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BiFan 2016 Review: EVA DOESN'T SLEEP Spins a Elliptical and Thought-Provoking Tale

Few politician's wives have been as mythologized as Eva Peron. The wife of the President of Argentina in the late 1940s, she reached iconic status during her life, as a poor girl from the countryside who married well, rose to...

BiFan 2016 Review: GRANNY'S DANCING ON THE TABLE, Beautiful and Brutal

It might seem that we have choices for our life’s direction; we can choose whom we spend tie with, who we marry, whether or not to have children, our career. But often those choices are invisible to us, impossible to...

Fantasia 2016 Review: REALIVE Deeply Engages With Medical Morality And The Human Condition

When screenwriters turn towards directing their own features, the case is often that they can make their talkiest screenplay into a film. This is not necessary a bad thing at all, especially considering the case of Mateo Gil's new science...

Fantasia 2016 Review: SHELLEY Marries Parenthood To Horror Without Enough Consequence

A classy, atmospheric take on the hysteria of new parenthood, Ali Abbasi's Shelley wears its influences boldly on its sleeve (and right there in the title), only the Frankenstein's monster here is a baby born by way of our modern medical...

Fantasia 2016 Review: MAN UNDERGROUND, A Love Letter to the Thrills of Conspiracy

William Koda (George Basil) is a man with a story to tell. Once a geologist for the U.S. government, he now spends his time in upstate New York telling tales of digging tunnels deep underground where they uncovered…something. Speaking to...

BiFan 2016 Review: CAPTAIN FANTASTIC Takes Quirky Journey to Known Destination

There's a certain type of film that'e become prominent and popular among a lot of American indie filmmakers in recent years; I like to call it the Sundance Film (though not all have played at that festival). It's a social...

Fantasia 2016 Review: I, OLGA HEPNAROVA, A Meticulous And Confrontational Look At A Mass Murderer

At one point over the course of this haunting and difficult film, the lead character is reading the Graham Greene novel, The Quiet American. She highlights a passage from the novel that is the lynchpin to understanding the unanswerable questions left...

BiFan 2016 Review: INSANE, Kinda Lame

Released earlier this year, the surprise hit Insane is the sixth film from versatile director Lee Cheol-ha. Employing a less than original premise, this new thriller turns out to be a middle-of-the-road attempt that pales in comparison to a slew...

BiFan 2016 Review: UNDER THE SHADOW Scores with Strong Scares and Social Sting

A well-executed jump scare can deliver one of the strongest physical reactions possible in a theater, but by and large, horrors that go bump in the night rely on little more than technical scares. This leads to a parade of...

BiFan 2016 Review: THE LURE, The Polish Mermaid Horror-Musical You Never Knew You Wanted

In the crowded world of cinema, many filmmakers set out to try something different. However, it's one thing to be novel, which normally means stretching a thin gimmick over other recycled bits of past films, but another thing entirely to...

Review: THE CHILDHOOD OF A LEADER, Making of a Monster in Brady Corbet's Accomplished Directorial Debut

An allegorical tale set in the shadow of WWI Europe, The Childhood of a Leader is a very accomplished first feature from 27 year-old American actor Brady Corbet. Considering his face has been showing up in the films of who's...

Fantasia 2016 Review: FURY OF THE DEMON Offers Film History With An Occult Twist

Suspension of disbelief is a critical element to the pure enjoyment of a movie. Whether it is the premise of the story, the matte lines (or digital uncanny valley) of the special effects, or even character motivations, a good storyteller...

Fantasia 2016 Review: IN A VALLEY OF VIOLENCE Is A Talky If Slight Examination Of Western Tropes

In Sergio Leone's classic The Good The Bad And The Ugly, one of many iconic scenes involves a gunfighter sneaking up to murder Eli Wallach's Tuco in the bath-tub. The anonymous heavy lost his arm in a shootout with Tuco...

Fantasia 2016 Review: THE UNSEEN, An Exceptional Observation of Disappearance

In a cluttered single-wide trailer in a snowcovered, and anonymously dreary logging town in northern British Columbia, Bob Langmore finds himself disappearing. That it not to say that running away from his wife and daughter almost a decade ago to...

Neuchâtel 2016 Review: Jonas Cuarón Crafts a Savage Manhunt in DESIERTO

Having learned a few tricks working on his father’s multi-award winning space thriller Gravity, Jonas Cuarón brings the action down to earth to craft a similarly intense tale of human survival. The idea of putting up a wall between Mexico...

Neuchâtel 2016 Review: SEOUL STATION, A Zombie Flick That's a Walker Not A Runner

Yeon Sang-ho’s take on the zombie apocalypse doesn't bring anything fresh to the undead table yet contains enough touches of the social commentary that marks the best works of the genre to stir some interest. An old man, sick and...

Fantasia 2016 Review: RUPTURE Turns Capture Into The Rapture

"Don't fight it. Let it happen. This confusion is all part of the process." This advice is repeated, often in a beatific manner, by the mysterious group of captors who are intent on, among other things, helping the audience navigate the...

New York Asian 2016 Review: CREEPY, A Master Heads in a New Direction

Creepy has been touted as Kiyoshi Kurosawa's "return" to horror, but it feels, in its own right, like a new departure for the director. Where vintage Kurosawa fare was vague, mysterious, and mournful, Creepy is bracing, black-humored, and overt. A...

New York Asian 2016 Review: WHAT A WONDERFUL FAMILY! Mixes Broad Comedy with Ozu's Legacy

Yôji Yamada is a director known for retreading and reusing elements, both visual and in terms of plot, being the director of many series of movies that have been done across decades. While he really hasn't made a new series...

New York Asian 2016 Review: A BRIDE FOR RIP VAN WINKLE Excels At Portraying Womanhood In Today's World

The director of this film, the famed artist and writer Shunji Iwai, started his career doing television films before shaking the entire landscape of Japan with films like Love Letter and Swallowtail Butterfly, and he somewhat goes back to the...