In 2001, producer Brian Yuzna (Society, Re-Animator) was looking for a new venue to get films made and the solution came in the unlikeliest of places, Spain. Filmax, a production house, opened the doors to Fantastic Factory, a specialty company dedicated to making genre films (horror, science fiction, etc...) with Yuzna and Julio Fernandez steering the boat. As a fan of Yuzna's film going back to me teens in the early '90s, reading about the possibility of new work was exciting, but the output was a bit more hit and miss than anyone anticipated.
The first film, Faust: Love of the Damned, was a narrative mess, but did satisfy the gorehound in me with plenty of gooey practical FX and a gloriously over the top performance from Wishmaster's Andrew Divoff. However, with Dagon, Yuzna and team went back to the very fruitful well of H. P. Lovecraft, an author who'd provided the inspiration some of his biggest successes and whose output was still relatively untouched despite years of adaptations. Yuzna brought back his old friend Stuart Gordon, director of Re-Animator, to work on Dagon, a story about an island of worshipers of an ancient fish god. The result is this largely underseen gem.
A young couple celebrating a recent business deal with a trip out onto the seas off the coast of Spain find themselves in a bit of a pickle when a storm forces them to land on what seems like a deserted island. As they search for help in the nearest village, the couple are separated and it soon becomes apparent that the island isn't deserted at all, and that visitors are not welcome. Slowly a mystery begins to unfold that leaves them all in terror as the island's residents, worshipers of the fish god Dagon, look for their next sacrifice.
Dagon is a far cry from the frantic madness of previous Gordon/Yuzna collaborations like Re-Animator, From Beyond, and Dolls. The film takes the far more subdued tone of a supernatural mystery story rather than an out-and-out splatterfest, making the results not necessarily worse, but certainly unexpected. Leading man Ezra Godden is - pardon my trivialization - a poor man's Jeffrey Combs, mannerisms, dialect, and all. He's not bad, he's just not Combs. The rest of the cast manage decently in largely anonymous performances, but the anonymity does help somewhat in providing an air of mystery on the island, so it's all good.
Dagon isn't among the best Lovecraft inspired stories, but it also isn't among the worst. It sits neatly in the middle of the pile, which, considering the vast gulf between the good films and the bad ones, isn't a terrible place to be. Dagon is definitely a film that deserves reappraisal, but I doubt it'll send anyone into a tizzy wondering why it hasn't gotten more recognition. I do think it's good enough to make horror fans smile.
The Disc:
Vestron Video's Blu-ray presentation of Dagon is decent. The film didn't look great to begin with, the vast majority of the film takes place in the dark, and that tends to either hide or expose a lot of flaws. In this case it dulls the proceedings, however, the image does benefit from increased sharpness to to the upgrade. While the HD restoration does right by the impressive practical FX, the low budget early '00s digital FX are not quite as lucky, and the increased resolution does make them stick out like sore thumbs.
This Blu-ray ports over a number of archival extras as well as providing new ones for fans to enjoy. Among the previous available extras are a pair of audio commentaries, one from Gordon and writer Dennis Paoli, and a second from Gordon and Godden; there is also a vintage EPK piece and some interviews with cast and crew from the film's release. New to this edition are a trio of twenty-ish minute interviews with Stuart Gordon (moderated by Mick Garris), Brian Yuzna, and Lovecraft bio author S. T. Joshi. Another interesting piece is a gallery of concept art from Richard Raaphorst, who would go on to direct his own film, Frankenstein's Army.
Vestron's Blu-ray upgrade of Dagon is a must-own for fans of the film, others might not be as impressed, but I think it's definitely worth a try.