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Berlinale 2018 Review: THE INTERPRETER, Two Oldtimers in a Road Dramedy

Peter Simonischek of Toni Erdmann fame meets Oscar-winning director Jiří Menzel in a dramedy by Slovak director Martin Šulík

Rotterdam 2018 Review: THE HEART, a Trendy Millennial Drama Celebrating Female Sexuality and Independence

The heart wants what it wants, but does not get – this is the premise of Swedish actress-director Fanni Metelius’s debut The Heart (Hjartat), about a young photographer Mika and her musician boyfriend Tesfay who are madly in love, yet...

Berlinale 2018 Review: UNSANE, A Stellar Piece of Psycho Fiction

Depending on what your thoughts on Logan Lucky were, it was possible to worry that Steven Soderbergh had hit a bit of a bump in the road last year, but fortunately the director of prized titles like Ocean's Eleven, Magic...

Berlinale 2018: Exclusive! Check Out The First Teaser For GARBAGE, The Shocking New Film By Q

Screen Anarchy is proud to bring you the exclusive first teaser for Garbage, the newest film from Indian provocateur, Q. Garbage has its world premiere tomorrow at the Berlin Film Festival as a part of their Panorama section, it is...

Rotterdam 2018 Review: THE REPORTS ON SARAH AND SALEEM Marries Arthouse Drama to Genre Audience Allure Without Losing Complexity

Muayad Alayan´s sophomore feature The Reports on Sarah and Saleem infuses genre sensibilities into arthouse drama against the backdrop of a political conflict

Berlinale 2018 Review: THE INVISIBLE HANDS, An Unlikely Meeting of Cultures Yields Strange and Beautiful Results

The Invisible Hands, an excellent documentary by Marina Gioti and Georges Salameh, explores the unlikely collaboration between American musical provocateur Alan Bishop and a group of young Egyptian musicians whose lives were upended by the Arab Spring. The film's international...

Berlinale 2018: Watch The Teaser For Brazilian LGBTQ Drama HARD PAINT (TINTA BRUTA)

Filipe Matzembacher and Marcio Reolon’s LGBTQ drama Hard Paint (Tinta Bruta) from Brazil will have its world premiere in the Panorama programme in Berlin Sunday night, February 18th. Screen Anarchy is pleased to debut the new teaser for the film...

Berlinale 2018 Review: ISLE OF DOGS, An Obvious Joy By the Masterful Wes Anderson

The 68th Berlinale Film Festival's Main Competition opened in safe hands today, with Wes Anderson's brilliant latest animation Isle of Dogs. Already hotly anticipated by the director's fiercly loyal fans ever since the film's trailer was dropped by Fox Searchlight...

SXSW 2018: Watch the Shorts that Laid the Groundwork for THUNDER ROAD and PROSPECT

Can’t wait for the curtain to be raised on upcoming SXSW world premieres and unsatisfied with reading synopses? Well, there are other ways of exploring what the Texas-based festival has in store for lucky badge-holders. Thunder Road and Prospect are...

Sundance 2018 Review: SWEET COUNTRY, a Powerful Slowburn on Australia's Not-So-Sweet History

Warwick Thornton's Sweet Country opens with Sam Neill's preacher Fred Smith sharing a meal with his Aboriginal farmhands Sam and Lizzie Kelly (exceptional newcomers Hamilton Morris and Natassia Gorey-Furber). "We're all equal in the eyes of the Lord," the preacher sermonizes as he...

Rotterdam 2018 Interview: "Out-of-the-Norm Family Was an Important Part of Our Story" Juliana Rojas and Marco Dutra Discuss Heart-Warming Fantasy Horror Musical GOOD MANNERS

"We're aware of the so-called "elevated genre" discussion, but we always treated this aspect of the film with love, and not as an opposition of regular drama" Juliana Rojas and Marco Dutra on Good Manners

Berlin 2018: GURRUMUL Trailer Introduces An Aboriginal Music Icon

It was back in 2015 that we first caught wind of Paul Williams' upcoming documentary about Australian aboriginal singer Geoffrey Gurrumul Yunupingu. An enormous gifted singer steeped in the traditions of his native people, you can easily make an argument...

Rotterdam 2018 Interview: WILD BOYS, Bertrand Mandico on Shooting Gender-Bending Surreal Film

"I create hybrids, sexual and cinematic" French filmmaker talks to ScreenAnarchy about his daring feature debut Wild Boys

Osaka Asian Film Festival 2018: Watch The Trailer For Opening Film ANARCHIST FROM COLONY

Gearing up for it's 13th edition, Osaka Asian Film Festival today announced it will kick off proceedings on March 9th with the Japanese Premiere of Korean film Anarchist from Colony. A sizeable hit in its native country when released last...

Slamdance 2018 Review: MAN ON FIRE, One Man's Ultimate Sacrifice and a Town's Reckoning With Its Racism

On June 23, 2014, a 79-year-old Methodist minister named Charles Moore drove to a nearly deserted shopping center parking lot in his former hometown of Grand Saline, Texas, poured gasoline on himself, and set himself on fire. The note Moore...

Slamdance 2018 Review: BIRDS WITHOUT FEATHERS Still Flock Together

We’ve all felt lonely and isolated at one point or another; it’s a feeling that comes and goes. But for the six wayward protagonists of Wendy McColm’s dark comedy/drama Birds Without Feathers, it’s an inescapable part of their lives, a...

Slamdance 2018 Review: HUMAN AFFAIRS, An Intimate Drama With Panoramic, Cosmic Scope

Human Affairs is nominally about the effect of an impending surrogate birth on the childless couple involved, but its title points to its far more panoramic scope. Bracketed by decades-spanning sequences of still photographs, Human Affairs visually and thematically places its three principal characters within...

Sundance 2018: Listen To An Exclusive Song From Panos Cosmatos' MANDY

Beyond The Black Rainbow director Panos Cosmatos returns to the big screen tonight with the world premiere of his sophomore film, Mandy, at the Sundance Film Festival. And part of what that means is that the world is about to...

Sundance 2018 Exclusive: PITY Poster, a Man in a World Not Cruel Enough For Him

The poster for the long-awaited sophomore feature Pity by the L director Babis Makridis arrives

SUMMER OF '84 Trailer: TURBO KID Collective Returns!

Filmmaking collective, RKSS, creator of 2015's Canadian cult hit Turbo Kid, are taking us back to the Summer of '84 in their next retro-fueled film. While it's impossible not to compare the film to recent nostalgia hits like Stranger Things...