In Riders of Justice, an unrepentantly crowd-pleasing revenge drama, a terrible train accident robs Markus (Mads Mikkelsen) of his wife.
A military man on a foreign mission, he is called home to literally pick up the pieces and tries, unsuccessfully, to connect with his teenage daughter. But then Markus is contacted by a survivor of the train crash: a mathematician who is not convinced the accident was, well, an accident. Evidence appears which shows the notorious violent biker gang "Riders of Justice" planned the crash on purpose, and Markus, who is built like an oak tree, finally discovers an outlet for his grief: bloody vigilante revenge...
With films like Adam's Apples and Men & Chicken, Anders Thomas Jensen has shown that he can easily mix genres and squeeze both fun and feelings from the weirdest of concepts. Riders of Justice seems pretty straightforward but Jensen has hidden tons of layers underneath everything, providing commentaries on topics like toxic masculinity, coping mechanisms, violence, coincidence, relationships and grief. Each protagonist can easily be described as one-dimensional (from the stoic soldier to the neurotic nerd to the distraught daughter), yet here these cardboard characters are played by A-list actors like Mads Mikkelsen and Nicolas Bro, and a surprising amount of depth is given to each of them. Revenge flicks do not normally carry this much positive sentiment, while bleak violence dramas are rarely this funny or colorful.
And ooh boy, does this drama get violent. Mads' Markus massacres motorists by the dozen in this, and while the film never stops putting question marks to his behavior (or indeed to our entertainment with it), neither does Jensen reign in the violence or become preachy. Riders of Justice is very, very good, and sells the point that acceptance and friendship provide the most solace. That, and hey... if someone is beyond repentance, you can always put a bullet in his head.
Review originally published in slightly different form during the International Film Festival Rotterdam in February 2021. The film will open in U.S. theaters on May 14 and will be available On Demand on May 21 via Magnolia; visit the official site for more information.