TAKASHI MIIKE CLOSES OUT FANTASIA 2021 WITH THE GREAT YOKAI WAR - GUARDIANS The honour of Closing Film belongs to the great Takashi Miike (AUDITION, 13 ASSASSINS), a constant yet always surprising presence in the festival’s long history. THE GREAT YOKAI WAR - GUARDIANS, a sequel to THE GREAT YOKAI WAR, which opened Fantasia in 2006, plunges the audience into the fairy-tale world of friendly Japanese demons that overflows with creativity. With its kaiju references, unifying story, festive atmosphere, love for popular culture, and spectacular direction from the festival’s favourite filmmaker, it’s the perfect movie to close out this 25th anniversary. INTERNATIONAL PREMIERE.

WHAT JOSIAH SAW WILL CHILL YOU TO YOUR VERY CORE In director Vincent Grashaw’s Southern Gothic nightmare WHAT JOSIAH SAW, an estranged family grapples with the sins of the past… yanking the skeletons right out of their closet, kicking and screaming all the way! The superlative cast includes Robert Patrick, Nick Stahl, Kelli Garner, Tony Hale, Scott Haze and Jake Weber. It’s this year’s THE DARK AND THE WICKED. WORLD PREMIERE.

CRIME AND POLITICS COLLIDE IN SOUTH KOREAN NAILBITER THE DEVIL'S DEAL In his first picture since the Cannes selection THE GANGSTER, THE COP, THE DEVIL, Lee Won-tae returns with the masterfully directed THE DEVIL’S DEAL. What starts as a critical political satire escalates into a white-hot thriller in which corruption, insider trading, and organized crime run the show. Leading a fabulous cast, actor Cho Jin-woong (ME AND ME) delivers one of the best performances of his career, portraying with disarming naturalism the multiple facets of an ambitious and tortured politician, as endearing as he is loathsome, whose life literally depends on his election. With its immersive score, captivating plot, and clever twists, THE DEVIL'S DEAL is a must-see. WORLD PREMIERE.

A FEROCIOUS BRITISH CRIME THRILLER THAT CHARGES LIKE A BULL A feared gang enforcer (Neil Maskell, KILL LIST), vanished for ten years, returns to hunt the mobsters he once ran with in BULL, the ferocious British revenge thriller from BAFTA-winner Paul Andrew Williams (LONDON TO BRIGHTON). A brutal and subversive work that frequently plays out like a horror film, stunningly executed and grounded by well-scripted characters, with a cast that includes Tamzin Outhwaite (EASTENDERS) and David Hayman (TABOO, SID AND NANCY) in a frightening turn that ranks with the strongest of British mobster portrayals. WORLD PREMIERE.

TOKYO REVENGERS IS AN ALL-OUT STREET FIGHT TO SAVE THE FUTURE Takemichi may just have a chance to change the future – if he can survive his own past! A jawbreaking, juvenile delinquent street fight royale combined with a high-stakes time travel thriller and dashes of adolescent angst and romantic comedy, TOKYO REVENGERS is the live-action feature adaptation of Ken Wakui’s enormously popular award-winning manga of the same name. Director Tsutomu Hanabusa (KAKEGURUI 1 and 2, also at Fantasia this year) succeeds mightily at adapting this complex science-fiction story; amid a barrage of bloody, brutal hoodlum battles, he still finds room for the sweetness of first love. INTERNATIONAL PREMIERE.

A DYSTOPIAN SOUTH AFRICAN FAIRY TALE: GLASSHOUSE A memory-shredding neurochemical permeates the atmosphere like airborne dementia, but safe within an airtight glasshouse a family preserves their past through rituals of collective memory. Sensual and savage, GLASSHOUSE weaves aspects of dystopian science fiction with notes of folk horror and perverse, brooding, Gothic melodrama to craft a taught existential tale that ultimately explores the importance of storytelling and memory. It’s a stunning feature debut from South African filmmaker Kelsey Egan, starring Adrienne Pearce, Jessica Alexander, Anja Taljaard, and Hilton Pelser. WORLD PREMIERE.

WHEN A BEAUTIFUL COMING OF AGE STORY MEETS SCIENCE-FICTION, JUST FOLLOW THE LIGHT Freshly arrived from Tokyo to a fading village in the Japanese countryside, Akira becomes fascinated with an isolated girl who is obsessed with a crop circle in her grandfather's fields. This multi-layered, sci-fi coming-of-age story by first-time director Yoichi Narita is a true gem with a dazzling narrative. The majestic, rich cinematography, which highlights the magnificent rural landscapes, and judicious use of music recall Shunji Iwai's masterpiece ALL ABOUT LILY CHOU-CHOU. FOLLOW THE LIGHT will leave a lasting impression with its soft visual splendour and sensitive storytelling. WORLD PREMIERE.

ENTER THE NIGHT HOUSE AND MEET A WOMAN ON THE (SUPERNATURAL) EDGE The Sundance supernatural stunner THE NIGHT HOUSE haunts Fantasia with its story of a distraught widow (an excellent Rebecca Hall) trying to solve the mystery of her husband’s suicide while dealing with the paranormal disturbances at her lakeside home. Directed by David Bruckner (THE RITUAL, THE SIGNAL). Co-starring Sarah Goldberg, Vondie Curtis Hall, Evan Jonigkeit, and Stacy Martin. CANADIAN PREMIERE.

THE TRANSGRESSIVE HORROR EXPERIENCE OF THE DECADE: THE SADNESS In an alternate version of Taiwan, a rapidly spreading pandemic suddenly mutates into a rabies-like affliction, and the infected find themselves unable to control their id. A nightmare vision steeped in unspeakably upsetting moments of violence, Rob Jabbaz’s THE SADNESS plays like a return to the no-holds-barred shock sensibilities of ’90s Hong Kong Category III films. Electrified with an existential fear that punches spikes of panic energy straight into your nervous system, and told with incredible style, THE SADNESS is a force to be reckoned with. Fantasia is proud to be bringing this extreme horror rollercoaster to North American shores, hot off its bow at Locarno. NORTH AMERICAN PREMIERE.

ALL HAIL PRODUCTION I.G’S ANIME FANTASY EPIC THE DEER KING! Following its world premiere at Annecy, and ahead of theatrical release in Japan, comes the highly anticipated THE DEER KING, co-directed by anime veterans Masashi Ando and Masayuki Miyaji. Based on the books by bestselling Japanese fantasy author Nahoko Uehashi, the epic saga of the legendary warrior Broken Antler Van comes to life with the peerless standards of quality we expect from the studios of Production I.G (GHOST IN THE SHELL, NEON GENESIS EVANGELION). Elegant and exacting design and animation seamlessly pair with Uehashi’s sturdy world-building and compelling conflicts to create a transporting animated otherworldly tale. NORTH AMERICAN PREMIERE.

BLOOD IS THICKER THAN WATER IN THE CRIME FAMILY SAGA IDA RED Midwest filmmaker John Swab (LET ME MAKE YOU A MARTYR) returns to Fantasia with IDA RED, a propulsive, gripping, crime thriller that escalates his career to the big leagues. Cast-as-criminals Josh Hartnett, Frank Grillo, and Melissa Leo (as a modern Ma Barker) have never been better. NORTH AMERICAN PREMIERE.

DON’T SAY ITS NAME IS A SNOW-SET, INDIGENOUS HORROR FOR OUR TIMES When an environmental activist is called back to the world of the living after a suspicious accident takes her life, an ancient spirit is reborn outside a small northern town. With a wealth of Indigenous talent both in front of and behind the camera, DON’T SAY ITS NAME, the eerie feature debut from director/co-writer Rueben Martell, builds its chills with compellingly real characters and strong performances from Madison Walsh (SOMETHING UNDONE), Sera-Lys McArthur (OUTLANDER), Samuel Marty (GODLESS), Carla Fox, and Julian Black-Antelope (HOLD THE DARK). WORLD PREMIERE.

HAVING FUN IS ALL THAT MATTERS IN GRAND BLUE DREAMING Stuck in a surreal, nudist loop somewhere between GROUNDHOG DAY and MEMENTO, two young men end up trapped in a scuba diving club full of muscular party animals and pretty girls with a temper. Based on a popular manga series, GRAND BLUE DREAMING, by Tsutomu Hanabusa (TOKYO REVENGERS), is as weird as it is hilarious. Astonishingly fast-paced and loaded with politically incorrect humour, this wild comedy also finds moments of calmness with beautiful and relaxing underwater shots. NORTH AMERICAN PREMIERE.

CROSS INTO THE DEEP HOUSE FOR IMMERSIVE UNDERWATER HAUNTS Two daredevil Youtubers with a passion for abandoned urban edifices film themselves as they take a deep dive into the bottom of a lake where there lies a mysterious house with a sinister past. Award-winning French genre maestros Alexandre Bustillo and Julien Maury (INSIDE, KANDISHA) display numerous filmic skills with this intelligent found footage style feature. The immersive darkness, the floating strangeness, THE DEEP HOUSE takes us down and further down, from mere unfamiliar discomfort to absolute and unfathomable terror. NORTH AMERICAN PREMIERE.

BREATHTAKING SOUTH KOREAN THRILLER MIDNIGHT WILL LEAVE YOU SPEECHLESS A wave of murders hits the city and, lurking in the shadows, a killer has just identified his new prey – a deaf woman. South Korea has become the go-to source for fans of dark, intense, unpredictable thrillers that deliver cutthroat tension, and Kwon Oh-seung's debut feature MIDNIGHT follows in this tradition. A breathless tale boasting hallucinatory sound design that relishes in testing the nerves of even the most seasoned viewers. CANADIAN PREMIERE.

A HAUNTING NEW CREATION FROM PERRY BLACKSHEAR A brother and sister face off against a mysterious force responsible for years of devastating misfortunes in WHEN I CONSUME YOU, a haunting new work from award-winning indie filmmaker Perry Blackshear. Reuniting with Evan Dumouchel, MacLeod Andrews, and Margaret Ying Drake, the core acting trio of his previous films THEY LOOK LIKE PEOPLE and THE SIREN, Blackshear and his team dole out powerful blows of tragedy, devastation, and personal struggle while a demonic figure looms just out of focus, yellow eyes burning in the background. WORLD PREMIERE.

A SEPTET OF LEGENDARY FILMMAKERS PAYS TRIBUTE TO HONG KONG A sifu hardens his students with “Exercise” in Sammo Hung’s evocation of childhood. Ann Hui stages a stirring tribute to Hong Kong educators in “Headmaster.” Patrick Tam Kar-Ming depicts the emigration of Hong Kongers by way of an impressionistic love story, “Tender is the Night.” Master action choreographer and director Yuen Woo-Ping addresses generational divides in the 90s with “Homecoming.” Johnnie To details the city’s capitalistic hustle in “Bonanza.” The expanding harbour opens the floodgates of memory in Ringo Lam’s posthumous film “Astray,” and the decade to come is evoked by Tsui Hark’s futuristic, tongue-in-cheek closer “Conversation in Depth.” An exceptional omnibus comes to us at a crucial time in Hong Kong history, SEPTET: THE STORY OF HONG KONG reunites seven legendary Hong Kong directors for a heartfelt project composed of personal, resonant stories. QUEBEC PREMIERE.

CATCH THE FAIR ONE FOR A BRUTAL REVENGE THRILLER THAT SCARS WITH PURPOSE A mixed Indigenous ex-boxer infiltrates the sex trafficking world in search of her missing sister in this ferocious thriller propelled by a commanding performance from WBA Super Lightweight Champion Kali “K.O. Mequinonoag” Reis. Pulverizing with fury and grief, CATCH THE FAIR ONE is the culmination of a four-year collaboration with director Josef Kubota Wladyka (MANOS SUCIAS), who co-wrote with his star. As much a hard-hitting revenge thriller as it is a personal interpretation of true crimes, the film addresses North America’s horrific crisis of missing and murdered Indigenous women with urgency. Co-produced by Darren Aronofsky and 2021 Oscar-winner Mollye Asher (NOMADLAND) and winner of the Audience Award for Best Narrative Feature at the 2021 Tribeca Film Festival. INTERNATIONAL PREMIERE.

FROM ARGENTINA, HORROR AND MYSTERY CONVERGE ON THE 3RD DAY The latest from Argentinean director Daniel de la Vega (WHITE COFFIN) and production house Del Toro Films (South America’s answer to Hammer Studios), ON THE 3RD DAY follows an anguished mother (Mariana Anghileri) trying to find her missing son, and the missing memory of what happened on the night of a terrible car accident. INTERNATIONAL PREMIERE.

DON’T GET CAUGHT OUTSIDE AT… MIDNIGHT IN A PERFECT WORLD — FINAL FEATURE OF THIS YEAR’S CAMERA LUCIDA SLATE Near-future Manila is now a “perfect” world; the powerful forces keep it so, thoroughly hidden from view yet pressing down subconsciously and oppressively on the citizens. With rumoured blackouts happening around the city past midnight, the only refuge becomes government-sanctioned “safe houses'' scattered around Manila. While many believe them to be a hoax, the truth of what they cover up may be something far worse. Taking its title from a DJ Shadow cut, and unfolding with an air of Philip K. Dickian strangeness, Dodo Dayao’s (VIOLATOR) long-awaited sophomore effort MIDNIGHT IN A PERFECT WORLD is, like his previous film, a uniquely savvy and nightmarish trip befitting the world’s ongoing dystopian situation, and one that cements Dayao’s unique voice in independent Filipino cinema. NORTH AMERICAN PREMIERE. The Camera Lucida section adds this final title to its competition, along with the following selection of short and medium-length films: AQUATIC BIRD (China – Dir. Zhang Nan); BORN PISCES (Japan – Dir. Yoko Yamanaka); DEATH VALLEY (United States – Dir. Grace Sloan); DOUBLE HELIX (China – Dir. Qiu Sheng); NOSES ON THE RUN (South Korea - Dir. Kim Boram) and TAIPEI SUICIDE STORY (Taiwan – Dir. KEFF).

LOVE, LUST, AND PUPPETS HEADLINE THE BOUNDARY-PUSHING UNDERGROUND SECTION

Fantasia Underground sheds light on the furthest corners of cinephilia, showcasing films created by eccentric and transgressive artists working outside of the mainstream.

Step aside John Hughes and relinquish your crown because coming-of-age, teen romance will never quite be the same after BABY, DON’T CRY! Directed by Jesse Dvorak and written, designed, and starring Zita Bai, this astoundingly unique and harrowingly sincere film follows Baby, a Chinese immigrant in suburban Seattle, as she makes sense of her troubled home life and outsider existence through her indie DIY films and animalistic visions of the world. When she meets Fox (Vas Provatakis), a Skid Row punk with questionable decision-making skills, a whirlwind of intensity, ferocity, and sexuality engulfs the pair. Teetering between Baby’s fantastical visions and Fox’s raw punk rock ethos the two dive into this powder keg romance headfirst with no-holds-barred. WORLD PREMIERE.

Are you ready for an orgy of blood? FRANK & ZED, one of the year’s goriest films, promises just that. In this bloodthirsty, bone-crunching, and strangely heartwarming movie, an odd-couple monster-duo Frank and Zed, a Frankenstein-type monster and his brain-eating companion, attempt to survive a medieval curse that has befallen a small village. And did we mention they’re all puppets? A true DIY passion project, conceived and made over 6 years, director Jesse Blanchard seizes an opportunity born from limitation to create an irresistible crowd-pleaser that embodies the resilience of thriving underground cinema. QUEBEC PREMIERE.

Welcome to GIVING BIRTH TO A BUTTERFLY, the strange, melodic, and haunting feature debut of Theodore Schaefer. After having her identity stolen, Diana (Annie Parisse) goes on a surreal road trip with her son’s pregnant girlfriend, Marlene (Gus Birney), to find the perpetrators. Shot on pastel-toned 16mm, the film’s dreamy quality lulls you into its unusual atmosphere. As the lines between waking and dreaming life fade, the movie blends its ironic sense of humour with a unique blend of American surrealism that explores kitsch and performance to unearth a deep sense of alienation and loneliness. WORLD PREMIERE.

In 1989, Stephen Sayadian, aka Rinse Dream, released one of the most iconic and fantastical works in American exploitation cinema. For the first time since its release, thanks to a new restoration, it will finally find its audience and retroactively be appreciated as the Underground masterpiece that it is. Bizarre, stunning, goofy, and unsettling, DR. CALIGARI embraces the avant-garde in its exquisite and hilarious exploitation of America's repressed libido. As the film's title might suggest, the feature is a loose remake of the German expressionist classic, centered on Mrs. Van Houten, a woman who seems to be losing touch with reality, and her treatment under Dr. Caligari, who diagnoses her with a "disease of the libido." MASTERCLASS WITH THE LEGENDARY STEPHEN SAYADIAN In honour of the restoration of his seminal underground classic DR. CALIGARI, Stephen Sayadian will sit down and discuss his career; past, present, and future. The multi-talented artist got his start as the creative director for Larry Flynt Publications, designed some of the most iconic film posters of the 1980s (including DRESSED TO KILL, THE FUNHOUSE and THE FOG), and directed some of the most eye-popping and transgressive films of the era. Working under the pseudonym Rinse Dream, Sayadian’s films, including CAFÉ FLESH and NIGHTDREAMS II & III) blurred the line between smut and art. Working in both hard and softcore porn, his surreal films were consistently marked by a dark sense of humour, incredible production design, and hallucinatory imagery. For the first time at Fantasia, Sayadian will regale our audiences with the stories and legends from his incredible career and tease what might come next. A virtual gallery of some of Sayadian’s best work will also be presented during the festival for amateur and veteran fans of his art. Presented in collaboration with BBAM! Gallery.

HACKS, DRUGS & PUNKS: BEYOND THE LINES OF REASON IN DOCS FROM THE EDGE FINAL THREE TITLES Navigating through the lives of outsiders and exploring their fascinating minds, the Documentaries From The Edge section — curated by newly appointed section director Celia Pouzet and programmer Alyssia Duval-Nguon — disrupts the codes and breaks the frontiers of the (un)real

Alice’s webcam’s red light flashes. A hacker, a ghost, a god? She decides to expose the identity of the invader. DEAR HACKER, Alice Lenay’s debut documentary, is a patchwork of video calls that come together as a metaphysical reflection. Alice gleefully jumps down the rabbit hole and navigates the infinite universe of the web – our minds’ web – and our interconnectedness at a time when we’ve never been so distant. With her witty observations and sagacious imagination, Lenay writes a visual letter in the form of this film telling a story of perception, reality, and society. The loading circle spirals out, but Alice keeps going. NORTH AMERICAN PREMIERE.

A high-spirited group of British bus drivers set their minds to launching a homemade stage play adaptation of Ridley Scott’s ALIEN in Lucy Harvey and Danielle Kummer’s debut documentary ALIEN ON STAGE. With a Christopher Guest-esque charisma that particularly recalls his community theatre classic WAITING FOR GUFFMAN, the film follows the ups and downs of the delightfully DIY production, with its second-hand costumes and cardboard sets, and the charming crew determined to make it succeed. QUEBEC PREMIERE.

A fiercely moving tribute to one of the most recognizable and unconventional figures in punk history, POLY STYRENE: I AM A CLICHÉ celebrates the life and legacy of Poly Styrene, famous frontwoman of X-Ray Spex and poster child for the UK’s Riot Grrrl and Afropunk movements. Featuring previously unseen archival footage and a succession of eloquent diary entries narrated by Oscar-nominated actress Ruth Negga and co-directed by the icon’s own daughter, Celeste Bell, and seasoned documentarian Paul Sng. QUEBEC PREMIERE.

Following the successful release of his breakthrough documentary REINDEERSPOTTING: ESCAPE FROM SANTALAND (2010), Finnish filmmaker Joonas Neuvonen, along with his friend Antti and the film’s star, Jani, traveled to Southeast Asia or a celebratory trip… Which ended tragically when Jani was found dead and Antti went missing. Co-directed by their longtime collaborator Sadri Centinkaya, LOST BOYS chronicles Neuvonen’s return to Bangkok and Phnom Penh, into an even deeper hellscape of drugs, prostitution, and wandering souls, as he seeks out the truth behind his friends’ demise while picking up the pieces of his own imperfect life. QUEBEC PREMIERE.

FANTASIA TO PRESENT VIRTUAL MASTERCLASS & CAREER ACHIEVEMENT AWARD TO SHUNJI IWAI For its 25th anniversary, Fantasia is proud to honour writer, director and video artist Shunji Iwai with a Career Achievement Award and play host to a special masterclass led by the esteemed filmmaker. His latest film, THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8, previously announced as part of the Camera Lucida slate – designed as a relief film for the Japanese film industry during the COVID-19 pandemic – perfectly captures the all-too-online moment in which we find ourselves. This is only the latest example of Iwai’s preternatural talent for capturing and sublimating the unspoken feelings that accompany pivotal moments in life, such as the end of elementary school, the beginning of university, the uncertainty of married life, or turn-of-the-millennium teen angst. He expertly communicates what it means to live in increasingly interconnected times, integrating the language of message boards, dating apps, and handwritten love letters into his work. A chronicler of changing hearts and changing times, Iwai’s filmography stands as one of the most unique and influential in all of Japanese cinema Also screening as part of this tribute: FIREWORKS, SHOULD WE SEE IT FROM THE SIDE OR THE BOTTOM? (1995), APRIL STORY (1997), ALL ABOUT LILY CHOU-CHOU (2001).

A LIFETIME ACHIEVEMENT AWARD FOR STOP-MOTION TITAN PHIL TIPPETT From the original STAR WARS trilogy to the millennial TWILIGHT SAGA, on top of ROBOCOP, JURASSIC PARK and STARSHIP TROOPERS, Phil TipPett’s inventive, innovative, iconic stop-motion creations have become universally familiar elements of our collective imagination. Fantasia is proud to honour the director and visual effects master with a Lifetime Achievement Award in 2021 for his original vision and his contributions to the advancement of the craft.

This proud moment coincides with the long-awaited completion of Tippett’s personal masterwork— thirty years in the making, MAD GOD sees its North American Premiere at Fantasia this summer. Equal parts harrowing and hilarious, it’s a perpetual motion machine of biomechanical malevolence, a Dantean descent into the depths of Tippett’s imagination that cements him as an artist of the highest order.

Accompanying MAD GOD is the world premiere of the documentary short WORSE THAN THE DEMON, an intimate and insightful profile by the subject’s daughter, Maya Tippett. Fantasia will present Tippett with his Lifetime Achievement Award by way of a virtual ceremony, followed by a masterclass exploring the deeper roots of his art.

Fantasia 2021: Final Wave Announced, Takashi Miike's THE GREAT YOKAI WAR - GUARDIANS to Close The Fest

Fantasia 2021: Final Wave Announced, Takashi Miike's THE GREAT YOKAI WAR - GUARDIANS to Close The Fest

Andrew Mack, Editor, News; Toronto, Canada (@Mack_SAnarchy)

July 21 2021, 10:00 AM

Just when you thought there couldn't possibly be more good news than what we've seen already from our friends at Fantasia they've gone and done this - they've programmed Takashi Miike's The Great Yokai War - Guardians to be their closing night film.

That's not all. They've also got the haunted underwater house flick The Deep House from those fine French lads Alexandre Bustilll and Julien Maury. The critics jury winning film from Neuchâtel, The Feast, is coming. The level of violence in Taiwanese pandemic horror film The Sadness looks off the charts. There will HD restorations of The Funky Forest: First Contact and The Warped Forest playing during the festival. Neil Maskell (Kill List, Utopia) is scary on a good day. Now imagine him in a revenge thriller that plays out like a horror flick in Bull. Yeah. And I'm always on the look out for new LatAm titles so I'll be eager to check out The 3rd Day from Daniel de la Vega and Argentine production house, Del Toro Films. Plug!

There is a massive list of titles below the announcement and an equally big gallery further down. It's wealth of information to get through and worthy of an offering to the festival gods.

FANTASIA 2021 TO CLOSE WITH TAKASHI MIIKE’S THE GREAT YOKAI WAR - GUARDIANS AND PRESENT CAREER AWARDS TO SHUNJI IWAI AND PHIL TIPPETT FOR UPCOMING 25TH EDITION

Lee Won-tae’s THE DEVIL’S DEAL, Paul Andrew Williams’ BULL, Vincent Grashaw’s WHAT JOSIAH SAW, Masashi Ando and Masayuki Miyaji’s THE DEER KING, Rob Jabbaz’s THE SADNESS, and Alexandre Bustillo & Julien Maury’s THE DEEP HOUSE are among the wealth of final titles announced

21 July 2021 // Montreal, Quebec – The Fantasia International Film Festival announces a massive new assortment of feature films for its 25th edition, along with details on scheduled panels, talks, tributes, special events, and our esteemed juries. On top of our impressive virtual slate of films, all geo-locked to Canada, and in addition to our globally accessible streamed events, the upcoming festival will also feature a limited number of in-person screenings in Montreal.

Fantasia begins August 5th with the World Premiere of Quebec zombie feature BRAIN FREEZE— following the August 4th special event screening of James Gunn’s THE SUICIDE SQUAD in celebration of the festival— and ends on August 25th with newly announced closing film, Takashi Miike’s hotly-anticipated THE GREAT YOKAI WAR - GUARDIANS.

ADDITIONAL THIRD WAVE TITLES

COMING HOME IN THE DARK

New Zealand – Dir. James Ashcroft

This extraordinary neo-noir is a blisteringly tense road movie into hell that plays like a home-invasion thriller set largely in a moving car. Based on the 1995 short story by award-winning New Zealand author Owen Marshall, described by David Hill as “one of the most harrowing narratives in our literature.” Official Selection: Sundance 2021, Calgary Underground Film Festival 2021. QUEBEC PREMIERE.

THE FEAST

UK – Dir. Lee Haven Jones

Shot entirely in the Welsh language and crafted with intelligence and cruelty, THE FEAST plays like a modern fairy tale for greed-fueled end-times. It’s a striking feature debut from BAFTA-winning director Lee Haven Jones (35 DAYS, DOCTOR WHO) dripping with atmosphere, this grotesque shocker is a standout in cinema’s current folk horror revival. Official Selection: SXSW 2021. CANADIAN PREMIERE.

FIGHTER

South Korea – Dir. Jéro Yun

Life is a constant struggle for Jina, a North Korean refugee, but she finds her path in boxing. Director Jéro Yun judiciously uses close-up shots highlighting the glances and silences that say much more than words, thanks to near-surgical editing, displaying a transcendent presence by actress Lim Seong-mi. Official Selection: Berlinale 2021, Busan International Film Festival 2021. CANADIAN PREMIERE

HAND ROLLED CIGARETTE

Hong Kong, Dir. Chan Kin-Long

Triad intrigue involving turtles, smuggled drugs, and instant noodles in the underbelly of neon HK in this refreshing film noir action that recently won the White Mulberry Award for best debut feature at the Udine Far East Film Festival. CANADIAN PREMIERE

JOSEE

South Korea – Dir. Kim Jeong-kwan

After an incident that leaves her electric wheelchair disabled, Josée is rescued by Young-seok, who she then brings in to discover her unique imaginary world. A beautiful, moving, charming, and visually polished film by Kim Jeong-kwan faithfully adapted from the popular novel Josee, the Tiger and the Fish. Official Selection: Busan International Film Festival 2021.

ONE SECOND CHAMPION

Hong Kong – Dir. Chiu Sin-Hang

With the power to see one second into the future, loser Chow becomes a winner in the ring. It’s ROCKY with a high concept and loaded with more humor and high-pressure fun— Hong Kong style, from one of the directors of Fantasia 2017’s VAMPIRE CLEANUP DEPARTMENT. Official Selection: Udine Far East Film Festival 2021. CANADIAN PREMIERE.

OPÉRATION LUCHADOR

Québec – dir. Alain Vézina

Mexican wrestler L’Ange Doré is back, and he's confronting the dark designs of the Third Reich. Film teacher and documentarian Alain Vézina (LES SOEURS DE NAGASAKI, 2018) embraces the mockumentary genre wholeheartedly with his latest joyous delirium. NORTH AMERICAN PREMIERE.

SEOBOK

South Korea – Dir. Lee Yong-joo

A former secret service agent (GongYoo, TRAIN TO BUSAN) struggling with a brain tumor must return to duty for a mission of the utmost importance: protecting Seobok (Park Bo-gum, COIN LOCKER GIRL), the first human clone who has unnatural powers. Few mainstream films integrate ethical reflection with breathtaking, high-octane entertainment to this incredible extent. CANADIAN PREMIERE.

SWEETIE, YOU WON’T BELIEVE IT

Kazakhstan – Dir. Yernar Nurgaliyev

Seasoned Kazakh comedy director Yernar Nurgaliyev plunges into horror-comedy for the first time, serving us a fresh, dynamic mix of genres while spicing it with Kazakh flair in this award-winning film. Imagine TEXAS CHAINSAW MASSACRE meets THE HANGOVER. CANADIAN PREMIERE.

UNDER THE OPEN SKY

Japan – Dir. Miwa Nishikawa

A former driver for the yakuza has just spent 13 years behind bars. Determined to reintegrate into society, he discovers a hostile and changing Japan that he struggles to recognize. Miwa Nishikawa's (THE LONG EXCUSE) gripping UNDER THE OPEN SKY features Koji Yakusho (TOKYO SONATA) in one of his most moving roles. Official Selection: TIFF 2020. QUEBEC PREMIERE.

WILD MEN

Denmark – Dir. Thomas Daneskov

Armed only with a bow and an ensemble of animal skins, Martin (Rasmus Bjerg, ALL FOR ONE) sets off into the forest in a misguided attempt to overcome his midlife crisis. A chance

meeting with a fugitive named Musa (Zaki Youssef, SONS OF DENMARK) leads to a twisted trip through the fjords with police, drug runners, and Martin’s family not far behind. Those who have any doubt that the funniest movies being made today come from Denmark need not look any further. Official Selection: Tribeca 2021. CANADIAN PREMIERE.

FANTASIA RETRO PRESENTS A PACK OF RESTORATION PREMIERES In addition to the aforementioned restoration of Stephen Sayadian’s DR. CALIGARI (1989), Fantasia is proud to announce the following classics, resurrected in stunning new transfers.

UZUMAKI

Japan, 2000 – Dir. Higuchinsky

Higuchinsky’s elusive adaptation of Junji Ito’s cult classic UZUMAKI (SPIRAL) returns to Fantasia after 20 years, screening in a brand new 4K restoration. Decadently stylized and as beguiling as ever – practically dripping with blue-grey grime and oozing slime – the film stands out for its cosmic horror stylings and the ways it comes closest to the haunted tape at the centre of RINGU. The film itself now appears to us as cursed – full of shifty details and disturbing artefacts – as it unfolds with an almost experimental slice-of-life logic. One of the more peculiar films in the J-horror canon. World Premiere of Toei's new 4K restoration.

TOMBS OF THE BLIND DEAD (La noche del terror ciego)

Spain, 1972 – Dir. Amando de Ossorio

One of the most gloriously mythical, highly original zombie films ever made bursts from the grave, fully uncut in a striking new restoration from Synapse Films scanned from the original camera negative. The film re-envisions medieval Catholic military order the Templar Knights as satanic monks living under an occult curse, forced to walk the earth as eyeless undead in need of human flesh. In an imaginative twist, given their blindness, they are able to track the living by listening for their heartbeats.

World Premiere of Synapse Films’ new restoration.

MILL OF THE STONE WOMEN (Il mulino delle donne di pietra)

Italy, 1960 – Dir. Giorgio Ferroni

The first Italian horror produced in colour, Ferroni’s landmark Italian Gothic boasts an impressive saturated signature, a style which was later picked up by Mario Bava when he made BLOOD AND BLACK LACE (1964). As a result, much like the later features by Bava, the film stands out stylistically for its bold painterly qualities, in this case layered in gorgeous, dark, fairy tale artifice. Picking up the baton from Gothic romance-tinged mad science films, such as HOUSE OF WAX (1953), MILL OF THE STONE WOMEN takes the staple ‘woman-into-wax’ trope into unconventional territory with strange experiments, weird vampirism, and the dead coming back to life. World Premiere of Arrow Video’s new restoration.

THE UNKNOWN MAN OF SHANDIGOR (L’Inonnu de Shandigor) Switzerland, 1967 – Dir. Jean-Louis Roy

This long-lost mid-1960s Cold War super-spy thriller is a marvelous and surreal hall of mirrors– part DR. STRANGELOVE, part ALPHAVILLE– with sly nods to British TV shows like THE AVENGERS and DOCTOR WHO. All mod sunglasses and bizarre architecture (including Antoni Gaudi’s famed La Pedrera/Casa Mila), the long-unavailable SHANDIGOR has been beautifully restored by the Cinematheque Suisse. Starring Marie-France Boyer, Daniel Emilfork, Howard Vernon, and Serge Gainsbourg! North American Premiere of a new 4K restoration by the Cinematheque Suisse. Presented by Deaf Crocodile Films.

FUNKY FOREST: THE FIRST CONTACT

Japan, 2005 Dirs. Katsuhito Ishii, Hajime Ishimine, Shunichiro Miki If you look at them just right, the most mundane elements of daily life can seem utterly bizarre.

That's the lunatic logic behind 2005’s fan-favourite cult classic FUNKY FOREST; a sprawling omnibus of the obvious and the oddball, the casual and the completely insane. Collaborating with hotshot advertisement directors Hajime Ishimine and Shinichiro Miki, director Katsuhito Ishii set them loose to confuse you, amuse you, repulse you, excite you, and just plain freak you out. World Premiere of Error 4444’s new HD restoration.

WARPED FOREST

Japan, 2011 – Dir. Shunichiro Miki

We’re not out of the woods yet! Witness the wonders of time-warping and dream-tinkering! Giggle at bellybutton sex and pornographic fruit snacks! Squirm when the local baker sneaks out for an illicit encounter with a furry little nipple-sucker and so much more. Shunichiro Miki flies solo on FUNKY FOREST, an essential, long unavailable, work in the millennial new wave of radical, hallucinogenic Japanese comedies that blend deadpan humour, delirious dream logic, creeping paranoia and empathic, easygoing optimism into the strangest of cinematic brews. North American Premiere of Error 4444’s new HD restoration.

JURIES AND COMPETITIONS

Fantasia is pleased to announce the 2021 Cheval Noir competition titles:

ALL THE MOONS – Spain / France, Dir. Igor Legarreta

THE DEVIL’S DEAL – South Korea, Dir. Lee Won-tae

HELLBENDER – USA, Dirs. Toby Poser, John Adams, Zelda Adams

GHOSTING GLORIA – Uruguay, Dirs. Marcela Matta, Mauro Sarser

THE GREAT YOKAI WAR - GUARDIANS – Japan, Dir. Takashi Miike HOTEL POSEIDON – Belgium, Dir. Stef Lernous

INDEMNITY – South Africa, Dir. Travis Taute

LOVE, LIFE AND GOLDFISH – Japan, Dir. Yukinori Makabe

MARTYRS LANE – UK, Dir. Ruth Platt

REMAIN IN TWILIGHT – Japan, Dir. Daigo Matsui

THE RIGHTEOUS – Canada, Dir. Mark O'Brien

TOKYO REVENGERS – Japan, Dir. Tsutomu Hanabusa

VOICE OF SILENCE – South Korea, Dir. Hong Eui-jeong

WONDERFUL PARADISE – Japan, Dir. Masashi Yamamoto

The following industry professionals make up the Fantasia 2021 juries:

CHEVAL NOIR COMPETITION

Agnieszka Smoczyńska (Jury President) – Poland – Director, Screenwriter Kambole Campbell – UK – Writer, Critic

Paula Devonshire – Canada – Producer

Mónica García Massagué - Spain – Author, Professor, General Manager of the Sitges International Fantastic Film Festival

Simon Rumley – UK – Director, Author

NEW FLESH COMPETITION FOR BEST FIRST FEATURE

Kim Newman (Jury President) – UK – Author, Critic, Broadcaster

Jill Gevargizian – USA – Director, Screenwriter, Producer

Gigi Saul Guerrero – Mexico – Director, Screenwriter

Brian O'Malley – Ireland – Director, Screenwriter

Myriam Sassine – Lebanon - Producer, Co-Founder of the Maskoon Fantastic Film Festival

INTERNATIONAL SHORT FILM COMPETITION

Hélène Cattet and Bruno Forzani (Co-Jury Presidents) – Belgium – Directors, Screenwriters Prano Bailey-Bond – UK – Director, Screenwriter

Yfke van Berckelaer – Netherlands – Director, Screenwriter

Faye Jackson – Scotland – Director, Screenwriter

AQCC CAMERA LUCIDA COMPETITION

- Association québécoise des critiques de cinéma (Québec Critic's Association)

Jean-Marie Lanlo – Canada – Critic, Publisher

Martin Gignac – Canada – Critic

Claire Valade – Canada – Critic

AXIS ANIMATION COMPETITION

Hefang Wei (Jury President) – France – Director, Artistic Director, Co-founder of Weilaï Productions

Ashkan Rahgozar – Iran – Director, Writer, Founder and CEO of Hoorakhsh Studios Kalp Sanghvi – India – Director, Writer, Co-founder of Ghost Animation Collective

PANELS AND SPECIAL EVENTS, ACCESSIBLE WORLDWIDE

While Fantasia 2021’s films are geo-blocked to Canadian audiences, all of the festival’s panels and special events are free and accessible worldwide, allowing these unique experiences to be enjoyed by fans on every corner of the Earth.

In addition to the aforementioned artist talks by Shunji Iwai, Stephen Sayadian, and Phil Tippett, Fantasia is pleased to announce the following special events.

Presented in association with WarnerMedia

HAUNTING THE NATIONAL CONSCIOUSNESS: THE RISE OF INDIGENOUS HORROR

Saturday, August 7 – 4PM EDT

Presentation by Dr. Kali Simmons

In the article “The Rise of Indigenous Horror,” Haudenosaunee writer Alicia Elliott notes that, “…many non-Indigenous horror writers depict situations that Indigenous people have already weathered.” The recent exposure of genocidal violence against Indigenous children within the “residential school” programs which operated in Canada and the United States stresses the truth of this observation even more.

In this lecture, expanded from work presented at the Miskatonic Institute for Horror Studies, film scholar Dr. Kali Simmons will analyze the ways that horror has been deployed in the service of settler-colonialism as well as the ways Indigenous writers, actors, and filmmakers speak back to these troubling stories.

SOUTH AFRICA SCREAMS: VOICES FROM THE NEW WAVE OF S.A. GENRE CINEMA

Sunday, August 8 – 2PM EDT

With panelists Nosipho Dumisa (NUMBER 37), Kelsey Egan (GLASSHOUSE), Bradley Joshua (Producer, Gambit Films, BLOOD & WATER), Ryan Kruger (FRIED BARRY), Michael Matthews (FIVE FINGERS FOR MARSEILLES), and Travis Taute (INDEMNITY); Moderated by Todd Brown (XYZ Films)

In recent years, South Africa has lit up the international cinema world with inspired and sophisticated genre film reworkings that frequently win awards and leave audiences breathless. Fantasia has proudly showcased— and in some cases, launched— many of these works. This year, Fantasia will be World Premiering not one but two South African works, Travis Taute’s INDEMNITY and Kelsey Egan’s GLASSHOUSE. To celebrate, the festival will be presenting a special roundtable discussion between some of the leading talents in S.A.’s new wave. Don’t miss this special opportunity to hear insights and production stories from some of the country’s most exciting artists, brought together for what’s sure to be an unforgettable time.

KONVERSATION: TAKAYUKI HIRAO MEETS PASCAL-ALEX VINCENT Monday, August 9 – 5PM EDT

Interpreter: Zen Nakamura

With SATOSHI KON, THE ILLUSIONIST, French documentarian Pascal-Alex Vincent demonstrates the profound effect that the late master, in whose honour Fantasia’s animation award is named, had on anime and indeed cinema worldwide. Japanese animator Takayuki Hirao, director of POMPO: THE CINÉPHILE, can attest to it firsthand, having spent his formative years working under Kon on MILLENNIUM ACTRESS and PARANOIAAGENT. Kon’s legacy is the starting point of a discussion between the two directors. In English and Japanese with verbal translation.

Untold Horror presents...

MONSTERS MUST LIVE!

Friday, August 13 – 5PM EDT

With panelists Brian Yuzna, William Malone and Richard Raaphorst; Moderated by Dave Alexander

Filmmakers Brian Yuzna (RE-ANIMATOR series, SOCIETY), William Malone (HOUSE ON HAUNTED HILL, MASTERS OF HORROR) and Richard Raaphorst (FRANKENSTEIN’S ARMY) discuss their unmade monster movies and the ongoing, often maddening, occasionally hilarious quest to bring some of the coolest creature features to life. Hosted by Untold Horror author and former Rue Morgue editor-in-chief Dave Alexander, Monsters Must Live! proves that when it comes to the film biz, some of the most incredible creations don't actually exist onscreen.

GRADY HENDRIX LIVE: WELCOME TO THE FINAL GIRL SUPPORT GROUP Sunday, August 15 – 5PM EDT

Bestselling author Grady Hendrix (Paperbacks from Hell, My Best Friend's Exorcism) welcomes you to a very special support group, so have a seat, coffee's in the back, and remember there's no cross-talk. Then prepare yourself for a guided tour of the history of murder books, because ever since the invention of the printing press we've been using it to tell stories about killing each other, from bizarro 19th century Jack the Ripper fan fiction, through Psycho, the industry-changing success of Silence of the Lambs, all leading up to today. Along the way you'll encounter astrological assassins, the female authors who wrote serial killer books first, and primal hamster trauma as together we try to figure out what it means that so much of publishing is about selling murder for fun.

Presented in association with WarnerMedia

A DIFFERENT MONSTER: BLACK WOMEN AND THE MONSTROUS Saturday, Saturday, August 21 – 4PM EDT

Presentation by Carolyn Mauricette

From Sarah Baartman to Grace Jones, Black women are often thought of as exotic creatures and grossly misunderstood, or, like Frankenstein’s monster, they have been put in a category where they are feared and disliked, with observers quick to vilify or dismiss. Yet, in horror, characters who are supernatural beings or “monsters” are actually an embodiment of Black women’s strength and perseverance. We’ll look at some of the most interesting characters— whether vampires, witches, or supernatural beings— and see how even in their otherness, and within problematic representation, they have power and agency and represent the vulnerability and strength Black women have possessed through the ages.

THE TRANSGRESSIVE URGE: HORROR AND THE TABOO IN THE 21ST CENTURY Sunday, August 22 – 5PM EDT

With panelists Stephen R. Bissette (Cartoonist, Author, Critic), David Kerekes (Headpress Books), David J. Schow (Writer), John Skipp (Writer, Director), Christina Ward (Feral House), Billy Martin (Writer) and Douglas E. Winter (Writer / Critic); Moderated by Heather Buckley

One of the functions of horror film and fiction has been the unflinching exploration of the forbidden, the underground, and the taboo. In the 1980s and 1990s horror experienced a surge of wild energy, and a backlash against it. While certain restrictions have loosened, and more permissive venues for content have emerged in the years since, practitioners of the genre now face other pressures and penalties, potentially higher than before. In a society with ready online access to just about every kind of content, including eyewitness cameras capturing the most terrible of crimes, how has the cultural sense of the taboo, and the role of horror in breaking them, changed? Join us for a discussion about the evolution of this explicit mode of expression as art, exploitation, and rebellion.

TURBO KID: FROM FILM TO VIDEO GAME / TURBO KID : DU FILM AU JEU VIDÉO

Tuesday, August 24 – 2PM EDT

With panelists RKSS (François Simard, Anouk Whissel, Yoann-Karl Whissel), Anne-Marie Gélinas and Benoit Beaulieu (EMA Films), a member of composing duo Le Matos, and key figures from Outerminds (Rémi Lavoie, Odile Prouveur, Guiz DePessemier) and Vibe Avenue; Moderated by Marc Lamothe and Justin Langlois

Born out of Frontières, Fantasia’s international co-production market, and launched at Sundance, the worldwide cult sensation that is TURBO KID immediately put RKSS, its gifted trio of Québécois filmmakers (François Simard, Anouk Whissel, Yoann-Karl Whissel), on radars across the universe. A video game was the logical follow-up! Like the film, it promises to be an homage to the post-apocalyptic works of the ‘80s with cartoonish gore and a heartfelt story while channelling beloved vintage video games. Celebrated Montreal video game studio Outerminds are working closely with RKSS and EMA Films, producers of the original film, to devise a game that will honour the essence of the breakout hit, with synth-wave band Le Matos returning to compose a brand-new soundtrack while VIBE Avenue provides sound design.

Grab your gnome stick and join us for a bilingual (French and English language) panel discussion with the core creators of both the film and its adaptation to explore TURBO KID’s journey into gameplay.

Fantasia is also proud to be screening over 200 shorts in its 2021 line-up.

The festival passport is already on sale online and individual tickets, for both virtual and theatrical screenings, will go on sale Friday, July 23rd at 1PM EDT.

ALIEN ON STAGE

Dirs. Lucy Harvey & Danielle Kummer

UK

Quebec Premiere

BABY, DON’T CRY

Dir. Jesse Dvorak

USA

World Premiere

BULL

Dir. Paul Andrew Williams

UK

World Premiere

CATCH THE FAIR ONE

Dir. Josef Kubota Wladyka

USA

International Premiere

COMING HOME IN THE DARK

Dir. James Ashcroft

New Zealand

Quebec Premiere

DEAR HACKER

Dir. Alice Lenay

France

North American Premiere

THE DEEP HOUSE

Dirs. Alexandre Bustillo & Julien Maury

France

North American Premiere

THE DEER KING

Dirs. Masashi Ando & Masayuki Miyaji

Japan

North American Premiere

THE DEVIL’S DEAL

Dir. Lee Won-Tae

South Korea

World Premiere

DON’T SAY ITS NAME

Dir. Rueben Martell

Canada

World Premiere

THE FEAST

Dir. Lee Haven Jones

UK

Canadian Premiere

FIGHTER

Dir. Jéro Yun

South Korea

Canadian Premiere

FOLLOW THE LIGHT

Dir. Yoichi Narita

Japan

World Premiere

FRANK & ZED

Dir. Jesse Blanchard

USA

Quebec Premiere

GIVING BIRTH TO A BUTTERFLY

Dir. Theodore Schaefer

USA

World Premiere

GLASSHOUSE

Dir. Kelsey Egan

South Africa

World Premiere

GRAND BLUE DREAMING

Dir. Tsutomu Hanabusa

Japan

North American Premiere

THE GREAT YOKAI WAR - GUARDIANS

Dir. Takashi Miike

Japan

International Premiere

HAND ROLLED CIGARETTE

Dir. Chan Kin-Long

Hong Kong

Canadian Premiere

IDA RED

Dir. John Swab

USA

North American Premiere

JOSEE

Dir. Kim Jeong-kwan

South Korea

LOST BOYS

Dirs. Joonas Neuvonen & Sadri Centinkaya

Finland

Quebec Premiere

MAD GOD

Dir. Phil Tippett

USA

North American Premiere

MIDNIGHT

Dir. Kwon Oh-seung

South Korea

Canadian Premiere

MIDNIGHT IN A PERFECT WORLD

Dir. Dodo Dayao

Philippines

North American Premiere

THE NIGHT HOUSE

Dir. David Bruckner

USA

Canadian Premiere

ON THE 3RD DAY

Dir. Daniel de la Vega

Argentina

International Premiere

ONE SECOND CHAMPION

Dir. Chiu Sin-Hang

Hong Kong

Canadian Premiere

OPÉRATION LUCHADOR

Dir. Alain Vézina

Quebec

North American Premiere

POLY STYRENE: I AM A CLICHÉ

Dirs. Celeste Bell & Paul Sng

UK

Quebec Premiere

THE SADNESS

Dir. Rob Jabbaz

Taiwan

North American Premiere

SEPTET: THE STORY OF HONG KONG

Dirs. Patrick Tam, Ringo Lam, Ann Hui,

Johnnie To, Yuen Woo-ping, Tsui Hark,

Sammo Hung

Hong Kong

Quebec premiere

SEOBOK

Dir. Lee Yong-joo

South Korea

Canadian Premiere

SWEETIE, YOU WON’T BELIEVE IT

Dir. Yernar Nurgaliyev

Kazakhstan

Canadian Premiere

TOKYO REVENGERS

Dir. Tsutomu Hanabusa

Japan

International Premiere

UNDER THE OPEN SKY

Dir. Miwa Nishikawa

Japan

Quebec Premiere

WHAT JOSIAH SAW

Dir. Vincent Grashaw

USA

World Premiere

WHEN I CONSUME YOU

Dir. Perry Blackshear

USA

World Premiere

WILD MEN

Dir. Thomas Daneskov

Denmark

Canadian Premiere

Do you feel this content is inappropriate or infringes upon your rights? Click here to report it, or see our DMCA policy.