Festivals Reviews

Sort By
From The
Editors
Everything From
Everyone
Most
Loved
Most
Hated
What The
Hell?!

Boston Underground 2017 Review: BITCH, A Hilarious and Vicious Bite at the Patriarchy

I doubt you would ever meet a woman who couldn't tell you about how, on a near daily basis, she must endure being dismissed, ignored or mistrusted by men. According to many, we are oversensitive, we exaggerate, we just 'need...

Boston Underground 2017 Review: FRAUD, A Twisted Look at Capitalism and the Public Image

What exactly do we mean when we say a film is a documentary? Do you mean a strict definition, in that a film is depicting or investing something that happened in reality? Or does it mean showing us things from...

SXSW 2017 Review: TRAGEDY GIRLS, Their Teenage Egos Have A Body Count

The horror genre is one of the most forgiving there is. Fanatics regularly overlook low-budgets, no-name actors, questionable performances, and mediocre writing if a film delivers the kind of thrills that turn them on. The horror-comedy, however, is a far...

SXSW 2017 Review: From SMALL CRIMES Come Big Troubles

Four years ago, Evan Katz made his directorial debut with the pitch-black comedy thriller Cheap Thrills, pitting Pat Healy against Ethan Embry in a diabolical, desperate game of survival. Now Katz has returned to the director's chair with Small Crimes,...

SXSW 2017 Review: In 68 KILL, A Bunch of Assholes Hurtle Toward Oblivion

Matthew Gray Gubler's Chip has a really hard time with women in Trent Haaga's scumbags-on-parade exploitationer, 68 Kill. The story revolves around a white trash heist of $68,000 initiated by Chip's emasculating maniacal girlfriend, Liza (AnnaLynne McCord), who uses her...

SXSW 2017 Review: Three Dystopian Narcissists and an INFINITY BABY

In the not too distant future of Infinity Baby, stem cell research has caused a freak side effect wherein a certain breed of newborns will not age, rather they'll stay babies for their entire lives. Society has deemed them "infinity...

SXSW 2017 Review: DAVID LYNCH - THE ART LIFE Sheds Light on Darkness

David Lynch is one of the great mysteries in the filmmaking world. His films are meticulously constructed enigmas, which require the same type of open minded approach to understanding as it likely takes Lynch himself to paint with images. His...

SXSW 2017 Review: MAYHEM, So Fast on Its Feet That It's Almost Out of Control

With great lead performances by Steven Yeun and Samara Weaving, a great musical score by Steve Moore, and great bloody action masterminded by director Joe Lynch, Mayhem is almost too much fun. It's the perfect example of a movie that...

SXSW 2017 Dispatch: A Solid Year of Docs Continues + More Films and Fun from Austin

It's been an excellent year for documentaries already in 2017 with such incredible films as Icarus, An Inconvenient Sequel, Nobody Speak, and Trophy all premiering at Sundance (those last two playing SXSW as well). There have been several new great...

SXSW 2017 Review: HOUNDS OF LOVE, a Beast with a Ferocious Bite

Serial killer thrillers that deal with the dark subject matter of abuse and sexual victimization are the cinematic equivalent of playing with fire. Especially if your film is based loosely on real life crimes, as is the case with Hounds...

SXSW 2017 Dispatch: THE LIGHT OF THE MOON and M.F.A., Or, How to Deal with Rape

Male filmmakers have been exploiting the violent rape of women on screen for decades. How do female filmmakers deal with the subject? The Light of the Moon, written and directed by Jessica M. Thompson, and M.F.A., written by Leah McKendrick...

SXSW 2017 Review: Triumph of THE DISASTER ARTIST

I think we were all pretty skeptical upon hearing the announcement that James Franco would be bringing the story of the making of Tommy Wiseau's The Room to the big screen over three years ago; at least those of us...

SXSW 2017 Dispatch: Great Crime Films, Both Big and Small

SXSW 2017 Dispatch: Great Crime Films, Both Big and Small Late night booze-fueled taco runs be damned, the SXSW train just keeps chugging along. There have been an ridiculous number of great moves in this year's program, many of which,...

SXSW 2017 Review: T2 TRAINSPOTTING, The Boys Are Back in Town and It's Not a Pretty Sight

Kicking heroin and staying off it for 20 years is only the first step for Renton. Facing the likely elimination of his office job, Renton (Ewan McGregor) returns to Edinburgh, Scotland in search of something he cannot yet identify. Lost...

SXSW 2017 Review: BABY DRIVER, Grand Entertainment on a Funny, Thrilling Ride

Voom voom voom! So begins Edgar Wright's Baby Driver, which finds Ansel Elgort behind the wheel as a getaway driver, rocking out to the a song blasting from the buds planted in his ears. In the privacy of his own...

SXSW 2017 Review: DIVINE DIVAS Goes Behind the Curtains

Vibrant and enlightening, Divine Divas peeks behind the curtains of the Rival Theatre in Brazil, which was one of the first in the country to showcase men dressed as women in the 1960s. Eight artists have gathered for a 50th...

SXSW 2017 Dispatch: Early Buzz from a Truly Excellent Film Lineup

SXSW is off to a raucous start with the indie film biz and Austin movie fans competing for precious 6th street real estate with the techies and college kids. SXSW is such an interesting event as far as film festivals...

SXSW 2017 Review: CALIFORNIA DREAMS, Questioning the Meaning of Life

Taken at face value, Mike Ott's California Dreams is a slowly-drawn portrait of ordinary people who harbor dreams of something better. It mixes documentary footage and staged scenes without demarcation. To what effect? That is left up to the viewer...

SXSW 2017 Review: BAD LUCKY GOAT, Two Siblings on a Comic Dramatic Journey

A brother, a sister, a goat. A relaxed charmer, Bad Lucky Goat is some kind of wonderful. It starts with an appetizer that establishes its milieu, a ramshackle island community in the Caribbean. The area is in Colombia, South America,...

Rotterdam 2017 Review: THE WEDDING RING Allows A Beautiful Peek At A Different Culture

When we in the West think of the North African Sahel region, we tend to conjure up images of deserts, terrorism, war, famine, nauseating abuse of human rights... In short, the harshest environments and the nastiest works us humans are...