NYAFF 2010: 8000 MILES 2: GIRL RAPPERS Review
Similar to Shogung, B-Hack goes through an ultra embarrassing gig in the middle of the film. Taking place in a public swimming pool, their reunion performance doesn't even remotely resemble gangsta rap, but is closer to a Spice Girls act. With their bubble gum lyrics and matching bathing suits, it's pretty pathetic and they know it too. Without any close ups, director Yu Irie goes for a wide, single long take for the entire performance, as if to spare the girls from further embarrassment.
The differences between the first 8000 Miles and Girl Rappers are not only in far superior production value and acting, but in the characters themselves: they are much better drawn out and their struggles much more heartfelt. Even the stereotypical characters here have redeeming qualities and are likable. What sets these girls apart from the boys is their genuine passion for music, not the put-on act that comes with the rap culture.
In the end, like Ikku and Tom, the girls realize what rap is about. You rap about what you know. It's a confession of sorts. It's a way to vent your anger and frustration. It is, ultimately, a therapy. With Girl Rappers, Irie has matured to a patient, observant filmmaker representing the blank generation of Japan and I expect great things from him in the future.
8000 Miles 2 is screening on June 29th (8:45 PM) at the Walter Reade Theater as part of 2010 New York Asian Film Festival. Director Yu Irie will be at the screening!
Dustin Chang is a freelance writer. His musings and opinions of the world are found in dustinchang.com
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