International Interviews

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Brussels 2018 Interview: Guillermo del Toro Talks CRONOS, THE SHAPE OF WATER and More

Guillermo del Toro doesn’t half-ass anything. From immaculately crafted sets and carefully thought out color patterns to a web of intertextual allusions that extend his visual storytelling, he’s a world-builder who pays attention to the smallest detail. Living in a...

Interview: Sergio G. Sánchez Talks MARROWBONE, The Fallibility of Memory, and the Spanish Fantastic

Spanish screenwriter Sergio G. Sánchez is likely well known to many ScreenAnarchy readers; if not by his name, than by his screenplays, such as The Orphanage and The Impossible. He makes his feature film debut this month with Marrowbone, a...

Bruno Dumont on JEANNETTE: THE CHILDHOOD OF JOAN OF ARC and Live Cinema

"I think you can really express deep thoughts and feelings in comedies. You can go really profound in ways you can't do in dramas. Funny is deep, rich and surprising. What counts is to surprise the viewer."

Interview: Arnaud Desplechin Talks ISMAEL'S GHOSTS, His Beguiling New Film

Arnaud Desplechin was in town for his new film Ismael's Ghosts opening stateside and I jumped on the opportunity to interview him again because I adored the film. Desplechin, as usual, is just as unpredictable and sprawling as his films...

SXSW 2018 Interview: Ethan Hawke On BLAZE

Blaze Foley was never a star. Like many an unsung hero in the great tradition of truth-telling, the idea of careerism or professionalizing his craft ran so counter to Blaze’s aesthetic drive, he’d sooner drink himself to death before playing...

Rotterdam 2018 Interview: "Out-of-the-Norm Family Was an Important Part of Our Story" Juliana Rojas and Marco Dutra Discuss Heart-Warming Fantasy Horror Musical GOOD MANNERS

"We're aware of the so-called "elevated genre" discussion, but we always treated this aspect of the film with love, and not as an opposition of regular drama" Juliana Rojas and Marco Dutra on Good Manners

Rotterdam 2018 Interview: WILD BOYS, Bertrand Mandico on Shooting Gender-Bending Surreal Film

"I create hybrids, sexual and cinematic" French filmmaker talks to ScreenAnarchy about his daring feature debut Wild Boys

THE UNTAMED Interview: Amat Escalante On His Best Film Yet

The Untamed (aka La región salvaje) is arguably Amat Escalante’s greatest film yet. After dealing with the Mexican drug trade in Heli, Escalante returned with another social drama set in Guanajuato, his hometown. This time, though, there’s a fantastic element...

ACCIDENT MAN Interview: Scott Adkins Makes His Passion Project

There's something quintessentially British about Mike Fallon, the high-class hitman at the center of Pat Mills' original Accident Man comic series from the early 90's. Orderly, deliberate and vicious, the character is like Jame Bond's sociopathic brother that everyone figures...

Rotterdam 2018 Interview: 3/4, Filmmaker Ilian Metev on the Unseen Script and More

Bulgarian filmmaker Ilian Metev talks to ScreenAnarchy about his latest award-winning film 3/4.

Rotterdam 2018 Interview: Lisa Brűhlmann Talks Female Sexuality, Identity and Storytelling in BLUE MY MIND

Emerging Swiss filmmaker Lisa Brűhlmann discusses her feature debut, coming-of-age drama Blue My Mind combining harsh reality and myth

Rotterdam 2018 Interview: Ian Lagarde Talks ALL YOU CAN EAT BUDDHA

ScreenAnarchy talks to Canadian filmmaker Ian Lagarde about his surreal allegory set in all-inclusive tropical resort All You Can Eat Buddha

Interview: Ziad Doueiri on THE INSULT, Trump's Tweets and Greatness of TRAIN TO BUSAN

Ziad Doueiri, whose Hollywood credentials include being a cameraman for most of Quentin Tarantino's earlier films (Reservoir Dogs, Pulp Fiction and Jackie Brown), has made several films in his native Lebanon (West Beirut, The Attack, Lila Says). With his new...

Pingyao 2017 Interview: Festival Director Marco Muller Talks Inaugural Edition, Chinese Cinema, Censorship

Veteran festival director Marco Muller sat down with ScreenAnarchy for a behind-the-scenes chat about this year´s inaugural edition of Pingyao Crouching Tiger Hidden Dragon International Film Festival

Pingyao 2017 Interview: Filmmaker Zhao Chloé Talks THE RIDER

Chloé Zhao talked to ScreenAnarchy about male and female gaze, challenging stereotypes and working on The Rider during the inaugural edition of Pingyao Crouching Tiger Hidden Dragon International Film Festival 2017

FELICITE Director Alain Gomis on His New Drama: "Let It Happen"

After winning the Grand Jury Prize at Berlin early this year, Alain Gomis's Félicité played as part of the slim but always robust Main Slate at the New York Film Festival. Featuring the great Véro Tshanda Beya Mputu in the...

Sitges 2017 Interview: HAGAZUSSA DP Mariel Baqueiro on Snow, Swamps and Magical Moments

A singluar work of visual story telling, almost dialouge free, Hagazussa: A Heathen's Curse is one of those movies that you are not entirely sure of what you just witnessed in terms of narrative structure and detail, but you know...

REALIVE Interview: Mateo Gil on His Latest Science Fiction Effort

Mateo Gil made a name for himself firstly as the writer of Alejandro Amenábar - he co-wrote such films as Thesis, Open Your Eyes (later remade by Cameron Crowe as Vanilla Sky) and The Sea Inside - but he has...

LET THERE BE LIGHT Interview: Director Mila Aung-Thwin, Physicists Mark Henderson and Michel Laberge Discuss Nuclear Fusion Becoming Mainstream

And now for something completely different. Many of the writing staff here at ScreenAnarchy have different careers outside of their movie enthusiasms. Myself, I have a degree in Chemistry, and work as a materials scientist. So when the opportunity to...

Locarno 2017: Filmmakers Cattet and Forzani Talk LET THE CORPSES TAN

A few weeks ago the Locarno Festival held its 70th edition. Among the festivities, Let The Corpses Tan -- the third film by Belgian duo Hélène Cattet and Bruno Forzani -- had its world premiere on the majestic Piazza Grande....