Black Bear Filmfest is about to begin and we can't be more excited!
In its second edition after a triumphant debut in 2013, Black Bear Filmfest returns as Poland's only genre film festival specializing in horror, action, fantasy, sleaze, and independent regional filmmaking. For Warsaw-based cinephiles this might be the only chance to see some of the year's most terrifying, crowd-pleasing, provocative, and gory films on the big screen - exactly the way they were meant to be seen.
The festival's programme, smartly divided into sections such as Fresh Blood, Night Shift, and Head-On, features a diverse and well-sourced selection of international features that will undoubtedly satisfy both devoted genre film lovers and curious passersby.
Black Bear Filmfest takes place in Kinoteka, one of Warsaw's oldest and finest cinemas, between 5 and 12 December and hopes to grow quickly to a nationally and even globally known event. For more information, visit the festival's
official website.
Scroll through the gallery for our Top 5, and see the best of the rest
here.
A Girl Walks Home Alone at Night
The world's first Iranian vampire western, Ana Lily Amipour's black-and-white debut feature A Girl Walks Home Alone at Night has quickly become one of the most talked-about films of the year. It may have its flaws, but it's definitely a decent attempt by a debutant director.
Read Ben Umsted's Sundance review.
The Rover
David Michod's highly anticipated follow-up to Animal Kingdom is not only a gritty and intense post-apocalyptic drama, but also a really interesting character study. Bolstered by strong performances by Robert Pattinson and Guy Pearce, The Rover explains the true meaning of 'Survival of the Fittest'.
Read Jason Gorber's Cannes review.
It Follows
Highly entertaining and hair-raisingly scary, David Robert Mitchell's sophomore effort It Follows may be one of the most satisfying chillers of 2014, and one of the best teen horrors of the decade.
Read Jason Gorber's Cannes review.
Housebound
Filled with twists and turns, Gerard Johnstone's debut feature intelligently plays with horror tropes and makes them its own. Housebound is one of those rare horror-comedies that are hilarious and creepy at the same time.
Read Peter Martin's SXSW review.
White God
Fierce and beautiful, Kornél Mundruczó's Cannes award-winning White God serves as an allegory for cultural and political tensions in contemporary Europe. Plus, it includes one of the most unforgettable scenes ever depicted upon public screen.
Read Jason Gorber's Cannes review.