Tag: moonsori

Interview: Lee Chang-dong at MoMA, Part 2 of 2 - On Actors and Advice to Future Filmmakers

With a scant CV of a mere six feature films over 21 years, director Lee Chang-dong has carved out an immutable place in cinematic history for his brash, beautiful, raw, often disturbing explorations of the human condition.   Director Lee...

Busan 2018 Review: ODE TO THE GOOSE
 Serenades with Strong Performances and Playful Plot

Two years after opening the festival with A Quiet Dream, director Zhang Lu returns to Busan with Ode to the Goose, a terrifically performed and breezy art drama that meanders between allegories of national identity and literary and historical references....

Udine 2018 Review: THE RUNNING ACTRESS Dashes to Victory

Ever since picking up a Best New Actor Prize from the Venice International Film Festival for Oasis in 2002, Moon So-ri has been known as one of the top performers in the Korean film industry. Now, after impressing viewers and...

Venice 2014 Review: HILL OF FREEDOM Proves A Pleasant But Slight Slice From Hong Sangsoo

It's easy to accuse Hong Sangsoo of doing the same thing over and over again as each of his films revisit the same themes with similar characters, situations and locations. Such a reading can easily miss the point of his...

NY Asian 2014: MANSHIN: TEN THOUSAND SPIRITS, Moon So-ri On Challenges For Korean Actresses And Shamanism

Moon-So-ri won acclaim for her fearless roles in films like Oasis and A Good Lawyer's Wife. She comes to the New York Asian Film Festival with Manshin: Ten Thousand Spirits, a surreal docu-narrative about the life of a shaman.  We...

Review: VENUS TALK Drowns Out Despite Strong Female Stars

As a fan of Moon So-ri and production company Myung Films, I felt that I should be excited about Venus Talk, their first collaboration since Im Sang-soo's excellent A Good Lawyer's Wife (2003). But on the other hand, with its...

DMZ Docs 2013 Review: Unique Shaman Doc MANSHIN Is A Sensory Thrill

I've been a keen fan of Korean films for over a decade and have now spent about a year and a half living within the country's borders, yet, though I've been exposed to it many times, shamanism stubbornly remains a...

Review: THE SPY: UNDERCOVER OPERATION Should Have Stayed Under Wraps

Korean cinema has gotten very good at staging impressive onscreen spectacle in recent years. Though $10 million budgets used to be a rare thing, reserved for only the most ambitious and promising films, these days an abundance of these pricey...