WRITING YOUR FIRST HORROR SCREENPLAY
Hosted by Alison Peirse, Author and Film Academic, Women Make Horror: Filmmaking, Feminism, Genre
Have you always had a secret desire to write your own short film - but don't know where to start? In this interactive and supportive workshop, we will focus on creating horror films led by women and nonbinary characters. You will learn how to create stories, imagine new characters, and how to plot and structure your ideas. By the end of the workshop, you will have the beginning of your screenplay, and a plan for how to finish it.
The Miskatonic Institute & Final Girls Berlin Film Festival co-present:
GHOULS TO THE FRONT: RETHINKING WOMEN’S HORROR FILMMAKING
Hosted by Alexandra Heller-Nicholas, Author and Film Critic, 1000 Women in Horror
While researching and writing her book 1000 Women in Horror, 1895-2018, Australian film critic and author Alexandra Heller-Nicholas was struck by the scope of women’s horror filmmaking. That scope leads to some important – and sometimes difficult – questions: are horror films made by women necessarily ‘feminist’? What do we mean when we talk about ‘feminism’ anyway? Do women make necessarily different kinds of horror films to men and represent violence in different ways? And who has told us which women horror filmmakers’ matter – and, through their omission from popular memory, which ones don’t?
Rather than presenting a singular alternate history of women’s horror filmmaking, Heller-Nicholas seeks to blow open the way we think about this subject more broadly, looking at a range of examples from around the world in order to think through ways we can collectively rethink the history of horror more broadly to be more inclusive, more representative, and more fun.
IF ROSEMARY COULD RUN: WOULD YOU KNOW IF YOU WERE IN A CULT?
Hosted by Seriina Covarrubias & Susie Kahlich
An exploration of cults in horror and cults in real life, how they actually work, and how to know if you're in one (and what to do about it). Discussion and Q&A led by Pretty Deadly Self Defense founder Susie Kahlich and religious and cult studies expert, and Pretty Deadly Coach, Seriina Covarrubias.
GIRLS GONE WILD: AUTONOMY, SEXUALITY, AND RESISTANCE IN REPRESENTATIONS OF YOUNG WOMEN IN HORROR FILMS
Hosted by Dr. Kate Robertson, Author and Academic, Devil’s Advocates: Trouble Every Day
“Girls Gone Wild” explores women-led horror films featuring young women who take active roles in their stories, maintaining control of their bodies, choices, and lives. These characters subvert expectations of women on screen – especially in genre cinema, where they are so often limited to the helpless, flailing victim or rise-to-the-occasion Final Girl. On the surface, they frequently reflect enduring stereotypes, envisioned variously as beautiful, deceptive, unruly, hysterical, immature, manipulative, overly-sexual, or reckless. But they also challenge these traits, negotiating expectations of how women should look and behave, how they move through and interact with the world, and what happens when they don’t conform.
The Gaylords of Darkness podcast present: THE NECRONOMOLOGUE
Get a glimpse inside stately Gaylords Manor as the Gaylords of Darkness podcast hosts, Stacie Ponder and Anthony Hudson, name their top ten Final Girls in this first-ever animated countdown video from your favorite queer feminist horror podcast.
I Spit on Your Podcast present: SATANIC FEMINISM: EMBRACING THE DARKNESS
Through the films Don't Deliver Us From Evil (1971), Alucarda (1977), Jennifer’s Body (2009), and The Witch (2016), the Spinsters of Horror will explore the representation and importance of Satan as the image of an anti-patriarchal idol and source of empowerment for women. Through witchcraft, possession, and pure free will, elements often referred to in connection with Satanic worship, the women of these stories explore their deepest darkest desires while breaking the bondage of conformity and oppression to become liberated spirits of wild feminine abandon. They achieve this when up against religious repression and temporal exploitation that surrounds their burgeoning sexuality and independence. By highlighting the three main Satanic opponents of the patriarchy -- Eve, the witch, and the succubus -- they will show that there is strength in darkness and power within embracing the ideology of Satanism.
HER HUNGER: THE LESBIAN VAMPIRE AND QUEER IMMORTALITY, SUICIDALITY, AND CODEPENDENCY
Hosted by Annie Rose Malamet, Podcaster, Girls, Guts & Giallo
In this lecture Annie Rose Malamet traces the history of the lesbian vampire in film. Starting with a summary of Sheridan Le Fanu’s novella Carmilla as the origin of the lesbian vampire mythos, we will trace her path in film from 1932 to the present day. Contained in this history is the way that queer women have reclaimed and clung to the figure of the lesbian vampire as a symbol of dark eroticism and the less savory aspects of queer life, those of which have not been abated by assimilationism and neo-queer pride.