[With Invasion of Alien Bikini now screening at Fantastic Fest we revisit our earlier review.]
The trailer for Oh Young Doo's difficult second feature, INVASION
OF ALIEN BIKINI has already been something of a hit on these pages after
we posted it up in March. Back then the film was bathing in its success
at the Yubari Fantastic Film Festival, where it became the first
non-Japanese film ever to win the festival's Grand Prix. While it can be
argued the film delivers exactly what the trailer promises in terms of
mild titillation, low budget sci-fi hi-jinks and yes - a mustachioed
protagonist the likes of which we've not seen since THE CANNONBALL RUN -
there are nevertheless a few surprises in store. Oh is certainly not
beyond lulling his audience into a false sense of security before
throwing them the occasional curve ball and yielding surprisingly
visceral results.
Young Gun is a lone wolf,
sworn to uphold the law and protect a society that has long since turned
its back on him. He wanders the streets of Seoul in disguise, defending
the innocent and confronting evil wherever it rears its head. Most of
the time, sadly, Young Gun's crusade of justice consists of little more
than walking around in the dark picking up litter, until the night he
stumbles upon a group of thuggish ne'er-do-wells harassing a young
woman. After a lengthy and brutal battle that sees Young Gun get the
better of three staff-wielding aggressors and their sleazy gang boss, he
rescues the girl and whisks her off to the safety of his humble
lodgings to recover.
As our hero slowly reveals
himself to be a physically-impressive, health-conscious and vehemently
chaste specimen of the human race, his female houseguest, Miss Ha
Monica, becomes increasingly forward, inquisitive and flirtatious, until
over a seemingly harmless game of Jenga, she puts the moves on Young
Gun and demands his sperm! However, Monica's seduction fails and she is
forced to take increasingly violent and aggressive steps if she is to
get what she wants. Time, it would appear, is a factor and those chasing
her are closing in, anxious to track her down before the night is out.
The
films of Noburu Iguchi or Yoshihiro Nishimura are probably useful
touchstones at this point, although Oh steers well clear of the
fountains of blood or more graphic realizations of body horror for which
those films are famous. Thematically the film is perhaps closer to Jang
Joon Hwan's wonderful SAVE THE GREEN PLANET! as both films concern
mentally troubled and socially isolated heros involved in rather
grueling torture sessions where the fate of the Earth itself may well be
at stake, however on a far more modest production scale. Reports place
the budget of Oh's film at somewhere in the region of US$4000, and taken
on these terms INVASION OF ALIEN BIKINI is a monumental success. It's
fast-paced and visually interesting throughout, while sensibly
containing the action to Young Gun's apartment and a few quiet back
alleys and features little in the way of special effects. The one
other-worldly sequence is wisely realized through childishly scribbled
cartoon drawings, all of which only adds to the film's charm.
Hong
Young Geun is rather wonderful in the lead role, ensuring we sympathise
with Young Gun even as we become irritated by his incessant blathering
about health foods and his own unflappable abstinence. We pity his
situation and the earnestness with which he dons his raincoat and fake
moustache each night to rid the city of crime and scrap paper, but when
things turn ugly later on we believe all too readily the darkness he had
buried deep within him. Ha Eun Jung is easy enough on the eye to
convince as an extraterrestrial seductress and does a good job of
turning the tables on her strong yet cripplingly well-mannered host.
While a far cry from Miike's AUDITION, the film explores the same home
invasion role reversal, albeit one that leads to a very different
conclusion. It should also be noted that while Monica does spend a
healthy percentage of her screen time in various states of undress, at
no point does she don a bikini, although Oh was probably right in not
attempting to call the film INVASION OF ALIEN UNDERWEAR as that doesn't
sound nearly as sexy or alluring.
All told,
INVASION OF ALIEN BIKINI is lots of fun, and with the news that Yubari's
Grand Prix came with a cash prize of US$25,000 we can only rub our
thighs together in hungry anticipation at what Oh will conjure up with
that kind of budget. By no means as polished as the films from, say, the
Sushi Typhoon stables, Oh Young Doo should nevertheless be heralded as
the new poster boy of micro-budget genre cinema, because INVASION OF
ALIEN BIKINI is wonderful.