werewolves Are Here, The Stendhal Syndrome, May and Santa Sangre. These join current Shudder titles Alone with You, American Mary, Asylum, The Babadook, The Baby, Bleed with Me, Butcher Baker Nightmare Maker, Carnival of Souls, The Corruption of Chris Miller, Darling, Il Demonio, Dream No Evil, I Blame Society, Forbiden Photos of a Lady Above Suspicion, Knife of Ice, Knocking, The Midnight Swim, May, Ms. 45, Next of Kin, Orgasmo, Phenomena, Prevenge, and Resurrection.
May – October 1
Nobody knows what to make of May (Angela Bettis). Born with a lazy eye, for which she wore a patch while growing up, she became a loner oddball whose only friend was a perfectly kept doll. She moves to L.A. and takes up with a filmmaker (Jeremy Sisto), but the relationship sours quickly -- and dangerously. She then befriends an alluring lesbian colleague (Anna Faris), but that, too, along with every connection May attempts to make, turns deadly.
I Like Bats - October 4
Katarzyna Walter stars as a happily single vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. It combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos.
Footprints – October 4
In the most criminally underseen giallo of the ‘70s, Florinda Bolkan (A Lizard In A Woman’s Skin, Flavia The Heretic) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? Directed by Luigi Bazzoni (The Fifth Cord) with cinematography by three-time Oscar®-winner Vittorio Storaro (The Bird with The Crystal Plumage).
The Rats are Coming the Werewolves Are Here – October 4
The Mooney's are a typical English family, except for one tiny detail... they're all werewolves. One member of the family is of a mind to change their legacy, which stirs up family drama of the worst kind. The second of gutter auteur Andy Milligan's productions made in England, this werewolf family saga is filled with the bitter worldview and confrontational hysteria Milligan is known for.
Identikit – October 10
In what remains the most obscure, bizarre, and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – Elizabeth Taylor stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence, and her own increasingly unhinged mission to find the most dangerous liaison of all. Academy Award® nominee Ian Bannen (The Offence), Mona Washbourne (The Collector) and Andy Warhol co-star in this “unique, hallucinatory neo noir” (Cult Film Freaks) – barely released in America as The Driver’s Seat – directed by Giuseppe Patroni Griffi (‘Tis Pity She’s A Whore), adapted from the unnerving novella by Muriel Spark (The Prime Of Miss Jean Brodie) and featuring cinematography by three-time Oscar® winner Vittorio Storaro (Apocalypse Now, The Last Emperor).