Tag: jiazhangke

This minimalist key art for Jia Zhang-Ke's latest documentary on Chinese culture, Swimming Out Till The Sea Turns Blue, has almost a screen-printed look and feel to it.  Although it may look to be a prosaic respresntation of the lengthy...

Director Jia Zhangke's documentary tells the story of changing times, migration and coming home. And his love for literature.

A deep and poignant masterpiece from seasoned filmmaker Jia Zhangke.

With his sprawling gangster epic melodrama Ash Is Purest White opening this Friday in New York, Jia Zhangke, the master chronicler of changing China, was in town and I was lucky enough to snag an interview. Spanning 17 years, Ash...

Created by the filmmaker Jia Zhang-ke (A Touch of Sin, Mountains May Depart) with former Venice festival head Marco Muller serving as the artistic director, Pingyao Crouching Tiger Hidden Dragon International Film Festival (PYIFF) is being described as "the first...

Director Jia Zhang-ke is a big fan of segmented narratives. His last film, A Touch of Sin, was an anthology of sorts tackling different stories surrounding the larger topic of the the modernization of Chinese culture. In his latest film,...

With the festival a little more than two weeks away, Cannes has announced the remaining eight members of the jury. This year's jury president, Jane Campion, will be joined by Carole Bouquet, Sofia Coppola, Leila Hatami, Jeon Do-yeon, Willem Dafoe,...

Shanghai's emergence as the commercial and financial center of mainland China has obviously got a lot to do with the whole country's gradual and enormously impressive transformation, but in order to comprehend what really happened over the course of years...

A Touch of Sin is an anomaly for Jia Zhangke. Or at least it feels like it. Known for his unique melding of documentary and fiction, observing China's transformation with a critical eye and nostalgia, here he bases the film...

Almost a week after I screened A Touch Of Sin, I'm still trying to come to grips with my reaction to it. There's plenty to admire about Jia Zhangke's film, from its stark violence through its sweeping scope, but I...

Currently on view at the Museum of Modern Art, the valuable and eye-opening film series "Chinese Realities/Documentary Visions" traces the progression of Chinese documentary practice from 1988 to the present, and how filmmakers have recorded the rapid changes China has...