[The first 4Bia anthology set was a surprise and a delight at Toronto After Dark several years ago, and they kindly bring the second (and even better) collection of Twilight Zone-y goodness to this years festival. Be sure to attend, and do not sweat the number, it is all good for both folks familiar with the first one and novices as well]
Phobia, the Thai anthology from a few years back was a very pleasant surprise, four well produced tales of things that go bump in the night, more or less moulded on old twilight zone motifs, but with a distinctly modern Thai flavour. So it is rather nice to see with the sequel that not only has the production values improved, but the stories are across the board solid whilst keeping the spirit of the enterprise unchanged. In short, the collective of directors has successfully raised the bar. This is the film that Trick 'R Treat should have been, a solid mixture of tones and organically connected stories interspersed with comedy grace notes.
Phobia, the Thai anthology from a few years back was a very pleasant surprise, four well produced tales of things that go bump in the night, more or less moulded on old twilight zone motifs, but with a distinctly modern Thai flavour. So it is rather nice to see with the sequel that not only has the production values improved, but the stories are across the board solid whilst keeping the spirit of the enterprise unchanged. In short, the collective of directors has successfully raised the bar. This is the film that Trick 'R Treat should have been, a solid mixture of tones and organically connected stories interspersed with comedy grace notes.
First we start with
Novice, a very snazzy Owl Creek Bridge story about a boy who has done
some stupid things in his youth and joins a monastery. His own personal
hell is set across the backdrop of an isolated monastery full of hungry
ghosts. The exceptional sound design is present across the entire
film but is really given a show case here as things go bump in the night
and the director makes exceptional use of close-ups and strange
temporal editing. Next we have Ward, which milks about as much as you
can from a man lying in a hospital ward with an injured leg. In the bed
next to him is an elderly comatose patient who receives a number of
ominous and strange visitors during the day and has a habit of attacking
every time at night. Like a good horror piece (call it the Jaws
effect), it invites you feel anxious in any future visits you may have
in any overnight ward. This is followed by, Backpackers; perhaps the
weakest entry of the bunch, but as an unpredictable kitchen-sink entry
that riffs on Danny Boyle's 28 Days Later it is certainly no slouch. A
pair of Japanese backpackers get more than they bargained for when they
get picked up by a greedy truck-driver (who already has an anxious
passenger) and get the eventual look at his cargo. Salvage makes
effective use of its location, a used car lot, to tell one of those
vintage Edgar Allen Poe tales, taking the shysterism of the owner who
buys smashed luxury sedans has them repaired them on the cheap and sells
them as if they were single owner vehicles ('grandma never drove it
except to get groceries') and spinning it into a little guilt
and comeuppance in a rather vicious fashion.
The
piece de resistance is from Team-Shutter (Banjong Pisanthanakun &
Parkpoom Wongpoom) who bring back the foursome happy campers from Phobia
I and have them working as crew members on the set of Alone 2. Rich in
humour and scary to boot, they tackle horror conventions and twist
endings in an effortlessly charming (even cute) way right to the
breaking point. And yet the still play very very fair. Probably
understanding that the camping segment in the first series was the
show-stopper, they wisely place it at the end, and the series goes out
on a bang!
[Phobia 2 screens tomorrow night, August 17 at 7 pm as part of the Toronto After Dark Film Festival at the historic Bloor Cinema]
[Phobia 2 screens tomorrow night, August 17 at 7 pm as part of the Toronto After Dark Film Festival at the historic Bloor Cinema]