Fancy Free Hong Kong Films on 35mm This Weekend?

Supernatural romance and shenanigans abound in Esprit D'Amour, a funny and even tragic romance directed by master filmmaker Ringo Lam (City On Fire, Full Contact). Alan Tam is Ming, a mousy insurance agent engaged to spitfire fiancee Ivy (Cecilia Yip). When investigating the death of the young and pretty Siu Yu (Joyce Ni), Ming meets and falls in love with Siu Yu's spectral form. Siu Yu wants her life insurance delivered to her beneficiary (a five year-old boy), and the charmed Ming is only too happy to go along. But falling in love with a ghost is sure to arouse some suspicion, and when the scheming Ivy catches on, Ming's ghost-man love affair may be in jeopardy. Mixing romance, comedy, drama, and a touch of supernatural tragedy, Esprit D'Amour is wildly entertaining and compelling example of Hong Kong cinema entertainment.

Five years before their now-classic romantic pairing in The Killer, Sally Yeh and Chow Yun-Fat starred in this 1984 horror-comedy hybrid from director Ronny Yu (The Bride with White Hair, Fearless). Yeh stars as a wide-eyed Canadian college student named Angie, who comes to Hong Kong to do some field research for her study of Chinese superstitions. She gets a bit more than she bargained for when she rents an apartment haunted by the spirit of a spurned singer. As if fending off ghosts wasn't bad enough, Angie also has to deal with the unwanted affections of a sleazy con-man (Raymond Wong, All's Well Ends Well), as well as the sweet-talking detective (Chow) who vows to solve her supernatural case. Chow requires a little otherworldly help of his own after Angie's body is taken over by the ghost, who's hell-bent on reenacting the murder-suicide that ended her life. The Occupant's evenhanded mix of Creepy and Crazy foreshadows Yu's later work on American horror flicks like Bride of Chucky, and although Chow is operating largely in comedic mode, his role as a fearless police detective looks forward to his later heroic bloodshed collaborations with John Woo. But this is Sally Yeh's show, and her wonderful split-personality performance as a naive student of the supernatural possessed by the ghost of a sultry singing chanteuse is what ultimately makes the film a success. (synopsis from www.yesasia.com)