I very recently reviewed Gyo at the Asian Film Festival of Dallas and my opinion of the film hasn't changed, so here is that review with comments regarding the disc at the end.
While I cannot honestly say that I am familiar with the manga of the same title, I can say with some authority that Gyo,
the anime feature, is likely to be one of the most bizarre films of
2012. As if the central conceit, walking fish taking over Japan and
bringing stench and disease with them, weren't crazy enough, the
filmmakers did a pretty damned good job of making this feature into
something different and worth your time. A little bit Friday the 13th, a little bit The Thing, a little bit Day of the Dead, and a little bit Akira; Gyo is one of a most fun, most disgusting genre mash ups I've seen in a while.
has made her way to Okinawa with some friends for a senior trip while
her fiance, Tadashi, toils away back in Tokyo on a studio recording gig.
When their island and their summer house is besieged by fish of various
sizes walking on what appear to be mechanical legs, things go from bad
to what-the-fuck-was-that in record time. Kaori manages to catch a
flight back to Tokyo to escape the invasion and huddle down with her
beau, but it seems that the infestation is everywhere, and it's not just
fish anymore. With the help of a photo journalist, Shirakawa, Kaori is
determined to get back to Tadashi and live happily ever after, though
the odds of that looks slimmer with every Great White Shark that goes
barreling down the roadway...
Director Hirao Takayuki has done some marvelous work with Gyo,
and not just visually, though the style is certainly very interesting.
He has taken an established manga, and a popular one based on the crowd
in the cinema tonight, and made a compelling story out of what is
essentially a really goofy concept. One of the way in which this is
accomplished is with continually evolving structure that leaves the
viewer frequently scrambling to figure out what's going to happen next.
The film begins like a slasher, evolves into a siege movie, takes a
sharp left and becomes a mad scientist movie, before taking a number of
other detours on it's way toward a post-apocalyptic third act that never
One of the main characters in Gyo, both
the manga and this anime, is the so-called Death Stench, a pervasive
odor of decaying human flesh that brings even the heartiest of souls to
his knees. The visual representation of the Death Stench is putrid
enough that it almost wafts off the screen into the audience. Anytime a
character bit the dust, or the Stench appeared on screen there were
audible grunts and moans in the cinema, it was like Odorama, but without
the scratch and sniff. It isn't just the Stench, it is the way in which
the Stench moves around on screen, and the way it is produced from
infected bodies that gave me the willies, but I'd rather let you
experience that for yourself than spoil it any further.
interesting visual choice, however, was the use of 3D CG elements almost
exclusively in animating the fish creatures. Nearly all of the
environments and all of the main characters are standard looking 2D
animated figures, but the fish creatures are all 3D CG animation, which
lends an even more bizarre quality to their presence on screen. As if it
weren't weird enough to have hordes of fish with creepy mechanical
spider legs crawling all over Tokyo, they also just look wrong, almost
disconcerting, even in the bizarre context of the film. I've gotta say,
it works. It threw me when they first appeared, but by the time the film
really hit its stride, it was just a part of the look, and I kinda dig
Make no mistake, Gyo is a seventy-minute,
nonstop gross-out, and the crowd ate it up. Every time you thought
they'd crossed the line, they'd cross another one, and leave the
audience reeling with appreciative/nervous laughter. With a manga this
popular, I'm sure that Gyo will find a place on home video
soon enough, even with the havoc that pirating has already played on
it's commercial prospects. Fans of the bizarre, clever, and just plain
crazy have a lot to look forward to in Gyo.
As much as I love Terracotta Films for their catalog, the actual discs haven't always been stellar. The first two releases from the Terror Cotta sub-label, Revenge: A Love Story and Death Bell, had issues with non-anamorphic transfers and stretched images, however thankfully that isn't the case here. Terror Cotta presents GYO in a pretty good anamorphic print, not stellar, but I think most of the images limitations are due to its source. Having seen the film projected digitally, I can say that this DVD release matches the quality of the digital presentation I got in the theater. The animation is somewhat crude, and the computer animation of the fish creatures is even less sophisticated, so that's not something I can pin on this disc. The sound is also pretty good, though not stellar, but for this release, I was perfectly satisfied.
There is only one extra on the disc that pertains to GYO, and it's kind of a strange one. Terror Cotta has included a text interview with GYO manga creator, Junji Ito. While it is obvious that the interview was conducted specifically for this release, based on some questions specific to the film and Ito's popularity in the UK, it's still kind of awkward to click through pages of text on a DVD in this day and age. I actually found the two short pieces that take a look at the Terracotta Far East Film Festival in London to be more interesting. That being said, though it would be cool to get more background on a project this strange, I was ultimately happy just having it on home video.
GYO on DVD from Terror Cotta is a great buy, super cheap and tons of fun. Can't miss.
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