International: Latin America Reviews

Sort By
From The
Editors
Everything From
Everyone
Most
Loved
Most
Hated
What The
Hell?!

New York 2017 Review: Lucrecia Martel's ZAMA Is the Cinematic Highlight of the Year

Finding the Latin American identity, as European settlers and their offspring, has been the continuous source for great literature over 300 years. Throw in the idea of class, masculinity, racism, sense of belonging, you get a very complex picture of what makes up the theme of Zama.

Fantastic Fest 2017 Review: TIGERS ARE NOT AFRAID, Horror and Imagination on the Streets of Mexico

Thousands of people have been murdered or gone missing in the ongoing violent drug war in Mexico. One of the often unacknowledged side effects is the now-orphaned children, many of whom end up on the streets. In her third feature,...

Fantastic Fest 2017 Review: GOOD MANNERS, A Fable of Love, Fear, and Kindness

There is the family you are born into, and the family you make; lovers who stay with you a long time, and ones whose time with you is brief, but make a lasting impact. What then is the nature of...

Fantasia 2017 Review: YOU ONLY LIVE ONCE, Good Action, Middling Comedy

Federico Cueva has been working in stunts and special effects in his native Argentina and Spanish cinema for more than 20 years. His work with Santiago Segura in several of the Torrente films, and with Alex de la Iglesia in...

Fantasia 2017 Review: FRIENDLY BEAST, Man Is the Most Dangerous Animal

It's nearly closing time at a struggling restaurant. The waitress, Sara (Luciana Paes) and kitchen staff just want to go home, while the boss, Inácio (Murilo Benício) struggles with money troubles, a nagging wife, and a desire for power and...

Fantasia 2017: Born Of Woman Shorts Programme Highlights a Trio of Haunting Standouts

For its second year at Fantasia, the theme running across the curation for the shorts programme Born Of Woman has moved away from the cerebral physical fetishes, and queer emotional landscapes of last year, towards the nature of haunting. The highlights were...

Review: THE UNTAMED, Riveting and Shocking, It Needs to Be Watched to Be Believed

One of the reasons that I love fantastic genre film is that it can often find the most relevant and interesting metaphors for dealing with issues of social life, be they cultural, political, or sexual. The Untamed, which won the...

Review: In ENDLESS POETRY, Alejandro Jodorowsky Continues to Amaze

Chilean born Alejandro Jodorowsky can be called many things: Mystic, sage, tarot master, director, screenwriter, actor, mime, graphic novel scribe, healer, philosopher, novelist, playwright, spiritual guru. All that and more could fit on his resume... if he was a man...

Review: HERMIA & HELENA, Lovely Cinematic Playfulness

Matias Piñeiro's Hermia & Helena begins almost identically as his last film Princess of France, looking down at a soccer field. But they are two very different films. Even though his usual light-as-feather approach at twenty-something's bohemian lives and romantic...

Hot Docs 2017 Review: BRIMSTONE & GLORY, Where Cinematography Induces Euphoria & Panic

Do you remember that sequence in Beasts Of The Southern Wild when everyone runs around shooting fireworks at each other in the Bayou? The glorious dance of the visuals and music grasp at the essence and the onslaught of life's...

SXSW 2017 Review: DIVINE DIVAS Goes Behind the Curtains

Vibrant and enlightening, Divine Divas peeks behind the curtains of the Rival Theatre in Brazil, which was one of the first in the country to showcase men dressed as women in the 1960s. Eight artists have gathered for a 50th...

SXSW 2017 Review: BAD LUCKY GOAT, Two Siblings on a Comic Dramatic Journey

A brother, a sister, a goat. A relaxed charmer, Bad Lucky Goat is some kind of wonderful. It starts with an appetizer that establishes its milieu, a ramshackle island community in the Caribbean. The area is in Colombia, South America,...

Berlinale 2017 Review: A FANTASTIC WOMAN, Sebastián Lelio's Masterpiece of Micro-Aggressions

Last year, Álex Anwandter's Chilean LGBT drama You'll Never Be Alone was one of the films that lit up Berlinale's programme from the heart of Panorama (read the review). And since then, Pablo Larraín has cemented his respected standing with...

Rotterdam 2017 Review: Social Satire A DECENT WOMAN Conjures Up Anarchism From A Nudistic Swinger Club

A Decent Woman marries European formalism to Latin American temperament in a social satire embracing anarchism and clothes-optional policy

Review: WE ARE THE FLESH, A Paean to Liberty, Designed as a Fairy-tale for Adults

Emiliano Rocha Minter, a 26-year-old budding filmmaker from Mexico, emerged with his feature debut at International Film Festival Rotterdam early in 2016, finished only a couple of days before landing in Netherlands. It wasn't his first visit to Rotterdam, though....

Review: NERUDA, Playful, Poetic Filmmaking

Treading boundaries of reality in a free form that is unquestionably cinematic, director Pablo Larrain achieves something very special with Neruda. It's a beautifully crafted film that feels completely effortless and airy. It is clever, playful and fluid yet not too showy, emotionally resonant yet not corny. It's a political treatise, yet it doesn't take itself too seriously. But it doesn't make light of the persecution and people's suffering either. Neruda is a great achievement in the cinematic art form.

Blu-ray Review: You Will Never Want THE EXTERMINATING ANGEL to End

Luis Buñuel's El Angel Exterminador (The Exterminating Angel) is one of the greatest works of cinematic surrealism of the '60s. Even as Buñuel's profile rose later in the decade with films like Belle de jour, and then on into the...

Review: SILENCE Demands Respect and Inspires Debate

An impressively devout expression of religious faith that seeks to answer some of mankind's most pressing questions, Silence demands respect and inspires debate, all while displaying the absolute command of master filmmaker Martin Scorsese. Now 74, Scorsese has reportedly desired...

Los Cabos 2016 Review: WHILE THE WOLF'S AWAY Loses its Way

While the Wolf’s Away, the debut from Joseph Hemsani, is a strange collision of motifs and references. With significant echoes to the work of fellow countryman Guillermo Del Toro, this coming of age-meets dark thriller at times feels like it’s...

Review: DON'T CALL ME SON Mulls Over Sexual Identity In A Subtle, Personal Way

Don't Call Me Son, doesn't dwell on nature vs nurture or rely on cheap sentimentality. The film doesn't even try to make any big statement on gender equality or social justice. It focuses on a young man who is very comfortable with his identity even though his life has become chaotic. But he's not a helpless victim who's unsure about his place in the world. And he also has a great, caring heart.